Optional Drum part of "Amapola" for Cello Quartet PDF Download
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Author: Joseph Lacalle Publisher: Glissato Edizioni Musicali ISBN: Category : Music Languages : en Pages : 6
Book Description
Optional Drum part of "Amapola" for Cello Quartet (four Cellos) and optional drum, intermediate level. Duration 3.00 min (+-). Score & Parts available in series. Scan Qr-code (in cover) for audio demo or visit www.glissato.it product code: EG1052. "Amapola" is a 1920 song by Spanish American composer José María Lacalle García (later Joseph Lacalle), who also wrote the original lyrics in Spanish.[3] Alternative Spanish lyrics were written by Argentine lyricist Luis Roldán in 1924.[4] French lyrics were written by Louis Sauvat and Robert Champfleury. After the death of Lacalle in 1937, English language lyrics were written by Albert Gamse.[5] In the 1930s, the song became a standard of the rhumba repertoire, later crossing over into pop music charts. An orchestral version of "Amapola" directed by Ennio Morricone served as a leitmotif in the 1984 gangster film Once Upon a Time in America.
Author: Joseph Lacalle Publisher: Glissato Edizioni Musicali ISBN: Category : Music Languages : en Pages : 6
Book Description
Optional Drum part of "Amapola" for Cello Quartet (four Cellos) and optional drum, intermediate level. Duration 3.00 min (+-). Score & Parts available in series. Scan Qr-code (in cover) for audio demo or visit www.glissato.it product code: EG1052. "Amapola" is a 1920 song by Spanish American composer José María Lacalle García (later Joseph Lacalle), who also wrote the original lyrics in Spanish.[3] Alternative Spanish lyrics were written by Argentine lyricist Luis Roldán in 1924.[4] French lyrics were written by Louis Sauvat and Robert Champfleury. After the death of Lacalle in 1937, English language lyrics were written by Albert Gamse.[5] In the 1930s, the song became a standard of the rhumba repertoire, later crossing over into pop music charts. An orchestral version of "Amapola" directed by Ennio Morricone served as a leitmotif in the 1984 gangster film Once Upon a Time in America.
Author: Joseph Lacalle Publisher: Glissato Edizioni Musicali ISBN: 883585301X Category : Music Languages : en Pages : 15
Book Description
Cello Quartet Score of "Amapola" (four Cellos) and optional drum, intermediate level. Duration 3.00 min (+-). Score & Parts available in series. Scan Qr-code (in cover) for audio demo or visit www.glissato.it product code: EG1052. "Amapola" is a 1920 song by Spanish American composer José María Lacalle García (later Joseph Lacalle), who also wrote the original lyrics in Spanish. Alternative Spanish lyrics were written by Argentine lyricist Luis Roldán in 1924. French lyrics were written by Louis Sauvat and Robert Champfleury. After the death of Lacalle in 1937, English language lyrics were written by Albert Gamse. In the 1930s, the song became a standard of the rhumba repertoire, later crossing over into pop music charts. An orchestral version of "Amapola" directed by Ennio Morricone served as a leitmotif in the 1984 gangster film Once Upon a Time in America.
Author: William T. Vollmann Publisher: Penguin ISBN: 0143036599 Category : Fiction Languages : en Pages : 834
Book Description
A daring literary masterpiece and winner of the National Book Award In this magnificent work of fiction, acclaimed author William T. Vollmann turns his trenchant eye on the authoritarian cultures of Germany and the USSR in the twentieth century to render a mesmerizing perspective on human experience during wartime. Through interwoven narratives that paint a composite portrait of these two battling leviathans and the monstrous age they defined, Europe Central captures a chorus of voices both real and fictional— a young German who joins the SS to fight its crimes, two generals who collaborate with the enemy for different reasons, the Soviet composer Dmitri Shostakovich and the Stalinist assaults upon his work and life.
Author: Richard Lawn Publisher: Routledge ISBN: 0415699606 Category : Music Languages : en Pages : 466
Book Description
Experiencing Jazz, Second Edition, is an integrated textbook with online resources for jazz appreciation and history courses. Through readings, illustrations, timelines, listening guides, and a streaming audio library, it immerses the reader in a journey through the history of jazz, while placing the music within a larger cultural and historical context. Designed to introduce the novice to jazz, Experiencing Jazz describes the elements of music, and the characteristics and roles of different instruments. Prominent artists and styles from the roots of jazz to present day are relayed in a story-telling prose. This new edition features expanded coverage of women in jazz, the rise of jazz as a world music, the influence of Afro-Cuban and Latin jazz, and streaming audio. Features: Important musical trends are placed within a broad cultural, social, political, and economic context Music fundamentals are treated as integral to the understanding of jazz, and concepts are explained easily with graphic representations and audio examples Comprehensive treatment chronicles the roots of jazz in African music to present day Commonly overlooked styles, such as orchestral jazz, Cubop, and third-stream jazz are included Expanded and up-to-date coverage of women in jazz The media-rich companion website presents a comprehensive streaming audio library of key jazz recordings by leading artists integrated with interactive listening guides. Illustrated musical concepts with web-based tutorials and audio interviews of prominent musicians acquaint new listeners to the sounds, styles, and figures of jazz. Course components The complete course comprises the textbook and Online Access to Music token, which are available to purchase separately. The textbook and Online Access to Music Token can also be purchased together in the Experiencing Jazz Book and Online Access to Music Pack. Book and Online Access to Music Pack: 978-0-415-65935-2 (Paperback and Online Access to Music) Book Only: 978-0-415-69960-0 (please note this does not include the Online Access to Music) Online Access to Music Token: 978-0-415-83735-4 (please note this does not include the textbook) eBook and Online Access to Music Pack: 978-0-203-37981-3 (available from the Taylor & Francis eBookstore) ebook: 978-0-203-37985-1 (please note this does not include the audio and is available from the Taylor & Francis eBookstore)
Author: Stela M. Brandão Publisher: Indiana University Press ISBN: 0253221382 Category : Music Languages : en Pages : 369
Book Description
A reference guide to the vast array of art song literature and composers from Latin America, this book introduces the music of Latin America from a singer's perspective and provides a basis for research into the songs of this richly musical area of the world. The book is divided by country into 22 chapters, with each chapter containing an introductory essay on the music of the region, a catalog of art songs for that country, and a list of publishers. Some chapters include information on additional sources. Singers and teachers may use descriptive annotations (language, poet) or pedagogical annotations (range, tessitura) to determine which pieces are appropriate for their voices or programming needs, or those of their students. The guide will be a valuable resource for vocalists and researchers, however familiar they may be with this glorious repertoire.
Author: Publisher: ISBN: 9781860963162 Category : Jazz Languages : en Pages : 215
Book Description
An impressive range of jazz styles, from New Orleans to contemporary. All tunes suitable for less experienced players, with pitch range, chords and technical level carefully considered. Tunes in their most commonly played keys, with reliable melodies and chord changes. Comes in B flat, E flat, C Treble-clef and C Bass-clef editions.
Author: Guido Heldt Publisher: Intellect (UK) ISBN: Category : Music Languages : en Pages : 312
Book Description
Music and Levels of Narration in Film is the first book-length study to synthesize scholarly contributions toward a narrative theory of film music. Moving beyond the distinction between diegetic and nondiegetic music--or music that is not understood as part of a film's "story world"--Guido Heldt systematically discusses music at different levels of narration, from the extrafictional to "focalizations" of subjectivity. Heldt then applies this conceptual toolkit to study the narrative strategies of music in individual films, as well as genres, including musicals and horror films. The resulting volume will be an indispensable resource for anyone researching or studying film music or film narratology. A PDF version of this book is available for free in open access via the OAPEN Library platform, www.oapen.org It has been made available under a Creative Commons Attribution 4.0 International Public License and is part of Knowledge Unlatched.
Author: Ann Labounsky Publisher: Hal Leonard Corporation ISBN: 9781574670547 Category : Biography & Autobiography Languages : en Pages : 404
Book Description
"All these aspects of his life and art, including the rigorous training and arduous practice that transformed a blind peasant boy into a superb musician, his lifelong friendship with Olivier Messiaen, his sometimes turbulent family life, and the body of works he left - only J. S. Bach wrote more compositions for the organ - are narrated and analyzed by Ann Labounsky, who is uniquely qualified to write this definitive biography. A favorite Langlais pupil, she was asked by Langlais himself to write it and had his full cooperation for numerous long interviews over many years."--BOOK JACKET.
Author: Joseph Lacalle
Author: Joseph Lacalle
Author: Joseph Lacalle
Author: William T. Vollmann
Author: Richard Lawn
Author: Thomas A. DeLong
Author: Stela M. Brandão
Author: 
Author: Guido Heldt
Author: Ann Labounsky
Author: Siegfried Emanuel Gruenstein