Author: Nicolò PaganiniPublisher:
ISBN:
Category : Guitar music
Languages : en
Pages : 84
Book Description
Opere per chitarra sola: M.S. 85-105
Author: Nicolò PaganiniPublisher:
ISBN:
Category : Guitar music
Languages : en
Pages : 84
Book Description
Opere per chitarra sola: Composizioni varie, M.S. 85-105
Author: Nicolò PaganiniPublisher:
ISBN:
Category : Guitar music
Languages : en
Pages : 84
Book Description
Opere per chitarra sola: Composizioni varie M.S. 85-105
Author: Nicolò PaganiniPublisher:
ISBN:
Category : Guitar music
Languages : en
Pages : 78
Book Description
Opere per chitarra sola
Author: Niccolò PaganiniOpere per chitarra sola
Author: Nicolò PaganiniPublisher:
ISBN:
Category : Guitar music
Languages : en
Pages : 72
Book Description
Opere per chitarra sola: 37 sonate : M.S. 84
Author: Nicolò PaganiniPublisher:
ISBN:
Category : Guitar music
Languages : en
Pages : 120
Book Description
Ghiribizzi
Author: Nicolò PaganiniPublisher:
ISBN:
Category : Guitar music
Languages : en
Pages : 68
Book Description
European Music Catalogue
Author: Publisher:
ISBN:
Category : Booksellers' catalogs
Languages : en
Pages : 546
Book Description
The Guitar and its Music
Author: James TylerPublisher: OUP Oxford
ISBN: 0191518514
Category : Music
Languages : en
Pages : 349
Book Description
Following on from James Tyler's The Early Guitar: A History and Handbook(OUP 1980) tthis collaboration with Paul Sparks (their previous book for OUP, The Early Mandolin, appeared in 1989), presents new ideas and research on the history and development of the guitar and its music from the Renaissance to the dawn of the Classical era. Tyler's systematic study of the two main guitar types found between about 1550 and 1750 focuses principally on what the sources of the music (published and manuscript) and the writings of contemporary theorists reveal about the nature of the instruments and their roles in the music making of the period. The annotated lists of primary sources, previously published in The Early Guitar but now revised and expanded, constitute the most comprehensive bibliography of Baroque guitar music to date. His appendices of performance practice information should also prove indispensable to performers and scholars alike. Paul Sparks also breaks new ground, offering an extensive study of a period in the guitar's history—notably c.1759-c.1800—which the standard histories usually dismiss in a few short paragraphs. Far from being a dormant instrument at this time, the guitar is shown to have been central to music-making in France, Italy, the Iberian Peninsula, and South America. Sparks provides a wealth of information about players, composers, instruments, and surviving compositions from this neglected but important period, and he examines how the five-course guitar gradually gave way to the six-string instrument, a process that occurred in very different ways (and at different times) in France, Italy, Spain, Germany, and Britain.
The Early Italian Poets From Ciullo D'Alcamo to Dante Alighieri (1100-1200-1300) in the Original Metres, Together With Dante's Vita Nuova
Author: Dante Gabriel RossettiPublisher: Legare Street Press
ISBN: 9781017189520
Category : Literary Collections
Languages : en
Pages : 0
Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.