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Orchestral Conducting in the Nineteenth Century

Orchestral Conducting in the Nineteenth Century PDF Author: Roberto Illiano
Publisher: Brepols Publishers
ISBN: 9782503552477
Category : Conducting
Languages : en
Pages : 0

Book Description
The nineteenth century witnessed the birth of the public figure of the orchestral conductor. Like composers and performers, orchestral conductors registered the transformed concept of the 'musical work'. Whilst the Industrial Revolution generated new types of profession, the orchestral conductor's career emerged, as an outcome of the greater consideration that was devoted to the act of 'performance'. In the present volume nineteen scholars explore historical and sociological phenomena connected to the nineteenth-century system of performance and musical production in which the orchestral conductor worked. A number of chapters investigate the musical performances of famous orchestral conductors; conducting by renowned composers (including Berlioz, Bottesini, Charpentier, Liszt, Mendelssohn, Paganini and Rolla) and orchestral treatises for military bands. The authors featured are: Fabrizio Ammetto, Maria Teresa Arfini, Remy Campos, Paola Cannas, Antonio Carlini, Claudia Colombati, Mariateresa Dellaborra, Gilles Demonet, Elisa Grossato, Emmanuel Herve, Etienne Jardin, Walter Kurt Kreyszig, Naomi Matsumoto, Michela Niccolai, Fiona M. Palmer, Rudolf Rasch, Renato Ricco, Gesine Schroder, Ruben Vernazza.

Orchestral Conducting in the Nineteenth Century

Orchestral Conducting in the Nineteenth Century PDF Author: Roberto Illiano
Publisher: Brepols Publishers
ISBN: 9782503552477
Category : Conducting
Languages : en
Pages : 0

Book Description
The nineteenth century witnessed the birth of the public figure of the orchestral conductor. Like composers and performers, orchestral conductors registered the transformed concept of the 'musical work'. Whilst the Industrial Revolution generated new types of profession, the orchestral conductor's career emerged, as an outcome of the greater consideration that was devoted to the act of 'performance'. In the present volume nineteen scholars explore historical and sociological phenomena connected to the nineteenth-century system of performance and musical production in which the orchestral conductor worked. A number of chapters investigate the musical performances of famous orchestral conductors; conducting by renowned composers (including Berlioz, Bottesini, Charpentier, Liszt, Mendelssohn, Paganini and Rolla) and orchestral treatises for military bands. The authors featured are: Fabrizio Ammetto, Maria Teresa Arfini, Remy Campos, Paola Cannas, Antonio Carlini, Claudia Colombati, Mariateresa Dellaborra, Gilles Demonet, Elisa Grossato, Emmanuel Herve, Etienne Jardin, Walter Kurt Kreyszig, Naomi Matsumoto, Michela Niccolai, Fiona M. Palmer, Rudolf Rasch, Renato Ricco, Gesine Schroder, Ruben Vernazza.

A History of Orchestral Conducting

A History of Orchestral Conducting PDF Author: Elliott W. Galkin
Publisher: Pendragon Press
ISBN: 9780918728470
Category : Conducting
Languages : en
Pages : 944

Book Description
Although the bibliography of literature about personalities in the conducting world is extensive, a comprehensive, scholarly study of the history of conducting has been sorely lacking. Georg Schünemann's respected study, published in 1913, was brief and restricted to the procedures of time-beating. No work has attempted to examine the role of the orchestral conductor and to document the evolution of his art from historical, technical, and aesthetic perspectives. Dr. Elliott W. Galkin, musicologist, conductor, and critic-twice winner of the Deems Taylor award for distinguished writing about music-has produced such a work in A History of Orchestral Conducting. The central historical section of the book, which examines chronologically the theories and functions of time-beating and interpretative concepts of performance, is preceded by discussions of rhythm, development of the orchestral medium, and the evolving characteristics of orchestration. Conductors of unusual pivotal influence are examined in depth, as is the increasingly complex psychology of the podium. Critical writings since the time of Monteverdi and the birth of the orchestra are surveyed and compared. Analyses of conducting as an art and craft by musicians from Berlioz to Bernstein and commentators from Mattheson, Bernard Shaw, and Thomas Mann to Jacques Barzun, are described and discussed. A fascinating collection of engravings, wood cuts, photographs and caricatures contributes to the richness of this work.

Orchestral Performance Practices in the Nineteenth Century

Orchestral Performance Practices in the Nineteenth Century PDF Author: Daniel J. Koury
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 440

Book Description


A Conductor's Guide to Nineteenth-century Choral-orchestral Works

A Conductor's Guide to Nineteenth-century Choral-orchestral Works PDF Author: Jonathan D. Green
Publisher: Scarecrow Press
ISBN: 9780810860469
Category : Music
Languages : en
Pages : 356

Book Description
This text serves as a field guide to the principal choral-orchestral repertoire of the nineteenth century. It provides conductors with the information they will need to make programming decisions, and it provides scholars with a starting point for research on these works.

The Orchestra from Beethoven to Berlioz

The Orchestra from Beethoven to Berlioz PDF Author: Adam Carse
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 536

Book Description


Eight Symphonic Masterworks of the Nineteenth Century

Eight Symphonic Masterworks of the Nineteenth Century PDF Author: Leonard Slatkin
Publisher: Rowman & Littlefield
ISBN: 1538187205
Category : Music
Languages : en
Pages : 233

Book Description
Based on his decades of experience conducting these works, Leonard Slatkin guides readers through eight of the most beloved orchestral pieces of the nineteenth century: · Ludwig van Beethoven’s Symphony No. 3, “Eroica” · Modest Mussorgsky’s Pictures at an Exhibition (orch. Maurice Ravel) · Hector Berlioz’s Symphonie Fantastique · Johannes Brahms’s Symphony No. 1 · Antonín Dvořák’s Symphony No. 9, “From the New World” · Jean Sibelius’s Symphony No. 2 · Nikolai Rimsky-Korsakov’s Scheherazade · Pyotr Ilyich Tchaikovsky’s Symphony No. 6, “Pathétique” Slatkin tackles problems conductors face before stepping onto the podium and highlights the many decisions they make during the study process, as well as in rehearsal and performance, to bring a score to life. He also shares tricks of the trade for leading efficient rehearsals and recounts engaging anecdotes from a lifetime of music making. This book will open the world of score study to conductors, other musicians, and students interested in expanding their knowledge of this essential repertoire.

A History of the Orchestra in the First Half of the 19th Century and of the Development of Orchestral Baton-conducting

A History of the Orchestra in the First Half of the 19th Century and of the Development of Orchestral Baton-conducting PDF Author: Adam Carse
Publisher:
ISBN:
Category :
Languages : en
Pages : 514

Book Description


The Techniques of Orchestral Conducting by Ilia Musin

The Techniques of Orchestral Conducting by Ilia Musin PDF Author: Ilia Musin
Publisher:
ISBN: 9780773400511
Category : Music
Languages : en
Pages : 701

Book Description
An English translation of the conducting methodolgy of Professor Ilia Musin, the creator of the Leningrad/St Petersburg school of conducting. It offers English-speaking conducting students, pedagogues, and professional conductors access to Ilia Musin's legacy.

A Graduate Conducting Recital: Selected Orchestral Works of Nineteenth-century Russian Composers

A Graduate Conducting Recital: Selected Orchestral Works of Nineteenth-century Russian Composers PDF Author:
Publisher:
ISBN:
Category : Dissertations, Academic
Languages : en
Pages :

Book Description


American Orchestras in the Nineteenth Century

American Orchestras in the Nineteenth Century PDF Author: John Spitzer
Publisher: University of Chicago Press
ISBN: 0226769771
Category : History
Languages : en
Pages : 504

Book Description
Studies of concert life in nineteenth-century America have generally been limited to large orchestras and the programs we are familiar with today. But as this book reveals, audiences of that era enjoyed far more diverse musical experiences than this focus would suggest. To hear an orchestra, people were more likely to head to a beer garden, restaurant, or summer resort than to a concert hall. And what they heard weren’t just symphonic works—programs also included opera excerpts and arrangements, instrumental showpieces, comic numbers, and medleys of patriotic tunes. This book brings together musicologists and historians to investigate the many orchestras and programs that developed in nineteenth-century America. In addition to reflecting on the music that orchestras played and the socioeconomic aspects of building and maintaining orchestras, the book considers a wide range of topics, including audiences, entrepreneurs, concert arrangements, tours, and musicians’ unions. The authors also show that the period saw a massive influx of immigrant performers, the increasing ability of orchestras to travel across the nation, and the rising influence of women as listeners, patrons, and players. Painting a rich and detailed picture of nineteenth-century concert life, this collection will greatly broaden our understanding of America’s musical history.