Opera for a New Republic PDF Download

Author: Susan C. Cook
Publisher:
ISBN: 9780835720526
Category : Music
Languages : en
Pages : 296

View

Book Description
An exploration of avant-garde music and operatic form in Weimar Germany

Author: Alison Kinney
Publisher: NYU Press
ISBN: 1479811769
Category : Music
Languages : en
Pages : 114

View

Book Description
“Opera is community, comfort, art, voice, breath, life. It’s hope.” All art exists to make life more bearable. For Alison Kinney, it was the wild, fantastical world of opera that transformed her listening and her life. Whether we’re listening for the first time or revisiting the arias that first stole our hearts, Avidly Reads Opera welcomes readers and listeners to a community full of friendship, passion, critique—and, always, beautiful music. In times of delirious, madcap fun and political turmoil, opera fans have expressed their passion by dispatching records into the cosmos, building fairy-tale castles, and singing together through the arduous work of social activism. Avidly Reads Opera is a love letter to the music and those who love it, complete with playlists, a crowdsourced tip sheet from ultra-fans to newbies, and stories of the turbulent, genre-busting, and often hilarious history of opera and its audiences. Across five acts—and the requisite intermission—Alison Kinney takes us everywhere opera’s rich melodies are heard, from the cozy bedrooms of listeners at home, to exclusive music festivals, to protests, and even prisons. Part of the Avidly Reads series, this slim book gives us a new way of looking at culture. With the singular blend of personal reflection and cultural criticism featured in the series, Avidly Reads Opera is an homage to the marvelous, sensational world of opera for the casual viewer.

Author: John Louis DiGaetani
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838635193
Category : Music
Languages : en
Pages : 322

View

Book Description
Opera and the Golden West is a celebration of opera's difficult past in America. It focuses in part on early repertory and how European operatic masterpieces became part of American culture. This book also calls attention to the efforts of American composers as they continually tried to make original contributions to a foreign musical form. Throughout this anthology the contributors use a variety of approaches and styles to analyze the many aspects of opera, and how the form fared in the U.S. In addition to observing where opera has been in this country, this anthology also has an eye to the future. Opera presentation in the coming century may be very different from the current experience. Economics, always a critical factor, may well dictate a different scale of production. Changing tastes in directorial and production values and the expansion of television and video into the home are indicators that a new era has arrived.

Author: Peter Schweighofer
Publisher: Random House Worlds
ISBN: 9780553578829
Category : Fiction
Languages : en
Pages : 436

View

Book Description
Written by some of today’s leading science fiction writers, these tales sweep us into a world where the only laws are cunning, force, and power—and only the bravest, craziest, and deadliest dare to tread. Here mercs and smugglers, gangsters and warriors fight toe to toe, side by side, and behind each other’s backs in the backwaters of a universe ripped apart by war. On Zelos II a man and a woman are held prisoner in a dark cell, each fighting in their own way for survival at the hands of Imperial captors—and a chance for escape that could cost one of them their life. On the tortured landscape of Ryloth, Fenig Nabon awaits a ship of women warriors to complete a dangerous deal: the smuggling of a troupe of dancers to the homeworld of the Hutts—only to get more than she bargained for. And in a stunning novella written especially for this collection by Hugo Award–winning, New York Times bestselling author Timothy Zahn and Michael A. Stackpole, Senator Garm Bel Iblis, believed dead at the hands of an Imperial assassin, teams up with Hal Horn in a duel against the Empire’s most dangerous agent. At stake are the plans for a terrifying new weapon called the Death Star—and the fate of both the Empire and the New Republic. Including these stories of intergalactic derring-do: “Interlude at Darkknell” by Timothy Zahn and Michael A. Stackpole “Jade Solitaire” by Timothy Zahn “Gathering Shadows” by Kathy Burdette “Hutt and Seek” by Chris Cassidy and Tish Pahl “The Longest Fall” by Patricia A. Jackson “Conflict of Interest” by Laurie Burns “No Disintegrations, Please” by Paul Danner “Day of the Sepulchral Night” by Jean Rabe “Uhl Eharl Khoehng” by Patricia A. Jackson “The Last Hand” by Paul Danner “Simple Tricks” by Chris Cassidy and Tish Pahl

Author: Herbert David Croly
Publisher:
ISBN:
Category : Political science
Languages : en
Pages : 490

View

Book Description

Author: Claire Taylor-Jay
Publisher: Routledge
ISBN: 1351546317
Category : Music
Languages : en
Pages : 234

View

Book Description
This is the first book-length study of the genre of 'artist-opera', in which the work's central character is an artist who is uncomfortable with his place in the world. It investigates how three such operas (Pfitzner's Palestrina (1915), Krenek's Jonny spielt auf (1926) and Hindemith's Mathis der Maler (1935)) contributed to the debate in early twentieth-century Germany about the place of art and the artist in modern society, and examines how far the artist-character may be taken as functioning as a persona for the real composer of the work. Because of their concern with the place of art within society, the works are also engaged with inherently political questions, and each opera is read in the light of the political context of its time: conservatism circa World War I, Americanism and democracy, and the rise of National Socialism.

Author: Steve Martin
Publisher: Grand Central Publishing
ISBN: 0446573663
Category : Fiction
Languages : en
Pages : 228

View

Book Description
Lacey Yeager is young, captivating, and ambitious enough to take the NYC art world by storm. Groomed at Sotheby's and hungry to keep climbing the social and career ladders put before her, Lacey charms men and women, old and young, rich and even richer with her magnetic charisma and liveliness. Her ascension to the highest tiers of the city parallel the soaring heights--and, at times, the dark lows--of the art world and the country from the late 1990s through today.

Author: Alex Ross
Publisher: HarperCollins UK
ISBN: 000751851X
Category : Music
Languages : en
Pages : 784

View

Book Description
’An absolutely masterly work’ Stephen Fry Alex Ross, renowned author of the international bestseller The Rest Is Noise, reveals how Richard Wagner became the proving ground for modern art and politics—an aesthetic war zone where the Western world wrestled with its capacity for beauty and violence.

Author: Carolyn Abbate
Publisher: W. W. Norton & Company
ISBN: 0393089533
Category : Music
Languages : en
Pages : 648

View

Book Description
“The best single volume ever written on the subject, such is its range, authority, and readability.”—Times Literary Supplement Why has opera transfixed and fascinated audiences for centuries? Carolyn Abbate and Roger Parker answer this question in their “effervescent, witty” (Die Welt, Germany) retelling of the history of opera, examining its development, the musical and dramatic means by which it communicates, and its role in society. Now with an expanded examination of opera as an institution in the twenty-first century, this “lucid and sweeping” (Boston Globe) narrative explores the tensions that have sustained opera over four hundred years: between words and music, character and singer, inattention and absorption. Abbate and Parker argue that, though the genre’s most popular and enduring works were almost all written in a distant European past, opera continues to change the viewer— physically, emotionally, intellectually—with its enduring power.

Author: Mark Darlow
Publisher: Oxford University Press
ISBN: 0199773807
Category : Music
Languages : en
Pages : 416

View

Book Description
Over the last decade, the theatre and opera of the French Revolution have been the subject of intense scholarly reassessment, both in terms of the relationship between theatrical works and politics or ideology in this period and on the question of longer-scale structures of continuity or rupture in aesthetics. Staging the French Revolution: Cultural Politics and the Paris Opera, 1789-1794 moves these discussions boldly forward, focusing on the Paris Opéra (Académie Royale de Musique) in the cultural and political context of the early French Revolution. Both institutional history and cultural study, this is the first ever full-scale study of the Revolution and lyric theatre. The book concentrates on three aspects of how a royally-protected theatre negotiates the transition to national theatre: the external dimension, such as questions of ownership and governance and the institution's relationship with State institutions and popular assemblies; the internal management, finances, selection and preparation of works; and the cultural and aesthetic study of the works themselves and of their reception. In Staging the French Revolution, author Mark Darlow offers an unprecedented view of the material context of opera production, combining in-depth archival research with a study of the works themselves. He argues that a mixture of popular and State interventions created a repressive system in which cultural institutions retained agency, compelling individuals to follow and contribute to a shifting culture. Theatre thereby emerged as a locus for competing discourses on patriotism, society, the role of the arts in the Republic, and the articulation of the Revolution's relation with the 'Old Regime', and is thus an essential key to the understanding of public opinion and publicity at this crucial historical moment. Combining recent approaches to institutions, sociability, and authors' rights with cultural studies of opera, Staging the French Revolution takes a historically grounded and methodologically innovative cross-disciplinary approach to opera and persuasively re-evaluates the long-standing, but rather sterile, concept of propaganda.