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Author: Nicholas E. Limansky Publisher: YBK Publishers ISBN: 9781936411436 Category : Biography & Autobiography Languages : en Pages : 298
Book Description
Historical recordings by opera singers have proven since 1900 to offer much reward to the singer, student, listener, and collector alike. In the first book of this kind to appear in decades, Nicholas Limansky explains why critical listening is important and describes the merits of analyzing and comparing the recordings of previous generations of singers with those of the present. He also recounts how markedly record collecting has changed through the decades-especially in large cities like New York-mainly due to technological advance. He not only treats collecting 78 rpm disks, but LPs and CDs as well. Expired copyright now enables many of these early recordings to easily be acquired and collected, enabling the broad-scale comparison of style, technique, and vocal quality among the famous performers of earlier eras. The author points out what to look for among these differences in style, technique, and ability-both good and bad. (On occasion, the most famous are not the best ) With emphasis on today's student and collector, Limansky provides information about where, how, and on what labels given recordings can be found. He discusses printed resources that offer the interested even more information. Beginners and veterans alike will find much of interest in this far-ranging book. Nicholas Limansky studied voice at Peabody Conservatory in Baltimore and has a performance degree from the University of West Virginia. He has sung with major professional choral groups in New York City that include The Bach Aria Group, Musica Sacra, New York Choral Artists (NY Philharmonic), Opera Orchestra of New York, The Netherlands Ballet, and Alvin Ailey (Revelations, Rainbow). He has written performance reviews for the Italian publication, "Rassegna Melodrammatic," and reviewed new vocal releases of historical singers for "Opera News, The Record Collector, Classical Singer, " and "Opera Quarterly." He lectures at the New York Vocal Record Collectors Society and is a member of its board of directors.
Author: Nicholas E. Limansky Publisher: YBK Publishers ISBN: 9781936411436 Category : Biography & Autobiography Languages : en Pages : 298
Book Description
Historical recordings by opera singers have proven since 1900 to offer much reward to the singer, student, listener, and collector alike. In the first book of this kind to appear in decades, Nicholas Limansky explains why critical listening is important and describes the merits of analyzing and comparing the recordings of previous generations of singers with those of the present. He also recounts how markedly record collecting has changed through the decades-especially in large cities like New York-mainly due to technological advance. He not only treats collecting 78 rpm disks, but LPs and CDs as well. Expired copyright now enables many of these early recordings to easily be acquired and collected, enabling the broad-scale comparison of style, technique, and vocal quality among the famous performers of earlier eras. The author points out what to look for among these differences in style, technique, and ability-both good and bad. (On occasion, the most famous are not the best ) With emphasis on today's student and collector, Limansky provides information about where, how, and on what labels given recordings can be found. He discusses printed resources that offer the interested even more information. Beginners and veterans alike will find much of interest in this far-ranging book. Nicholas Limansky studied voice at Peabody Conservatory in Baltimore and has a performance degree from the University of West Virginia. He has sung with major professional choral groups in New York City that include The Bach Aria Group, Musica Sacra, New York Choral Artists (NY Philharmonic), Opera Orchestra of New York, The Netherlands Ballet, and Alvin Ailey (Revelations, Rainbow). He has written performance reviews for the Italian publication, "Rassegna Melodrammatic," and reviewed new vocal releases of historical singers for "Opera News, The Record Collector, Classical Singer, " and "Opera Quarterly." He lectures at the New York Vocal Record Collectors Society and is a member of its board of directors.
Author: John Rosselli Publisher: Cambridge University Press ISBN: 9780521426978 Category : Biography & Autobiography Languages : en Pages : 296
Book Description
Adelina Patti was the most highly regarded singer in history. She earned nearly $5,000 a night and had her own railway carriage. Yet a minor comic singer would perform for the cost of his food and a pair of shoes to wear on stage. John Rosselli's wide-ranging study introduces all those singers, members of the chorus as well as stars, who have sung Italian opera from 1600 to the twentieth century. Singers are shown slowly emancipating themselves from dependence on great patrons and entering the dangerous freedom of the market. Rosselli also examines the sexist prejudices against the castrati of the eighteenth century and against women singers. Securely rooted in painstaking scholarship and sprinkled with amusing anecdote, this is a book to fascinate and inform opera fans at all levels.
Author: William Schoell Publisher: McFarland ISBN: 1476605564 Category : Music Languages : en Pages : 309
Book Description
In the late 1500s in Florence, aristocrats of the Renaissance renovated classical Greek dramas into dramatic musicals and gave birth to the first operas. After centuries of transformation, the opera is still appreciated as a historically dynamic paradigm of the fine arts. Composers of the twentieth century have worked hard to fashion a voice distinct from the romantic composers of the nineteenth century and the traditions that preceded them, and this volume explores the extent of their success. Beginning with a thorough introduction to the history of operatic forms and transformation, this book presents a comprehensive discussion of twentieth century opera. Giving ear to many composers and many styles--romantic and modern and assorted variations--the discussion includes such globally renowned composers as Strauss, Puccini, Prokofiev and Mascagni, as well as the esoteric works of less famous composers. Spanning as it does from Puccini's Tosca and Charpentier's Louise to Heggie's Dead Man Walking and Corigliano's The Ghosts of Versailles, twentieth century operatic form has something for every taste. The discussion is therefore structured chronologically and directed at exploring this complex diversity and ingenuity of twentieth-century styles. Examples from across the globe and firsthand commentary from contemporary operatic professionals complement the discussion. Concluding chapters comment upon the operatic presence in the twenty-first century and the future of operatic forms.
Author: Donald S. Blair Publisher: ISBN: Category : Biography & Autobiography Languages : en Pages : 164
Book Description
This volume contains biographical sketches of 50 great opera singers of the 20th century, with photographs of each singer in a famous role.
Author: Serena Facci Publisher: Routledge ISBN: 100035265X Category : Music Languages : en Pages : 157
Book Description
By integrating theoretical approaches to the female voice with the musicological investigation of female singers’ practices, the contributors to this volume offer fresh viewpoints on the material, symbolic and cultural aspects of the female voice in the twentieth century. Various styles and genres are covered, including Western art music, experimental composition, popular music, urban folk and jazz. The volume offers a substantial and innovative appraisal of the role of the female voice from the perspective of twentieth-century performance practices, the centrality of female singers’ experimentations and extended vocal techniques along with the process of the ‘subjectivisation’ of the voice.
Author: Thomas Crawford Publisher: Workbook Press ISBN: 9781954753044 Category : Art Languages : en Pages : 0
Book Description
This handsomely designed and printed book contains 50 oil painting portraits of eminent opera singers accompanied by informative biographies. The artist/author, who is a veteran of the U.S. Navy and Foreign Service and retired attorney, has combined his dual interests in opera and painting to produce a book that will delight both opera buffs and the general reading public. Janos Gereben, music critic of San Francisco Classical Voice, wrote the following in his review published in Music News, Aug. 13, 2013: "Selecting the 50 from hundreds of stars was difficult, and Crawford is at his usual low-key, modest self, making his caveat [in the introduction to the book]: The world of opera is so rich in international talent that any compilation by a mere enthusiast must necessarily be arbitrary, incomplete, and reflect personal taste and one's experience with live performances and recordings...Most afficionados would also have a dozen other singers, not portrayed here, in their selection of eminent singers. Crawford's alphabetic collection runs from Marian Anderson to Fritz Wunderlich, she is portrayed as Ulrica in Un ballo in maschera, he as Valzacchi in Der Rosenkavalier. Sherill Milnes appears as Rigoletto, Rosa Ponselle looks regal as Norma, and Leonard Warren embodies the essence of Macbeth."
Author: George Whitney Martin Publisher: Hal Leonard Corporation ISBN: 9780879102753 Category : Music Languages : en Pages : 732
Book Description
(Limelight). Martin provides a guide to opera that is sweeping in its scope, thorough in its detail, and authoritative in its commentary. He recalls a century of achievement in an art form that today enjoys unprecedented popularity and that has been generously enriched by challenging works in many cases yet to be fully recognized of the modern era.
Author: Peter G. Davis Publisher: Doubleday Books ISBN: Category : Biography & Autobiography Languages : en Pages : 688
Book Description
In America today, opera has never been more popular, and one reason for this is, no doubt, that American opera singers are fixtures on every leading opera stage throughout the world. In this lively and engrossing account, Peter G. Davis, music critic for New York magazine and a leading opera authority, tells the story of how these plucky, resilient and supremely talented American singers have transformed this venerable European-born art form and made it their own. Starting with opera's arrival in America in the early nineteenth century, Davis shows how American singers grew in sophistication and stature along with the country. From the nineteenth-century pioneers who crashed the gates of Europe's elite opera circles, to the glamorous singers of the early twentieth century who were also Hollywood stars and publicity magnets, to the highly professional singers since World War II who not only have gained European acceptance but now dominate the industry, this lively and highly readable account chronicles the extraordinary lives and adventures of these larger-than-life personalities. Included are Maria Callas, Beverly Sills, Richard Tucker, Leontyne Price, Marilyn Horne, Lawrence Tibbett, and a galaxy of others whose stories are as dramatic and compelling as the roles they sang on stage. Full of prima-donna antics, hilarious backstage anecdotes, and performance lore, "The American Opera Singer will delight anyone who has felt the magic of opera, and will provide a new canon of American singing sure to provoke spirited debate among aficionados. Trained as a musician and composer, Peter G. Davis has been writing about music for over thirty years in such publications as the "NewYork Times, The Times of London, High Fidelity, and "Opera News. He is currently music critic for "New York magazine and lives in New York City. Experience the artistry of America's supremely talented singers on RCA Victor Red Seal's "The American Opera Singer, a companion 2-CD set to this book, now available in record stores.
Author: Robert H. Cowden Publisher: Greenwood ISBN: 0313293325 Category : Music Languages : en Pages : 0
Book Description
Have you ever tried to find information on your favorite classical singer, past or present? If you have, you know the frustrations involved. Now, for the first time under one cover is a comprehensive listing of all known published and unpublished material of a biographical nature about classical singers of the opera and recital stages. No current reference work or periodical includes more than a fraction of the material found here. This book will save the reader countless frustrating hours tracking down sources by indicating exactly where to look. For anyone with a serious interest in classical singers, this new publication is a MUST. Quite simply put, there is nothing comparable available. If you own any or all of the current basic references on opera and singing, this represents a worthy and indispensable companion to each of them. Classical Singers of the Opera and Recital Stages is a comprehensive listing of biographical materials about 1,532 famous and not-so-famous vocalists. Materials from 30 languages and language variants are annotated including cross-references to 24 major dictionaries, encyclopedias, and reference works as well as 12 important periodicals. In addition to this body of information, 157 collective titles and 283 related books are also cross-referenced. It even includes references to works such as the American National Biography which is currently in publication. All of this material is organized into five easy-to-use coded categories, and the codes remain standard throughout the work. A special feature is a complete index to all vocalists accorded an entry in The New Grove Dictionary of Opera (1992). Some 323 classical vocal artists, who do not appear in Grove-Opera, are included here. Cowden's monumental reference lists thousands of sources for obscure artists as well as for the legendary ones from the 17th century to 1993. Each reader will find sources of information previously unknown thus saving countless hours tracking down biographical information about a particular artist. An indispensable supplement to even the most recent published reference works in the field of the vocal arts, Classical Singers of the Opera and Recital Stages should remain a standard work for years to come.
Author: Nicholas E. Limansky
Author: Nicholas E. Limansky
Author: John Rosselli
Author: William Schoell
Author: Donald S. Blair
Author: 
Author: Serena Facci
Author: Thomas Crawford
Author: George Whitney Martin
Author: Peter G. Davis
Author: Robert H. Cowden