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Author: Patrick Lo Publisher: Rowman & Littlefield ISBN: 1442255439 Category : Language Arts & Disciplines Languages : en Pages : 294
Book Description
This book is based on a series of informative interviews with a number of music librarians working for different leading symphony orchestras and opera companies throughout the world. In these interviews, librarians share with the readers what kind of professional skills, knowledge and personality that are required to supply music to the performers onstage, as well as information to these world-famous performing arts organizations. Interviewees also discuss in details about their professional lives, i.e., including their personal stories and working relationships with various legendary conductors and star soloists, e.g., Claudio Abbado, Simon Rattle, James Levine, Donald Runnicles, Bernard Haitink, Zubin Mehta, Sir Colin Davis, etc. Via the interviewees’ stories, one can also get a glimpse of the different inside operations and the unique management styles behind the backstage of these internationally renowned performing arts organizations. There are fourteen conversations including interviews with the Chief Librarian at the Metropolitan Opera and the Orchestra Librarians at the San Francisco Ballet, the Berlin Philharmonic, and Israel Philharmonic Orchestra.
Author: Patrick Lo Publisher: Rowman & Littlefield ISBN: 1442255439 Category : Language Arts & Disciplines Languages : en Pages : 294
Book Description
This book is based on a series of informative interviews with a number of music librarians working for different leading symphony orchestras and opera companies throughout the world. In these interviews, librarians share with the readers what kind of professional skills, knowledge and personality that are required to supply music to the performers onstage, as well as information to these world-famous performing arts organizations. Interviewees also discuss in details about their professional lives, i.e., including their personal stories and working relationships with various legendary conductors and star soloists, e.g., Claudio Abbado, Simon Rattle, James Levine, Donald Runnicles, Bernard Haitink, Zubin Mehta, Sir Colin Davis, etc. Via the interviewees’ stories, one can also get a glimpse of the different inside operations and the unique management styles behind the backstage of these internationally renowned performing arts organizations. There are fourteen conversations including interviews with the Chief Librarian at the Metropolitan Opera and the Orchestra Librarians at the San Francisco Ballet, the Berlin Philharmonic, and Israel Philharmonic Orchestra.
Author: Patrick Lo Publisher: Emerald Group Publishing ISBN: 180117654X Category : Language Arts & Disciplines Languages : en Pages : 332
Book Description
This volume contains two Open Access Chapters This collection explores the current trends and practices in the field of music performance librarianship. A helpful resource to librarians, and archivists in a variety of situations in the world of performing arts.
Author: Clyde T. McCants Publisher: McFarland ISBN: 9780786414420 Category : Language Arts & Disciplines Languages : en Pages : 208
Book Description
Opera is a unique expression of the human mind and spirit--a play that communicates plot, characterization and story almost entirely through music. Unfortunately, because of restraints of time, location and income, few people have the opportunity to see operas performed on a regular basis. Public libraries are an easily accessible alternative for gaining operatic knowledge and exposure, offering the public a chance to hear, see, and develop an appreciation of opera. This work is a two-part guide for libraries that want to assemble a comprehensive collection of operatic materials. Part I is a list of recommended operas ranging over four hundred years of operatic history and including a variety of different styles and languages. The goal of Part I is to provide recommendations for a comprehensive library collection of video and sound operatic recordings. Part II suggest books, periodicals, and online resources that could be an integral and important part of a library's opera collection. This section also discusses the care and maintenance of sound and video recordings, offers suggestions for locating hard-to-find operatic material, and explores the library's role in sparking patron interest in opera.
Author: Tom Sutcliffe Publisher: Princeton University Press ISBN: 140086450X Category : Music Languages : en Pages : 481
Book Description
The staging of opera has become immensely controversial over the last twenty years. Tom Sutcliffe here offers an engaging and far-reaching book about opera performance and interpretation. This work is a unique tribute to the most distinctive and adventurous achievements in the theatrical interpretation of opera as it has developed in recent decades. Readers will find descriptions of the most original and successful avant-garde opera productions in Britain, Europe, and America. Sutcliffe beautifully illustrates how updating, transposition, or relocation, and a variety of unexpected imagery in opera, have qualified and adjusted our perception of the content and intention of established masterpieces. Believing in Opera describes in detail the seminal opera productions of the last fifty years, starting with Peter Brook in London after the war, and continuing with the work of such directors and producers as Patrice Chéreau in Bayreuth, Peter Sellars and David Alden in America, Ruth Berghaus in Frankfurt, and such British directors as Richard Jones, Graham Vick, Peter Hall, and David Pountney. Through his descriptions of these works, Sutcliffe states that theatrical opera has been enormously influenced by the editing style, imagery, and metaphor commonplace in the cinema and pop videos. The evolution of the performing arts depends upon revitalization and defamiliarization, he asserts. The issue is no longer naturalism, but the liberation of the audience's imagination powered by the music. Sutcliffe, an opera critic for many years, argues that opera is theater plus music of the highest expressive quality, and as a result he has often sided with unconventional and novel theatrical interpretations. He believes that there is more to opera than meets the ear, and his aim is to further the process of understanding and interpretation of these important opera productions. No other book has attempted this kind of monumental survey. Originally published in 1997. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Nicholas Ivor Martin Publisher: Scarecrow Press ISBN: 0810888696 Category : Music Languages : en Pages : 488
Book Description
You are getting ready for a performance of Donizetti’s L’elisir d’amore and you have a few questions. How many clarinets are in the orchestra? How many orchestra members appear onstage? How many different sets are there? How long does the opera typically run? What are the key arias? Are any special effects or ballet choreography required? Who owns the rights? Where was it premiered? What are the leading and supporting roles? The Opera Manual is the only single source for the answers to these and other important questions. It is the ultimate companion for opera lovers, professionals, scholars, and teachers, featuring comprehensive information about, and plot summaries for, more than 550 operas—including every opera that is likely to be performed today, from standard to rediscovered contemporary works. The book is invaluable, especially for opera professionals, who will find everything they need for choosing and staging operas. But it is also a treasure for listeners. Similar reference books commonly skip over scenes and supporting characters in their plot summaries, lacking even the most basic facts about staging, orchestral, and vocal requirements. The Opera Manual, based on the actual scores of the works discussed, is the only exhaustive, up-to-date opera companion—a “recipe book” that will enable its readers to explore those operas they know and discover new ones to sample and enjoy.
Author: Walter Crane Publisher: Good Press ISBN: Category : Fiction Languages : en Pages : 102
Book Description
"The Baby's Opera" by Walter Crane contains the music for many English nursery songs, and is one of Crane's best known 'toy books'. Complete with colored illustrations, this book has been a favorite among children since it was first released. Girls and Boys, Baa Baa Black Sheep, There was a Lady Loved a Swine and more nursery rhymes are collected in a single place here with sheet music to allow young students to play along with instruments and stay in tune.
Author: Mary Gentle Publisher: Gollancz ISBN: 9780575083516 Category : Fantasy fiction Languages : en Pages : 688
Book Description
Conrad Scalese is a writer of librettos for operas in a world where music has immense power. In the Church, the sung mass can bring about actual miracles like healing the sick. Opera is musicodrama, the highest form of music combined with human emotion, and the results of the passion it engenders can be nothing short of magical. In this world of miracles, Conrad is an atheist - he sees the same phenomena, but sees no need to attribute them to a Deity ... until his first really successful opera gets the opera-house struck by the lightning bolt of God's disapproval ... ... And Conrad comes to the attention of the Prince's Men, a powerful secret society, who are trying to use the magic of music to their own ends - in this case, an apocalyptic blood sacrifice. Life is about to get interesting for Conrad.
Author: Publisher: Black Dog & Leventhal Pub ISBN: 9781579125097 Category : Music Languages : en Pages : 160
Book Description
Contains the complete text of the libretto with annotations in both English and Italian and a critical historical commentary. The text also includes the background of the composer, biographies of the principal singers and conductor. The two accompanying CDs contain the complete opera sung in Italian.
Author: Patrick Lo
Author: Patrick Lo
Author: Patrick Lo
Author: Clyde T. McCants
Author: Samuel Holland Rous
Author: Tom Sutcliffe
Author: Nicholas Ivor Martin
Author: Giuseppe Verdi
Author: Walter Crane
Author: Mary Gentle
Author: