Author: Mark Wicks
Publisher:
ISBN:
Category : Crafts & Hobbies
Languages : en
Pages : 326
Book Description
Organ Building for Amateurs
Author: Mark Wicks
Publisher:
ISBN:
Category : Crafts & Hobbies
Languages : en
Pages : 326
Book Description
Publisher:
ISBN:
Category : Crafts & Hobbies
Languages : en
Pages : 326
Book Description
Practical Organ-building
Author: William Edward Dickson
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 248
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 248
Book Description
How to Build a Small Two-manual Chamber Pipe Organ
Author: Herbert Frank Milne
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 204
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 204
Book Description
The Making of the Victorian Organ
Author: Nicholas Thistlethwaite
Publisher: Cambridge University Press
ISBN: 9780521663649
Category : Music
Languages : en
Pages : 616
Book Description
This important 1990 book provides a comprehensive survey of English organ building during the most innovative fifty years in its history.
Publisher: Cambridge University Press
ISBN: 9780521663649
Category : Music
Languages : en
Pages : 616
Book Description
This important 1990 book provides a comprehensive survey of English organ building during the most innovative fifty years in its history.
The Art of Organ-building
Author: George Ashdown Audsley
Publisher:
ISBN:
Category : Organ
Languages : en
Pages : 794
Book Description
Publisher:
ISBN:
Category : Organ
Languages : en
Pages : 794
Book Description
Organ-building in Georgian and Victorian England
Author: Nicholas Thistlethwaite
Publisher: Music in Britain
ISBN: 9781783274673
Category : Music
Languages : en
Pages : 0
Book Description
Established for the building of keyboard instruments, by the mid-1790s the workshop of brothers Robert and William Gray had become one of the leading organ-makers in London, with instruments in St Paul's, Covent Garden and St Martin-in-the-Fields. Under William's son John Gray, the firm built some of the largest English organs of the 1820s and 1830s, as well as exporting major instruments to Boston and Charleston in the United States. In the early 1840s, with the marriage of John Gray's daughter to Frederick Davison - a member of the circle of Bach-enthusiasts around the composer Samuel Wesley - the firm became 'Gray & Davison'. Davison was a progressive figure who reformed workshop practices, commissioned a purpose-built organ factory in Euston Road and opened a branch workshop in Liverpool to exploit the booming market for church organs in Lancashire and the north-west. Under Davison's management, the firm was responsible for significant mechanical and musical innovations, especially in the design of concert organs. Instruments such as those built in the 1850s for Glasgow City Hall, the Crystal Palace and Leeds Town Hall were heavily influenced by contemporary French practice; they were designed to perform a repertoire dominated by orchestral transcriptions. Many of the instruments made by the firm have been lost or altered; but the surviving organs in St Anne, Limehouse (1851), Usk Parish Church (1861) and Clumber Chapel (1889) testify to the quality and importance of Gray & Davison's work. This book charts the firm's history from its foundation in 1772 to Frederick Davison's death in 1889. At the same time, it describes changes in musical taste and liturgical use and explores such topics as provincial music festivals, the town hall organ, domestic music-making and popular entertainment, the building of churches and the impact on church music of the Evangelical and Tractarian movements. It will appeal to organ aficionados interested in the evolution of the English organ in the later Georgian and Victorian eras, as well as other music scholars and cultural historians. NICHOLAS THISTLETHWAITE has written extensively on the history of the English organ and other aspects of English church music, and his book, The making of the Victorian organ (1990) is recognised as the standard work on the subject. He has acted as consultant for the restoration and rebuilding of organs, most recently at St Edmundsbury Cathedral and Christ Church
Publisher: Music in Britain
ISBN: 9781783274673
Category : Music
Languages : en
Pages : 0
Book Description
Established for the building of keyboard instruments, by the mid-1790s the workshop of brothers Robert and William Gray had become one of the leading organ-makers in London, with instruments in St Paul's, Covent Garden and St Martin-in-the-Fields. Under William's son John Gray, the firm built some of the largest English organs of the 1820s and 1830s, as well as exporting major instruments to Boston and Charleston in the United States. In the early 1840s, with the marriage of John Gray's daughter to Frederick Davison - a member of the circle of Bach-enthusiasts around the composer Samuel Wesley - the firm became 'Gray & Davison'. Davison was a progressive figure who reformed workshop practices, commissioned a purpose-built organ factory in Euston Road and opened a branch workshop in Liverpool to exploit the booming market for church organs in Lancashire and the north-west. Under Davison's management, the firm was responsible for significant mechanical and musical innovations, especially in the design of concert organs. Instruments such as those built in the 1850s for Glasgow City Hall, the Crystal Palace and Leeds Town Hall were heavily influenced by contemporary French practice; they were designed to perform a repertoire dominated by orchestral transcriptions. Many of the instruments made by the firm have been lost or altered; but the surviving organs in St Anne, Limehouse (1851), Usk Parish Church (1861) and Clumber Chapel (1889) testify to the quality and importance of Gray & Davison's work. This book charts the firm's history from its foundation in 1772 to Frederick Davison's death in 1889. At the same time, it describes changes in musical taste and liturgical use and explores such topics as provincial music festivals, the town hall organ, domestic music-making and popular entertainment, the building of churches and the impact on church music of the Evangelical and Tractarian movements. It will appeal to organ aficionados interested in the evolution of the English organ in the later Georgian and Victorian eras, as well as other music scholars and cultural historians. NICHOLAS THISTLETHWAITE has written extensively on the history of the English organ and other aspects of English church music, and his book, The making of the Victorian organ (1990) is recognised as the standard work on the subject. He has acted as consultant for the restoration and rebuilding of organs, most recently at St Edmundsbury Cathedral and Christ Church
Arp Schnitger, Organ Builder
Author: Peggy Kelley Reinburg
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 200
Book Description
Peggy Kelley Reinburg has written the first comprehensive book in English to chronicle the remarkable achievements of Arp Schnitger, whose influence extends to the twentieth century with the current interest in Baroque instruments and performance practice. The book gives an account of organ-building activity in North Germany and the Netherlands prior to Schnitger, describes in detail many of his constructions as they related to various periods in his life, and comments on Schnitger's impact on trends in organ building. Specifications are given for twenty-two extant organs, and appendixes include a glossary of German-English technical terms, complete scalings for several Schnitger organs, and a chronological listing of all Schnitger instruments.
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 200
Book Description
Peggy Kelley Reinburg has written the first comprehensive book in English to chronicle the remarkable achievements of Arp Schnitger, whose influence extends to the twentieth century with the current interest in Baroque instruments and performance practice. The book gives an account of organ-building activity in North Germany and the Netherlands prior to Schnitger, describes in detail many of his constructions as they related to various periods in his life, and comments on Schnitger's impact on trends in organ building. Specifications are given for twenty-two extant organs, and appendixes include a glossary of German-English technical terms, complete scalings for several Schnitger organs, and a chronological listing of all Schnitger instruments.
Hamburg's Role in Northern European Organ Building
Author: Gustav Fock
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 170
Book Description
Contains information about German organbuilders, including Heinrich Niehoff, Jacob Scherer, Dirck Hoyer, Hans Bockelmann, Hans Scherer, the younger and elder, Gottfried and Hans Christoph Fritzsche, Arp Schnitger, Friedrich Besser, Gregorius Vogel, Joachim Richborn, and Friedrich Stellwagen.
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 170
Book Description
Contains information about German organbuilders, including Heinrich Niehoff, Jacob Scherer, Dirck Hoyer, Hans Bockelmann, Hans Scherer, the younger and elder, Gottfried and Hans Christoph Fritzsche, Arp Schnitger, Friedrich Besser, Gregorius Vogel, Joachim Richborn, and Friedrich Stellwagen.
Cavaillé-Coll's Monumental Organ Project for Saint Peter's, Rome
Author: Ronald Ebrecht
Publisher:
ISBN: 9780739167281
Category : Architecture
Languages : en
Pages : 0
Book Description
Aristide Cavaill -Coll (1811-1899) is often referred to as the greatest organ builder of all time. The pipe-organ, being the most complicated musical instrument mechanically and tonally, as well as the most expensive, adds significantly to that world's greatest designation. The talents required to be such a person range far from music-making to advanced physics, architecture, and engineering. That, plus the obvious knack to raise vast sums of money. Cavaill -Coll's Monumental Organ Project for Saint Peter's, Rome: Bigger Than Them All, by Ronald Ebrecht, is the story of the quest to build the largest-ever mechanical-action organ in the biggest church at the time. Cavaill -Coll's model for that organ and the book he wrote outlining his proposal are the core of Ebrecht's discussion. Cavaill -Coll bestrode a century as well as an art-form. His century complicated the project with the most intricate, intractable problems. Saint-Peter's Square, now a part of the Vatican City State, was then part of the newly-united Italy, which had just deposed the pope as ruler of the center of Italy and taken the papal lands. The east end of the basilica facing the square and the Tiber became a much disputed boundary. It was a part of the Italian state so hotly contested that the Italian Republicans would not accept the concept of an organ hanged from the basilica wall, lest it shift. Before, or since, has the music sphere ever provoked such a question that could bring nations to swords?
Publisher:
ISBN: 9780739167281
Category : Architecture
Languages : en
Pages : 0
Book Description
Aristide Cavaill -Coll (1811-1899) is often referred to as the greatest organ builder of all time. The pipe-organ, being the most complicated musical instrument mechanically and tonally, as well as the most expensive, adds significantly to that world's greatest designation. The talents required to be such a person range far from music-making to advanced physics, architecture, and engineering. That, plus the obvious knack to raise vast sums of money. Cavaill -Coll's Monumental Organ Project for Saint Peter's, Rome: Bigger Than Them All, by Ronald Ebrecht, is the story of the quest to build the largest-ever mechanical-action organ in the biggest church at the time. Cavaill -Coll's model for that organ and the book he wrote outlining his proposal are the core of Ebrecht's discussion. Cavaill -Coll bestrode a century as well as an art-form. His century complicated the project with the most intricate, intractable problems. Saint-Peter's Square, now a part of the Vatican City State, was then part of the newly-united Italy, which had just deposed the pope as ruler of the center of Italy and taken the papal lands. The east end of the basilica facing the square and the Tiber became a much disputed boundary. It was a part of the Italian state so hotly contested that the Italian Republicans would not accept the concept of an organ hanged from the basilica wall, lest it shift. Before, or since, has the music sphere ever provoked such a question that could bring nations to swords?
Organ Building for Amateurs
Author: Mark Wicks
Publisher:
ISBN: 9781331912309
Category : Crafts & Hobbies
Languages : en
Pages : 320
Book Description
Excerpt from Organ Building for Amateurs: A Practical Guide for Home-Workers; Containing Specifications, Designs, and Full Instructions for Making Every Portion of the Instrument In submitting this life work to the public I must, in the first instance, warn the reader that it is not written with the intention of dealing exhaustively with organ building generally, but, as its title implies, only with that particular phase which comes within the means and scope of an intelligent amateur workman. Therefore, such refinements as electric and pneumatic actions, not being required in small instruments, find no place in this work, but everything of interest to a home-worker is touched upon in a thoroughly practical manner. There are many works on the subject to which builders, purchasers, or general readers may resort for information respecting organs, but the instructions contained in most of these works being limited to general, and often vague, description, are of little service to an ordinary amateur desirous of building the instrument himself, as in most cases the idea of building an organ at home is taken up by persons having little knowledge of the construction of the instrument which they so ardently desire to possess. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Publisher:
ISBN: 9781331912309
Category : Crafts & Hobbies
Languages : en
Pages : 320
Book Description
Excerpt from Organ Building for Amateurs: A Practical Guide for Home-Workers; Containing Specifications, Designs, and Full Instructions for Making Every Portion of the Instrument In submitting this life work to the public I must, in the first instance, warn the reader that it is not written with the intention of dealing exhaustively with organ building generally, but, as its title implies, only with that particular phase which comes within the means and scope of an intelligent amateur workman. Therefore, such refinements as electric and pneumatic actions, not being required in small instruments, find no place in this work, but everything of interest to a home-worker is touched upon in a thoroughly practical manner. There are many works on the subject to which builders, purchasers, or general readers may resort for information respecting organs, but the instructions contained in most of these works being limited to general, and often vague, description, are of little service to an ordinary amateur desirous of building the instrument himself, as in most cases the idea of building an organ at home is taken up by persons having little knowledge of the construction of the instrument which they so ardently desire to possess. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.