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Author: Ruth Finnegan Publisher: ISBN: 9781906924713 Category : Social Science Languages : en Pages : 614
Book Description
Ruth Finnegan's Oral Literature in Africa was first published in 1970, and since then has been widely praised as one of the most important books in its field. Based on years of fieldwork, the study traces the history of storytelling across the continent of Africa. This revised edition makes Finnegan's ground-breaking research available to the next generation of scholars. It includes a new introduction, additional images and an updated bibliography, as well as its original chapters on poetry, prose, "drum language" and drama, and an overview of the social, linguistic and historical background of oral literature in Africa. This book is the first volume in the World Oral Literature Series, an ongoing collaboration between OBP and World Oral Literature Project. A free online archive of recordings and photographs that Finnegan made during her fieldwork in the late 1960s is hosted by the World Oral Literature Project (http: //www.oralliterature.org/collections/rfinnegan001.html) and can also be accessed from publisher's website.
Author: Nnadube Ejiogu Publisher: GRIN Verlag ISBN: 3346171302 Category : Literary Collections Languages : en Pages : 19
Book Description
Essay from the year 2020 in the subject Literature - Africa, grade: 2.5, University of Lagos, language: English, abstract: This paper aims to answer the question of how Adeymi Daramola ́s poem "Coronavirus Pandemic" serves as a paragon for African oral Construction on more general basis. Poetry continues to provide the place of mirroring the existential reality of the society. The exactitude in this is what animates the architecture of Adeyemi Daramola's "Coronavirus Pandemic." Admittedly, it has shamelessly but viciously become the metaphorical clog in the wheels of our global collective progress. This global issue is gradually serving as a raw material for literature, validating the truth that literature reflects the society. There is no gainsaying that there is a symbiotic relationship between the pair so that what affects one, quite naturally, impinges on the other. Without doubt, the situation has served as a tool in the construction of Adeyemi Daramola's "Coronavirus Pandemic." Daramola, through his poem, lends his voice to the numerous voices that have registered their concern on the influx of the virus and its consequential effect. The poet reaches into the vast repository of oral literature in providing an African interpretation of a Western-named global pandemic experience. He aesthetically weaves traditional nuances into the poem with a polish of sound, while rhythmically and linguistically nativizing the piece, touching base with African orality conventions as he attempts to address an existing reality of a globally shared horrifying experience. Given this schema, this paper is bound to the bane of using the analytical tool of orality in appreciating Daramola's artistic craft.
Author: Isidore Okpewho Publisher: Indiana University Press ISBN: 9780253207104 Category : Literary Criticism Languages : en Pages : 412
Book Description
". . . its pages come alive with wonderful illustrative material coupled with sensitve and insightful commentary." —Reviews in Anthropology " . . . the scope, breadth, and lucidity of this excellent study confirm that Okpewho is undoubtedly the most important authority writing on African oral literature right now . . . " —Research in African Literatures "Truly a tour de force of individual scholarship . . . " —World Literature Today " . . . excellent . . . " —African Affairs " . . . a thorough synthesis of the main issues of oral literature criticism, as well as a grounding in experienced fieldwork, a wide-ranging theoretical base, and a clarity of argument rare among academics." —Multicultural Review "This is a breathtakingly ambitious project . . . " —Harold Scheub " . . . a definitive accounting of the evidence of living oral traditions in Africa today. Professor Okpewho's authority as an expert in this important new field is unrivaled." —Gregory Nagy "Isidore Okpewho's African Oral Literature is a marvelous piece of scholarship and wide-ranging research. It presents the most comprehensive survey of the field of oral literature in Africa." —Emmanuel Obiechina " . . . a tour de force of scholarship in which Okpewho casts his net across the African continent, searching for its verbal forms through voluminous recent writings and presents African oral literature in a new voice, proclaiming the literariness of African folklore." —Dan Ben-Amos "This is an outstanding book by a scholar whose work has already influenced how African literature should be conceived. . . . Professor Okpewho is a scholar with a special talent to nurture scholarship in others. After this work, African literature will never be the same." —Mazisi Kunene Isidore Okpewho, for many years Professor of English at the University of Ibadan, is one of the handful of African scholars who has facilitated the growth of African oral literature to its status today as a literary enterprise concerned with the artistic foundations of human culture. This comprehensive critical work firmly establishes oral literature as a landmark of high artistic achievement and situates it within the broader framework of contemporary African culture.
Author: Akintunde Akinyemi Publisher: Springer Nature ISBN: 3030555178 Category : Social Science Languages : en Pages : 1041
Book Description
This handbook offers the most comprehensive, analytic, and multidisciplinary study of oral traditions and folklore in Africa and the African Diaspora to date. Preeminent scholars Akintunde Akinyemi and Toyin Falola assemble a team of leading and rising stars across African Studies research to retrieve and renew the scholarship of oral traditions and folklore in Africa and the Diaspora just as critical concerns about their survival are pushed to the forefront of the field. With five sections on the central themes within orality and folklore – including engagement ranging from popular culture to technology, methods to pedagogy – this handbook is an indispensable resource to scholars, students, and practitioners of oral traditions and folklore preservation alike. This definitive reference is the first to provide detailed, systematic discussion, and up-to-date analysis of African oral traditions and folklore.
Author: Abdul-Rasheed Na'Allah Publisher: Routledge ISBN: 1000227987 Category : Art Languages : en Pages : 151
Book Description
This book traces Dàdàkúàdá’s history and artistic vision and discusses its vibrancy as the most popular traditional Yoruba oral art form in Islamic Africa. Foregrounding the role of Dàdàkúàdá in Ilorin, and of Ilorin in Dàdàkúàdá the book covers the history, cultural identity, performance techniques, language, social life and relationship with Islam of the oral genre. The author examines Dàdàkúàdá’s relationship with Islam and discusses how the Dàdàkúàdá singers, through their songs and performances, are able to accommodate Islam in ways that have ensured their continued survival as a traditional African genre in a predominantly Muslim community. This book will be of interest to scholars of traditional African culture, African art history, performance studies and Islam in Africa.