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Author: Phillip Truckenbrod Publisher: ISBN: 9781735406305 Category : Languages : en Pages :
Book Description
At the beginning of the twentieth century the pipe organ was a major source of music for live audience consumption. As the century unfolded the organ had to yield a portion of the stage to upstart symphony orchestras, but despite rapidly changing musical tastes it remained a major player. The second half of the 20th century and the beginning of the 21st, however, had become a challenging period for both organists and their booking agents. This is the story of one of the two agencies which dominated the American scene during that period, as told by the man who ventured from a Lutheran pulpit in New York City into the highly competitive and somewhat rarified world of performance musicians, with a stop along the way in the city room of a major American daily newspaper. Were these organists and their agents a bickering mostly gay tribe defined by jealousies, or a self-protective band of loyalists defined by mutual love of and sacrifice for the King of Instruments? This book is part memoir, part historical account, and part commentary. It is also a peek behind the scenes of how the art of organ performance survived into the 21st century.
Author: Phillip Truckenbrod Publisher: ISBN: 9781735406305 Category : Languages : en Pages :
Book Description
At the beginning of the twentieth century the pipe organ was a major source of music for live audience consumption. As the century unfolded the organ had to yield a portion of the stage to upstart symphony orchestras, but despite rapidly changing musical tastes it remained a major player. The second half of the 20th century and the beginning of the 21st, however, had become a challenging period for both organists and their booking agents. This is the story of one of the two agencies which dominated the American scene during that period, as told by the man who ventured from a Lutheran pulpit in New York City into the highly competitive and somewhat rarified world of performance musicians, with a stop along the way in the city room of a major American daily newspaper. Were these organists and their agents a bickering mostly gay tribe defined by jealousies, or a self-protective band of loyalists defined by mutual love of and sacrifice for the King of Instruments? This book is part memoir, part historical account, and part commentary. It is also a peek behind the scenes of how the art of organ performance survived into the 21st century.
Author: Kevin Corby Bowyer Publisher: ISBN: Category : Languages : en Pages : 154
Book Description
Newlyweds George and Alice live an idyllic life. George is an archaeologist - Alice, the pretty daughter of a Hertfordshire baker. But trouble is brewing for them, threatening not only their marriage but their very lives.Rose - quiet, middle-aged and keenly missing her recently dead mother - lives alone in a remote clifftop cottage on the North Yorkshire coast. She's the very last of her family. A few of her ancestors were blessed (or cursed) with special gifts. Some called them "wise women", others called them "witches", but those powers faded out of the family decades ago - or did they?Binding George, Alice and Rose together is the Boulby Cliff House garden. There are secrets in the soil - and the potting shed seems oddly inviting...
Author: Orpha Ochse Publisher: Indiana University Press ISBN: 9780253214232 Category : Music Languages : en Pages : 292
Book Description
The art of the organist in nineteenth-century France and Belgium is a rags-to-riches story full of extraordinary problems and changes. Devastated by the French Revolution, the organ profession rose from desperate circumstances to a period of remarkable brilliance. By the end of the nineteenth century, organ playing was enthusiastically applauded and had been thoroughly integrated in the musical life of Paris. This account is not just a record of stellar events and famous names: it includes failures, all-but-forgotten musicians, and unexpected encounters. In a carefully documented study that is both scholarly and engaging. Orpha Ochse traces three major aspects of the organist's art: the development of the secular recital, the organist as church musician, and the education of organists. In addition to presenting a comprehensive view of the organ profession in France and Belgium throughout the period, she offers a new perspective on nineteenth-century music in general.
Author: Flor Peeters Publisher: Alfred Music ISBN: 9781457403583 Category : Music Languages : en Pages : 130
Book Description
The renowned Flor Peeters is known as an organist and composer from his native Belgium to all of Europe and both Americas. Little Organ Book, consisting of hymn tunes and original compositions, has won special favor among teachers and students because of the clear presentation of elementary rules for organ playing.
Author: John Stainer Publisher: Courier Corporation ISBN: 9780486430799 Category : Music Languages : en Pages : 150
Book Description
This classic method for beginners provides a brief history of the instrument, an explanation of organ construction, a discussion of the various stops and their management, a section devoted to practical study, and several pieces.
Author: Timothy Day Publisher: Penguin UK ISBN: 0241352193 Category : Music Languages : en Pages : 367
Book Description
The sound of the choir of King's College, Cambridge - its voices perfectly blended, its emotions restrained, its impact sublime - has become famous all over the world, and for many, the distillation of a particular kind of Englishness. This is especially so at Christmas time, with the broadcast of the Festival of Nine Lessons and Carols, whose centenary is celebrated this year. How did this small band of men and boys in a famous fenland town in England come to sing in the extraordinary way they did in the twentieth and early twenty-first centuries? It has been widely assumed that the King's style essentially continues an English choral tradition inherited directly from the Middle Ages. In this original and illuminating book, Timothy Day shows that this could hardly be further from the truth. Until the 1930s, the singing at King's was full of high Victorian emotionalism, like that at many other English choral foundations well into the twentieth century. The choir's modern sound was brought about by two intertwined revolutions, one social and one musical. From 1928, singing with the trebles in place of the old lay clerks, the choir was fully made up of choral scholars - college men, reading for a degree. Under two exceptional directors of music - Boris Ord from 1929 and David Willcocks from 1958 - the style was transformed and the choir broadcast and recorded until it became the epitome of English choral singing, setting the benchmark for all other choral foundations either to imitate or to react against. Its style has now been taken over and adapted by classical performers who sing both sacred and secular music in secular settings all over the world with a precision inspired by the King's tradition. I Saw Eternity the Other Night investigates the timbres of voices, the enunciation of words, the use of vibrato. But the singing of all human beings, in whatever style, always reflects in profound and subtle ways their preoccupations and attitudes to life. These are the underlying themes explored by this book.
Author: Mark Schweizer Publisher: ISBN: 9780984484607 Category : North Carolina Languages : en Pages : 192
Book Description
"Police chief Hayden Konig is a lucky man. He's wealthy, he enjoys his work, he has a loving wife, good friends, and lives in the quaintest, most picturesque town in the North Carolina mountains. With all this going for him, you d think he d be satisfied. He's not. He longs to be a writer, a hard-boiled, noir detective word-slinger worthy of the 1939 Underwood No. 5 sitting on his desk a typewriter once owned by Raymond Chandler. You'd think a machine like this would help. It doesn't. As a detective, Chief Konig is at the top of his game. As the organist at St. Barnabas Episcopal Church, he can play with the best of them. But as a writer, Hayden produces more bad prose than the St. Germaine Garden Club s annual poetry review. ... What do the bones of an ancient king, a scoodle of skunks, a farm auction, the best Christmas parade ever, and an obnoxious deacon have to do with the dead body floating in Lake Tannenbaum? Maybe nothing. Maybe everything. It's up to Hayden to pull all the clues together like two cousins in a Kentucky hayloft. After all, Epiphany is right around the corner!"--P. [4] of cover.
Author: Jan Overduin Publisher: ISBN: Category : Music Languages : en Pages : 248
Book Description
Keyboard improvisation is often considered the domain of the musical genius, a perception created no doubt by masters from Bach and Mozart to Liszt. The capacity to express one's musical thoughts spontaneously and coherently, however, presumes neither a virtuosic command of the instrument nor a sublime command of compositional theory. Assuming only an elementary background in harmony, each of Overduin's 32 lessons focuses on a specific harmonic, melodic, or structural topic designed to provoke experimentation and to develop improvisatory skills, starting with simple melodies and improvising on one or two chords. Subsequent exercises expand the harmonic vocabulary and incorporate a range of techniques including variation, ostinato, sequence, ornamentation, and figuration. Written in an engaging style and featuring numerous accessible musical exercises,Making Musicis the ideal introduction to this essential skill.
Author: Noel Jones Publisher: Createspace Independent Pub ISBN: 9781479193455 Category : Music Languages : en Pages : 72
Book Description
For a pianist or organist new to playing the organ.This book has been written for the pianist who has never played an organ or an organist unfamiliar with the Roland, Rodgers or Infinity organs, but may be used by an experienced organist as well. Designed to be used for self-teaching but also useful when studying with a teacher.The Playing the Church Organ series is also useful for the experienced organist as it quickly introduces you to using all the stops on the organ, ones named on the stop tablets or drawknobs, and all that are waiting inside for you to call on them to more perfectly match the stops you choose to the music you are playing.This innovative teaching system works backwards - the goal is not to teach you all about playing the organ, it's to get you playing the organ with confidence and sounding professional from the first day you play, even if you have never had an organ lesson and just know how to play piano or a keyboard.Technique:We achieve this by starting you off with preset sounds, just as a teacher does, but here you control them yourself, right from the beginning. All that you need to learn to get started are three things:• Pressing Piston Buttons.When you press a piston button, the organ is ready for you to play. We have picked music for you that only uses the keyboards. This isn't simplified music - there has been a lot of organ music written for organs without pedals - in fact, even during the time of Handel, many organs only had keyboards. You will find the number of the piston to push at the top of the music - then you just begin to play. • Which Keyboard to Play?We mark every piece for you so you know which keyboard you [play.• The Expression Pedal Sets the Volume.You'll be surprised when you find out that the organ is not as difficult as you are able to focus more on playing the notes instead of also making them loud or soft or somewhere in between. • What happens then?“But...do I have to play the pedals?” You will find organ music written without pedals in books 1-4 that is easy to medium difficulty. As you play through the music you will be using 10 preset sound combinations that are enough to play services, including weddings and memorial services. This book also hows you how to use the Bass Coupler to play the pedals for you automatically on some of the music - we do this to get you excited and interested in playing them yourself.• This first book contains 33 pieces of useful music for you to enjoy playing the voices you are learning about. • The first four books in this series are a complete course in music for the organ, as well as exploring the stops of the organ.• Careful attention to encouraging you through lots of interesting music that is playable and that your congregation will appreciate. • These books may be used with or without a teacher.• Book 13 - A Playing Guide to the Roland, Rodgers and Infinity Organs is a good companion guide to this series qof instruments.
Author: Phillip Truckenbrod
Author: Phillip Truckenbrod
Author: Kevin Corby Bowyer
Author: Mark Abley
Author: Orpha Ochse
Author: Flor Peeters
Author: John Stainer
Author: Timothy Day
Author: Mark Schweizer
Author: Jan Overduin
Author: Noel Jones