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Oral Literature and the Formula

Oral Literature and the Formula PDF Author: Benjamin A. Stolz
Publisher:
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 324

Book Description


Oral Literature and the Formula

Oral Literature and the Formula PDF Author: Benjamin A. Stolz
Publisher:
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 324

Book Description


Oral Literature in Africa

Oral Literature in Africa PDF Author: Ruth Finnegan
Publisher: Open Book Publishers
ISBN: 1906924708
Category : Social Science
Languages : en
Pages : 614

Book Description
Ruth Finnegan's Oral Literature in Africa was first published in 1970, and since then has been widely praised as one of the most important books in its field. Based on years of fieldwork, the study traces the history of storytelling across the continent of Africa. This revised edition makes Finnegan's ground-breaking research available to the next generation of scholars. It includes a new introduction, additional images and an updated bibliography, as well as its original chapters on poetry, prose, "drum language" and drama, and an overview of the social, linguistic and historical background of oral literature in Africa. This book is the first volume in the World Oral Literature Series, an ongoing collaboration between OBP and World Oral Literature Project. A free online archive of recordings and photographs that Finnegan made during her fieldwork in the late 1960s is hosted by the World Oral Literature Project (http: //www.oralliterature.org/collections/rfinnegan001.html) and can also be accessed from publisher's website.

Oral Literature and the Formula

Oral Literature and the Formula PDF Author: Benjamin A. Stolz
Publisher:
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 316

Book Description


A Poet's Glossary

A Poet's Glossary PDF Author: Edward Hirsch
Publisher: HarperCollins
ISBN: 0547737467
Category : Poetry
Languages : en
Pages : 683

Book Description
A major addition to the literature of poetry, Edward Hirsch’s sparkling new work is a compilation of forms, devices, groups, movements, isms, aesthetics, rhetorical terms, and folklore—a book that all readers, writers, teachers, and students of poetry will return to over and over. Hirsch has delved deeply into the poetic traditions of the world, returning with an inclusive, international compendium. Moving gracefully from the bards of ancient Greece to the revolutionaries of Latin America, from small formal elements to large mysteries, he provides thoughtful definitions for the most important poetic vocabulary, imbuing his work with a lifetime of scholarship and the warmth of a man devoted to his art. Knowing how a poem works is essential to unlocking its meaning. Hirsch’s entries will deepen readers’ relationships with their favorite poems and open greater levels of understanding in each new poem they encounter. Shot through with the enthusiasm, authority, and sheer delight that made How to Read a Poem so beloved, A Poet’s Glossary is a new classic.

Comparative Criticism: Volume 2, Text and Reader

Comparative Criticism: Volume 2, Text and Reader PDF Author: E. S. Shaffer
Publisher: Cambridge University Press
ISBN: 9780521227568
Category : Drama
Languages : en
Pages : 374

Book Description
A yearbook sponsored by the British Comparative Literature Association asserting that comparative literary studies represent a major direction forwards.

Traditional Oral Epic

Traditional Oral Epic PDF Author: John Miles Foley
Publisher: Univ of California Press
ISBN: 0520914481
Category : Literary Criticism
Languages : en
Pages : 439

Book Description
John Miles Foley offers an innovative and straightforward approach to the structural analysis of oral and oral-derived traditional texts. Professor Foley argues that to give the vast and complex body of oral "literature" its due, we must first come to terms with the endemic heterogeneity of traditional oral epics, with their individual histories, genres, and documents, as well as both the synchronic and diachronic aspects of their poetics. Until now, the emphasis in studies of oral traditional works has been placed on addressing the correspondences among traditions—shared structures of "formula," "theme," and "story-pattern." Traditional Oral Epic explores the incongruencies among traditions and focuses on the qualities specific to certain oral and oral-derived works. It is certain to inspire further research in this field.

A Dictionary of Oral Literature

A Dictionary of Oral Literature PDF Author: Leteipa Ole Sunkuli
Publisher: East African Publishers
ISBN: 9789966465078
Category : Social Science
Languages : en
Pages : 148

Book Description


The Homeric Question and the Oral-formulaic Theory

The Homeric Question and the Oral-formulaic Theory PDF Author: Minna Skafte Jensen
Publisher: Museum Tusculanum Press
ISBN: 9788772890968
Category : Epic poetry, Greek
Languages : en
Pages : 232

Book Description
In Danish, Appendix in Greek or Latin.

Homer and the Oral Tradition

Homer and the Oral Tradition PDF Author: G. S. Kirk
Publisher: Cambridge University Press
ISBN: 0521213096
Category : History
Languages : en
Pages : 234

Book Description
In this 1976 volume, Geoffrey Kirk considers the nature of oral and epic poetry, and the meaning of an oral tradition.

Epic Singers and Oral Tradition

Epic Singers and Oral Tradition PDF Author: Albert Bates Lord
Publisher: Cornell University Press
ISBN: 1501731920
Category : Literary Criticism
Languages : en
Pages : 281

Book Description
Albert Bates Lord here offers an unparalleled overview of the nature of oral-traditional epic songs and the practices of the singers who composed them. Shaped by the conviction that theory should be based on what singers actually do, and have done in times past, the essays collected here span half a century of Lord's research on the oral tradition from Homer to the twentieth century. Drawing on his extensive fieldwork in living oral traditions and on the theoretical writings of Milman Parry, Lord concentrates on the singers and their art as manifested in texts of performance. In thirteen essays, some previously unpublished and all of them revised for book publication, he explores questions of composition, transmittal, and interpretation and raises important comparative issues. Individual chapters discuss aspects of the Homeric poems, South Slavic oral-traditional epics, the songs of Avdo Metedovic, Beowulf and Anglo-Saxon poetry, the medieval Greek Digenis Akritas and other medieval epics, central Asiatic and Balkan epics, the Finnish Kalevala, and the Bulgarian oral epic. The work of one of the most respected scholars of his generation, Epic Singers and Oral Tradition will be an invaluable resource for scholars and students of myth and folklore, classicists, medievalists, Slavists, comparatists, literary theorists, and anthropologists.