Author: Milton E. Brener
Publisher: Franz Steiner Verlag
ISBN: 9781861055361
Category : Humor
Languages : en
Pages : 262
Book Description
Who inspired Carmen's fiery heroine? Was there a plot behind the hostile reception to the premiere of Madame Butterly? What compromises did Richard Strauss make with the Nazi government to get his Die Schweigsame Frau produced? Opera Offstage brings to light the intriguing tales behind 27 of the greatest operas of all time. Milton Brener ignites new appreciation for these classics and their composers by revealing the histories and human circumstances surrounding their creation.
Opera Offstage
Author: Milton E. Brener
Publisher: Franz Steiner Verlag
ISBN: 9781861055361
Category : Humor
Languages : en
Pages : 262
Book Description
Who inspired Carmen's fiery heroine? Was there a plot behind the hostile reception to the premiere of Madame Butterly? What compromises did Richard Strauss make with the Nazi government to get his Die Schweigsame Frau produced? Opera Offstage brings to light the intriguing tales behind 27 of the greatest operas of all time. Milton Brener ignites new appreciation for these classics and their composers by revealing the histories and human circumstances surrounding their creation.
Publisher: Franz Steiner Verlag
ISBN: 9781861055361
Category : Humor
Languages : en
Pages : 262
Book Description
Who inspired Carmen's fiery heroine? Was there a plot behind the hostile reception to the premiere of Madame Butterly? What compromises did Richard Strauss make with the Nazi government to get his Die Schweigsame Frau produced? Opera Offstage brings to light the intriguing tales behind 27 of the greatest operas of all time. Milton Brener ignites new appreciation for these classics and their composers by revealing the histories and human circumstances surrounding their creation.
The Marriage between Perfume and the Lyric Stage
Author: Mary May Robertson
Publisher: Cambridge Scholars Publishing
ISBN: 1527531287
Category : Music
Languages : en
Pages : 866
Book Description
“But what is this scent of balmy air? What this ray of light in my tomb? I seem to see an angel, amid a scent of roses” sings Florestan in Fidelio, Beethoven’s only opera. The role of scents, smells, fragrances, and odours in opera has long been neglected, just as how much opera and its stars have influenced the world of perfumery from the nineteenth century to the present day. In the first book-length study on the topic, Professor Mary May Robertson explores the relationship between opera, perfumes, and their respective protagonists in order to map out the previously undiscussed connection between the two. Through compelling close readings of librettos and rigorous research through thousands of bottles of perfume, the reader will come to appreciate and recognise the influences and exchanges between operas and perfumes and their ultimate marriage in the previously unrecognised genre of Operatic Perfumes, which is to say, perfumes named after operas, composers, and their divas.
Publisher: Cambridge Scholars Publishing
ISBN: 1527531287
Category : Music
Languages : en
Pages : 866
Book Description
“But what is this scent of balmy air? What this ray of light in my tomb? I seem to see an angel, amid a scent of roses” sings Florestan in Fidelio, Beethoven’s only opera. The role of scents, smells, fragrances, and odours in opera has long been neglected, just as how much opera and its stars have influenced the world of perfumery from the nineteenth century to the present day. In the first book-length study on the topic, Professor Mary May Robertson explores the relationship between opera, perfumes, and their respective protagonists in order to map out the previously undiscussed connection between the two. Through compelling close readings of librettos and rigorous research through thousands of bottles of perfume, the reader will come to appreciate and recognise the influences and exchanges between operas and perfumes and their ultimate marriage in the previously unrecognised genre of Operatic Perfumes, which is to say, perfumes named after operas, composers, and their divas.
Historical Dictionary of Opera
Author: Scott L. Balthazar
Publisher: Scarecrow Press
ISBN: 0810879433
Category : Music
Languages : en
Pages : 564
Book Description
Opera has been around ever since the late 16th century, and it is still going strong in the sense that operas are performed around the world at present, and known by infinitely more persons than just those who attend performances. On the other hand, it has enjoyed periods in the past when more operas were produced to greater acclaim. Those periods inevitably have pride of place in this Historical Dictionary of Opera, as do exceptional singers, and others who combine to fashion the opera, whether or not they appear on stage. But this volume looks even further afield, considering the cities which were and still are opera centers, literary works which were turned into librettos, and types of pieces and genres. While some of the former can be found on the web or in other sources, most of the latter cannot and it is impossible to have the whole picture without them. Indeed, this book has an amazingly broad scope. The dictionary section, with about 340 entries, covers the topics mentioned above but obviously focuses most on composers, not just the likes of Mozart, Verdi and Wagner, but others who are scarcely remembered but made notable contributions. Of course, there are the divas, but others singers as well, and some of the most familiar operas, Don Giovanni, Tosca and more. Technical terms also abound, and reference to different genres, from antimasque to zarzuela. Since opera has been around so long, the chronology is rather lengthy, since it has a lot of ground to cover, and the introduction sets the scene for the rest. This book should not be an end but rather a beginning, so it has a substantial bibliography for readers seeking more specific or specialized works. It is an excellent access point for readers interested in opera.
Publisher: Scarecrow Press
ISBN: 0810879433
Category : Music
Languages : en
Pages : 564
Book Description
Opera has been around ever since the late 16th century, and it is still going strong in the sense that operas are performed around the world at present, and known by infinitely more persons than just those who attend performances. On the other hand, it has enjoyed periods in the past when more operas were produced to greater acclaim. Those periods inevitably have pride of place in this Historical Dictionary of Opera, as do exceptional singers, and others who combine to fashion the opera, whether or not they appear on stage. But this volume looks even further afield, considering the cities which were and still are opera centers, literary works which were turned into librettos, and types of pieces and genres. While some of the former can be found on the web or in other sources, most of the latter cannot and it is impossible to have the whole picture without them. Indeed, this book has an amazingly broad scope. The dictionary section, with about 340 entries, covers the topics mentioned above but obviously focuses most on composers, not just the likes of Mozart, Verdi and Wagner, but others who are scarcely remembered but made notable contributions. Of course, there are the divas, but others singers as well, and some of the most familiar operas, Don Giovanni, Tosca and more. Technical terms also abound, and reference to different genres, from antimasque to zarzuela. Since opera has been around so long, the chronology is rather lengthy, since it has a lot of ground to cover, and the introduction sets the scene for the rest. This book should not be an end but rather a beginning, so it has a substantial bibliography for readers seeking more specific or specialized works. It is an excellent access point for readers interested in opera.
Ruling the Stage: Social and Cultural History of Opera in Sichuan from the Qing to the People's Republic of China
Author: Igor Iwo Chabrowski
Publisher: BRILL
ISBN: 9004519394
Category : Social Science
Languages : en
Pages : 367
Book Description
Igor Chabrowski analyses the history of the development of opera in Sichuan, arguing that opera serves as a microcosm of the profoundtransformation of modern Chinese culture between the 18th century and 1950s.
Publisher: BRILL
ISBN: 9004519394
Category : Social Science
Languages : en
Pages : 367
Book Description
Igor Chabrowski analyses the history of the development of opera in Sichuan, arguing that opera serves as a microcosm of the profoundtransformation of modern Chinese culture between the 18th century and 1950s.
Female Singers on the French Stage, 1830–1848
Author: Kimberly White
Publisher: Cambridge University Press
ISBN: 1108643191
Category : Music
Languages : en
Pages : 254
Book Description
The study of singers' art has emerged as a prominent area of inquiry within musicology in recent years. Female Singers on the French Stage, 1830–1848 shifts the focus from the artwork onstage to the labour that went on behind the scenes. Through extensive analysis of primary source documents, Kimberly White explores the profession of singing, operatic culture, and the representation of female performers on the French stage between 1830 and 1848, and reveals new perspectives on the social, economic, and cultural status of these women. The book attempts to reconstruct and clarify contemporary practices of the singer at work, including vocal training, débuts, rehearsals and performance schedules, touring, benefit concerts, and retirement, as well as the strategies utilized in publicity and image making. Dozens of case studies, many compiled from singers' correspondence and archival papers, shed light on the performers' successes and struggles at a time when Paris was the operatic centre of Europe.
Publisher: Cambridge University Press
ISBN: 1108643191
Category : Music
Languages : en
Pages : 254
Book Description
The study of singers' art has emerged as a prominent area of inquiry within musicology in recent years. Female Singers on the French Stage, 1830–1848 shifts the focus from the artwork onstage to the labour that went on behind the scenes. Through extensive analysis of primary source documents, Kimberly White explores the profession of singing, operatic culture, and the representation of female performers on the French stage between 1830 and 1848, and reveals new perspectives on the social, economic, and cultural status of these women. The book attempts to reconstruct and clarify contemporary practices of the singer at work, including vocal training, débuts, rehearsals and performance schedules, touring, benefit concerts, and retirement, as well as the strategies utilized in publicity and image making. Dozens of case studies, many compiled from singers' correspondence and archival papers, shed light on the performers' successes and struggles at a time when Paris was the operatic centre of Europe.
Blood on the Stage, 1975-2000
Author: Amnon Kabatchnik
Publisher: Scarecrow Press
ISBN: 0810883554
Category : Performing Arts
Languages : en
Pages : 648
Book Description
Discussing more than 80 full-length plays, this volume provides an overview of the most important and memorable theatrical works of crime and detection produced between 1975 and 2000. Each entry includes a plot synopsis, production data, and the opinions of well-known and respected critics and scholars.
Publisher: Scarecrow Press
ISBN: 0810883554
Category : Performing Arts
Languages : en
Pages : 648
Book Description
Discussing more than 80 full-length plays, this volume provides an overview of the most important and memorable theatrical works of crime and detection produced between 1975 and 2000. Each entry includes a plot synopsis, production data, and the opinions of well-known and respected critics and scholars.
The World's Your Stage
Author: William Baker
Publisher: AMACOM
ISBN: 0814436161
Category : Business & Economics
Languages : en
Pages : 253
Book Description
Most performing artists don’t do what they do for the money. And that’s a good thing, because jobs are scarce and talent alone no longer assures success. But since you’ve spent years mastering your craft--be it as a musician, a dancer, an actor, or some other type of artist--wouldn’t you love to figure out how to get paid for it?Inspired by the celebrated Juilliard course, The World's Your Stage explains the business side of the performing arts. Performers wishing to hone their entrepreneur skills and launch their own careers will learn how to:• Understand the numbers• Find their niche--and fill it• Market and promote themselves and their venture• Network productively• Fundraise both online and off• Utilize the Opportunity Framework to help balance artistic and financial growth• And moreComplete with insights from leading figures in the arts as well as lessons from thriving artist-entrepreneurs, The World’s Your Stage will help you keep your dream alive while keeping a clear eye on the unavoidable and essential business side of it all.
Publisher: AMACOM
ISBN: 0814436161
Category : Business & Economics
Languages : en
Pages : 253
Book Description
Most performing artists don’t do what they do for the money. And that’s a good thing, because jobs are scarce and talent alone no longer assures success. But since you’ve spent years mastering your craft--be it as a musician, a dancer, an actor, or some other type of artist--wouldn’t you love to figure out how to get paid for it?Inspired by the celebrated Juilliard course, The World's Your Stage explains the business side of the performing arts. Performers wishing to hone their entrepreneur skills and launch their own careers will learn how to:• Understand the numbers• Find their niche--and fill it• Market and promote themselves and their venture• Network productively• Fundraise both online and off• Utilize the Opportunity Framework to help balance artistic and financial growth• And moreComplete with insights from leading figures in the arts as well as lessons from thriving artist-entrepreneurs, The World’s Your Stage will help you keep your dream alive while keeping a clear eye on the unavoidable and essential business side of it all.
Body Knowledge
Author: Mary Simonson
Publisher: Oxford University Press, USA
ISBN: 0199898030
Category : Art
Languages : en
Pages : 291
Book Description
This book traces the deployment of intermedial aesthetics in the works of early twentieth-century female performers. By destabilizing medial and genre boundaries, these women created compelling and meaningful performances that negotiated turn-of-the-century American social and cultural issues.
Publisher: Oxford University Press, USA
ISBN: 0199898030
Category : Art
Languages : en
Pages : 291
Book Description
This book traces the deployment of intermedial aesthetics in the works of early twentieth-century female performers. By destabilizing medial and genre boundaries, these women created compelling and meaningful performances that negotiated turn-of-the-century American social and cultural issues.
Feasting and Fasting in Opera
Author: Pierpaolo Polzonetti
Publisher: University of Chicago Press
ISBN: 022680495X
Category : Cooking
Languages : en
Pages : 336
Book Description
Convivial beginnings. The symposium and the birth of opera ; The Renaissance banquet as multimedia art ; Orpheus at the cardinal's table ; Eating at the opera house -- "Tastes funny" : tragic and comic meals from Monteverdi to Mozart ; Comedy as embodiment in Monteverdi and Mozart ; The insatiable : tyrants and libertines ; Indulging in comic opera : gastronomy as identity -- The effects of feasting and fasting ; Coffee and chocolate from Bach to Puccini ; Verdi and the laws of gastromusicology ; The Callas diet.
Publisher: University of Chicago Press
ISBN: 022680495X
Category : Cooking
Languages : en
Pages : 336
Book Description
Convivial beginnings. The symposium and the birth of opera ; The Renaissance banquet as multimedia art ; Orpheus at the cardinal's table ; Eating at the opera house -- "Tastes funny" : tragic and comic meals from Monteverdi to Mozart ; Comedy as embodiment in Monteverdi and Mozart ; The insatiable : tyrants and libertines ; Indulging in comic opera : gastronomy as identity -- The effects of feasting and fasting ; Coffee and chocolate from Bach to Puccini ; Verdi and the laws of gastromusicology ; The Callas diet.
Donizetti and His Operas
Author: William Ashbrook
Publisher: Cambridge University Press
ISBN: 9780521276634
Category : Music
Languages : en
Pages : 766
Book Description
The series will include both new and recent titles drawn from the whole range of the Press's very substantial publishing programs.
Publisher: Cambridge University Press
ISBN: 9780521276634
Category : Music
Languages : en
Pages : 766
Book Description
The series will include both new and recent titles drawn from the whole range of the Press's very substantial publishing programs.