Author: Ronald Schechter
Publisher: University of Chicago Press
ISBN: 022649960X
Category : History
Languages : en
Pages : 300
Book Description
In contemporary political discourse, it is common to denounce violent acts as “terroristic.” But this reflexive denunciation is a surprisingly recent development. In A Genealogy of Terror in Eighteenth-Century France, Ronald Schechter tells the story of the term’s evolution in Western thought, examining a neglected yet crucial chapter of our complicated romance with terror. For centuries prior to the French Revolution, the word “terror” had largely positive connotations. Subjects flattered monarchs with the label “terror of his enemies.” Lawyers invoked the “terror of the laws.” Theater critics praised tragedies that imparted terror and pity. By August 1794, however, terror had lost its positive valence. As revolutionaries sought to rid France of its enemies, terror became associated with surveillance committees, tribunals, and the guillotine. By unearthing the tradition that associated terror with justice, magnificence, and health, Schechter helps us understand how the revolutionary call to make terror the order of the day could inspire such fervent loyalty in the first place—even as the gratuitous violence of the revolution eventually transformed it into the dreadful term we would recognize today. Most important, perhaps, Schechter proposes that terror is not an import to Western civilization—as contemporary discourse often suggests—but rather a domestic product with a long and consequential tradition.
A Genealogy of Terror in Eighteenth-Century France
Author: Ronald Schechter
Publisher: University of Chicago Press
ISBN: 022649960X
Category : History
Languages : en
Pages : 300
Book Description
In contemporary political discourse, it is common to denounce violent acts as “terroristic.” But this reflexive denunciation is a surprisingly recent development. In A Genealogy of Terror in Eighteenth-Century France, Ronald Schechter tells the story of the term’s evolution in Western thought, examining a neglected yet crucial chapter of our complicated romance with terror. For centuries prior to the French Revolution, the word “terror” had largely positive connotations. Subjects flattered monarchs with the label “terror of his enemies.” Lawyers invoked the “terror of the laws.” Theater critics praised tragedies that imparted terror and pity. By August 1794, however, terror had lost its positive valence. As revolutionaries sought to rid France of its enemies, terror became associated with surveillance committees, tribunals, and the guillotine. By unearthing the tradition that associated terror with justice, magnificence, and health, Schechter helps us understand how the revolutionary call to make terror the order of the day could inspire such fervent loyalty in the first place—even as the gratuitous violence of the revolution eventually transformed it into the dreadful term we would recognize today. Most important, perhaps, Schechter proposes that terror is not an import to Western civilization—as contemporary discourse often suggests—but rather a domestic product with a long and consequential tradition.
Publisher: University of Chicago Press
ISBN: 022649960X
Category : History
Languages : en
Pages : 300
Book Description
In contemporary political discourse, it is common to denounce violent acts as “terroristic.” But this reflexive denunciation is a surprisingly recent development. In A Genealogy of Terror in Eighteenth-Century France, Ronald Schechter tells the story of the term’s evolution in Western thought, examining a neglected yet crucial chapter of our complicated romance with terror. For centuries prior to the French Revolution, the word “terror” had largely positive connotations. Subjects flattered monarchs with the label “terror of his enemies.” Lawyers invoked the “terror of the laws.” Theater critics praised tragedies that imparted terror and pity. By August 1794, however, terror had lost its positive valence. As revolutionaries sought to rid France of its enemies, terror became associated with surveillance committees, tribunals, and the guillotine. By unearthing the tradition that associated terror with justice, magnificence, and health, Schechter helps us understand how the revolutionary call to make terror the order of the day could inspire such fervent loyalty in the first place—even as the gratuitous violence of the revolution eventually transformed it into the dreadful term we would recognize today. Most important, perhaps, Schechter proposes that terror is not an import to Western civilization—as contemporary discourse often suggests—but rather a domestic product with a long and consequential tradition.
Notes and Queries
The Society of Princes
Author: Jonathan Spangler
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754658603
Category : History
Languages : en
Pages : 376
Book Description
The princes étrangers were an influential group of courtiers in early modern France, none more so than the princes from the Lorraine-Guise family. This book examines the Lorraine-Guise at the court of Louis XIV and their renewed power, wealth and influence after the turbulent Wars of Religion. It is a substantial contribution to scholarship in court studies and will add greatly to debates on the nature of crown-noble relations in the era of absolutism.
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754658603
Category : History
Languages : en
Pages : 376
Book Description
The princes étrangers were an influential group of courtiers in early modern France, none more so than the princes from the Lorraine-Guise family. This book examines the Lorraine-Guise at the court of Louis XIV and their renewed power, wealth and influence after the turbulent Wars of Religion. It is a substantial contribution to scholarship in court studies and will add greatly to debates on the nature of crown-noble relations in the era of absolutism.
Index Du Journal de Trévoux, 1701-1767
Author: Dante Lénardon
Publisher: Slatkine
ISBN: 9782051007689
Category : Journal de Trévoux
Languages : un
Pages : 404
Book Description
Publisher: Slatkine
ISBN: 9782051007689
Category : Journal de Trévoux
Languages : un
Pages : 404
Book Description
Opera and the Political Imaginary in Old Regime France
Author: Olivia Bloechl
Publisher: University of Chicago Press
ISBN: 022652289X
Category : History
Languages : en
Pages : 301
Book Description
From its origins in the 1670s through the French Revolution, serious opera in France was associated with the power of the absolute monarchy, and its ties to the crown remain at the heart of our understanding of this opera tradition (especially its foremost genre, the tragédie en musique). In Opera and the Political Imaginary in Old Regime France, however, Olivia Bloechl reveals another layer of French opera’s political theater. The make-believe worlds on stage, she shows, involved not just fantasies of sovereign rule but also aspects of government. Plot conflicts over public conduct, morality, security, and law thus appear side-by-side with tableaus hailing glorious majesty. What’s more, opera’s creators dispersed sovereign-like dignity and powers well beyond the genre’s larger-than-life rulers and gods, to its lovers, magicians, and artists. This speaks to the genre’s distinctive combination of a theological political vocabulary with a concern for mundane human capacities, which is explored here for the first time. By looking at the political relations among opera characters and choruses in recurring scenes of mourning, confession, punishment, and pardoning, we can glimpse a collective political experience underlying, and sometimes working against, ancienrégime absolutism. Through this lens, French opera of the period emerges as a deeply conservative, yet also more politically nuanced, genre than previously thought.
Publisher: University of Chicago Press
ISBN: 022652289X
Category : History
Languages : en
Pages : 301
Book Description
From its origins in the 1670s through the French Revolution, serious opera in France was associated with the power of the absolute monarchy, and its ties to the crown remain at the heart of our understanding of this opera tradition (especially its foremost genre, the tragédie en musique). In Opera and the Political Imaginary in Old Regime France, however, Olivia Bloechl reveals another layer of French opera’s political theater. The make-believe worlds on stage, she shows, involved not just fantasies of sovereign rule but also aspects of government. Plot conflicts over public conduct, morality, security, and law thus appear side-by-side with tableaus hailing glorious majesty. What’s more, opera’s creators dispersed sovereign-like dignity and powers well beyond the genre’s larger-than-life rulers and gods, to its lovers, magicians, and artists. This speaks to the genre’s distinctive combination of a theological political vocabulary with a concern for mundane human capacities, which is explored here for the first time. By looking at the political relations among opera characters and choruses in recurring scenes of mourning, confession, punishment, and pardoning, we can glimpse a collective political experience underlying, and sometimes working against, ancienrégime absolutism. Through this lens, French opera of the period emerges as a deeply conservative, yet also more politically nuanced, genre than previously thought.
Notes and Queries: A Medium of Inter-Communication for Literary Men, Artists, Antiquaries, Genealogists, Etc
Biographie Universelle, Ancienne Et Moderne
Select Specimens of the Great French Writers in the 17th, 18th, & 19th Centuries ...
Author: George Eugène-Fasnacht
Publisher: London Macmillan 1894.
ISBN:
Category : French language
Languages : en
Pages : 680
Book Description
Publisher: London Macmillan 1894.
ISBN:
Category : French language
Languages : en
Pages : 680
Book Description
Franciscan Studies
Author:
Publisher:
ISBN:
Category : Franciscans
Languages : en
Pages : 414
Book Description
Issues for 1941-44 include the Report of the 23rd-26th annual meeting of the Franciscan Educational Conference.
Publisher:
ISBN:
Category : Franciscans
Languages : en
Pages : 414
Book Description
Issues for 1941-44 include the Report of the 23rd-26th annual meeting of the Franciscan Educational Conference.
Picturing Marie Leszczinska (1703-1768)
Author: JenniferG Germann
Publisher: Routledge
ISBN: 135155414X
Category : Art
Languages : en
Pages : 258
Book Description
Portraits of Queen Marie Leszczinska (1703-1768) were highly visible in eighteenth-century France. Appearing in royal ch?aux and, after 1737, in the Parisian Salons, the queen's image was central to the visual construction of the monarchy. Her earliest portraits negotiated aspects of her ethnic difference, French gender norms, and royal rank to craft an image of an appropriate consort to the king. Later portraits by Maurice-Quentin de La Tour, Carle Van Loo, and Jean-Marc Nattier contributed to changing notions of queenship over the course of her 43 year tenure. Whether as royal wife, devout consort, or devoted mother, Marie Leszczinska's image mattered. While she has often been seen as a weak consort, this study argues that queenly images were powerful and even necessary for Louis XV's projection of authority. This is the first study dedicated to analyzing the queen's portraits. It engages feminist theory while setting the queen's image in the context of portraiture in France, courtly factional conflict, and the history of the French monarchy. While this investigation is historically specific, it raises the larger problem of the power of women's images versus the empowerment of women, a challenge that continues to plague the representation of political women today.
Publisher: Routledge
ISBN: 135155414X
Category : Art
Languages : en
Pages : 258
Book Description
Portraits of Queen Marie Leszczinska (1703-1768) were highly visible in eighteenth-century France. Appearing in royal ch?aux and, after 1737, in the Parisian Salons, the queen's image was central to the visual construction of the monarchy. Her earliest portraits negotiated aspects of her ethnic difference, French gender norms, and royal rank to craft an image of an appropriate consort to the king. Later portraits by Maurice-Quentin de La Tour, Carle Van Loo, and Jean-Marc Nattier contributed to changing notions of queenship over the course of her 43 year tenure. Whether as royal wife, devout consort, or devoted mother, Marie Leszczinska's image mattered. While she has often been seen as a weak consort, this study argues that queenly images were powerful and even necessary for Louis XV's projection of authority. This is the first study dedicated to analyzing the queen's portraits. It engages feminist theory while setting the queen's image in the context of portraiture in France, courtly factional conflict, and the history of the French monarchy. While this investigation is historically specific, it raises the larger problem of the power of women's images versus the empowerment of women, a challenge that continues to plague the representation of political women today.