Opera on Screen PDF Download

Author: Marcia J. Citron
Publisher: Yale University Press
ISBN: 9780300081589
Category : Performing Arts
Languages : en
Pages : 324

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Book Description
"The author draws on ideas from diverse fields, including media studies and gender studies, to examine issues ranging from the relationship between sound and image to the place of the viewer in relation to the spectacle. As she raises questions about divisions between high art and popular art and about the tensions between live and reproduced art forms, Citron reveals how screen treatments reinforce opera's vitality in a media-intensive age."--BOOK JACKET.

Author: Ken Wlaschin
Publisher: New Haven : Yale University Press
ISBN: 9780300102635
Category : Music
Languages : en
Pages : 872

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Book Description
“This wondrous encyclopedia is an invaluable boon to all movie and opera buffs. I shall be referring to it frequently to slake my curiosity and to settle bets.”--Tom Lehrer This bountiful book is a comprehensive guide to the thousands of films, DVDs, and videocassettes featuring operas and opera singers from 1896 to the present. From ABC Television to Franco Zeffirelli, the encyclopedia is a storehouse of fascinating information for film and opera aficionados and casual browsers alike. Find answers to such questions as: * What were the first operas filmed? * Why did they make silent films of operas? * Why was a pseudo-opera written for Citizen Kane? * What was the title of Maria Callas’s only film? Organized alphabetically with more than 1,900 fully cross-referenced entries, the book casts a wide net that covers not only expected topics--operas, operettas, zarzuelas, composers, singers, conductors, writers, and film directors--but also the unexpected and offbeat--animated opera, first operas on film, puppet opera films, silent films about opera, and many other lesser-known topics. Encyclopedia of Opera on Screen illuminates the many intersections between opera and film as never before.

Author: Richard Fawkes
Publisher: Bloomsbury Academic
ISBN:
Category : Music
Languages : en
Pages : 296

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Book Description
This fascinating study of opera within the history of cinema, charts the great film makers's obsession with this most glamorous medium and its stars

Author: Tereza Havelková
Publisher: Oxford University Press
ISBN: 0190091282
Category : Music
Languages : en
Pages : 240

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Book Description
Drawing on the concept of hypermediacy from media studies, this book situates opera within the larger context of contemporary media practices, and particularly those that play up the multiplicity, awareness and enjoyment of media. It is driven by the underlying question of what politics of representation and perception opera performs within this context. This entails approaching operas as audiovisual events (rather than works or texts) and paying attention to what they do by visual means, along with the operatic music and singing. The book concentrates on events that foreground their use of media and technology, drawing attention to opera's inherently hypermedial aspects. It works with the recognition that such events nevertheless engender powerful effects of immediacy, which are not contingent on illusionism or the seeming transparency of the medium. It analyzes how effects like presence, liveness and immersion are produced, contesting some critical claims attached to them. It also sheds light on how these effects, often perceived as visceral or material in nature, are related to the production of meaning in opera. The discussion pertains to contemporary pieces such as Louis Andriessen and Peter Greenaway's Rosa and Writing to Vermeer, as well as productions of the canonical repertory such as Wagner's Ring Cycle by Robert Lepage at the Met and La Fura dels Baus in Valencia.

Author: Jeongwon Joe
Publisher: Routledge
ISBN: 1317085485
Category : Music
Languages : en
Pages : 224

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Book Description
Filmmakers' fascination with opera dates back to the silent era but it was not until the late 1980s that critical enquiries into the intersection of opera and cinema began to emerge. Jeongwon Joe focusses primarily on the role of opera as soundtrack by exploring the distinct effects opera produces in film, effects which differ from other types of soundtrack music, such as jazz or symphony. These effects are examined from three perspectives: peculiar qualities of the operatic voice; various properties commonly associated with opera, such as excess, otherness or death; and multifaceted tensions between opera and cinema - for instance, opera as live, embodied, high art and cinema as technologically mediated, popular entertainment. Joe argues that when opera excerpts are employed on soundtracks they tend to appear at critical moments of the film, usually associated with the protagonists, and the author explores why it is opera, not symphony or jazz, that accompanies poignant scenes like these. Joe's film analysis focuses on the time period of the post-1970s, which is distinguished by an increase of opera excerpts on soundtracks to blockbuster titles, the commercial recognition of which promoted the production of numerous opera soundtrack CDs in the following years. Joe incorporates an empirical methodology by examining primary sources such as production files, cue-sheets and unpublished interviews with film directors and composers to enhance the traditional hermeneutic approach. The films analysed in her book include Woody Allen’s Match Point, David Cronenberg’s M. Butterfly, and Wong Kar-wai’s 2046.

Author: Guy A. Marco
Publisher: Routledge
ISBN: 113557801X
Category : Art
Languages : en
Pages : 655

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Book Description
Opera is the only guide to the research writings on all aspects of opera. This second edition presents 2,833 titles--over 2,000 more than the first edition--of books, parts of books, articles and dissertations with full bibliographic descriptions and critical annotations. Users will find the core literature on the operas of 320 individual composers and details of operatic life in 43 countries. All relevant works through to November 1999 have been considered, covering more than fifteen years of literature since the first edition was published.

Author: Charlotte Brunsdon
Publisher: Routledge
ISBN: 1134808054
Category : History
Languages : en
Pages : 252

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Book Description
Charlotte Brundson's key writings on film and television are bought together with new introductions which contextualise and update the arguments. The focus is on the tastes and pleasures of the female consumer as she is produced by popular film and television.

Author: Joseph Attard
Publisher: Bloomsbury Publishing USA
ISBN: 1501370340
Category : Performing Arts
Languages : en
Pages : 248

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Book Description
Since 2006, leading opera companies have beamed their shows to thousands of cinema screens all over the world – live. 'Opera cinema' is the most successful marriage of this elaborate, esoteric artform and the silver screen. In the twenty-first century, more people watch opera on cinema screens than the stage. But what is different about watching Massenet at the multiplex, compared to a traditional stage performance? Is opera cinema a new, hybrid artform in its own right, or merely a new way of engaging with an old one? Is it bringing new opera fans into the fold? Is there a danger it could one day eclipse the stage altogether? This book deals with these questions by charting the history of opera transmissions, exploring how digital media changes our relationship with culture and inviting a group of 'opera virgins' to give their impressions on this developing cultural experience.

Author: Ann Fiery
Publisher: Chronicle Books
ISBN: 9780811827744
Category : Music
Languages : en
Pages : 318

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Book Description
A tribute to thirty renowned operas shares the plots and theatrical backgrounds of each, in a volume that covers such productions as Figaro and Turandot.

Author: Margaret Ross Griffel
Publisher: Scarecrow Press
ISBN: 0810883252
Category : Music
Languages : en
Pages : 1015

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Book Description
Although many opera dictionaries and encyclopedias are available, very few are devoted exclusively to operas in a single language. In this revised and expanded edition of Operas in English: A Dictionary, Margaret Ross Griffel brings up to date her original work on operas written specifically to an English text (including works both originally prepared in English, as well as English translations). Since its original publication in 1999, Griffel has added nearly 800 entries to the 4,300 from the original volume, covering the world of opera in the English language from 1634 through 2011. Listed alphabetically by letter, each opera entry includes alternative titles, if any; a full, descriptive title; the number of acts; the composer’s name; the librettist’s name, the original language of the libretto, and the original source of the text, with the source title; the date, place, and cast of the first performance; the date of composition, if it occurred substantially earlier than the premiere date; similar information for the first U.S. (including colonial) and British (i.e., in England, Scotland, or Wales) performances, where applicable; a brief plot summary; the main characters (names and vocal ranges, where known); some of the especially noteworthy numbers cited by name; comments on special musical problems, techniques, or other significant aspects; and other settings of the text, including non-English ones, and/or other operas involving the same story or characters (cross references are indicated by asterisks). Entries also include such information as first and critical editions of the score and libretto; a bibliography, ranging from scholarly studies to more informal journal articles and reviews; a discography; and information on video recordings. Griffel also includes four appendixes, a selective bibliography, and two indexes. The first appendix lists composers, their places and years of birth and death, and their operas included in the text as entries; the second does the same for librettists; the third records authors whose works inspired or were adapted for the librettos; and the fourth comprises a chronological listing of the A–Z entries, including as well as the date of first performance, the city of the premiere, the short title of the opera, and the composer. Griffel also include a main character index and an index of singers, conductors, producers, and other key figures.