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Author: Sai Yang Publisher: World Scientific ISBN: 9811225214 Category : Philosophy Languages : en Pages : 452
Book Description
This book opens with the emergence and development of the discipline of aesthetics in western countries, specifically the history of Western Music Aesthetics, to study and delve into the development of Chinese Music Aesthetics. The book provides a clear timeline throughout the writing — from the history of Chinese Music Aesthetics, to the construction of a theoretical framework, and the intersections and conversations between Western and Chinese Music Aesthetics. This academic piece is fundamentally consistent with the developing field of Chinese philosophical and literary research.This book also discusses important music aesthetic categories of Confucianism, Taoism, Mohism, and metaphysics, and uses critical thinking to analyse the relationship between these categories and relevant schools of thought, reflecting the author's academic vision and thought process.
Author: Sai Yang Publisher: World Scientific ISBN: 9811225214 Category : Philosophy Languages : en Pages : 452
Book Description
This book opens with the emergence and development of the discipline of aesthetics in western countries, specifically the history of Western Music Aesthetics, to study and delve into the development of Chinese Music Aesthetics. The book provides a clear timeline throughout the writing — from the history of Chinese Music Aesthetics, to the construction of a theoretical framework, and the intersections and conversations between Western and Chinese Music Aesthetics. This academic piece is fundamentally consistent with the developing field of Chinese philosophical and literary research.This book also discusses important music aesthetic categories of Confucianism, Taoism, Mohism, and metaphysics, and uses critical thinking to analyse the relationship between these categories and relevant schools of thought, reflecting the author's academic vision and thought process.
Author: Adrian Tien Publisher: John Benjamins Publishing Company ISBN: 9027268916 Category : Language Arts & Disciplines Languages : en Pages : 320
Book Description
Music is a widely enjoyed human experience. It is, therefore, natural that we have wanted to describe, document, analyse and, somehow, grasp it in language. This book surveys a representative selection of musical concepts in Chinese language, i.e. words that describe, or refer to, aspects of Chinese music. Important as these musical concepts are in the language, they have been in wide circulation since ancient times without being subjected to any serious semantic analysis. The current study is the first known attempt at analysing these Chinese musical concepts linguistically, adopting the Natural Semantic Metalanguage (NSM) approach to formulate semantically and cognitively rigorous explications. Readers will be able to better understand not only these musical concepts but also significant aspects of the Chinese culture which many of these musical concepts represent. This volume contributes to the fields of cognitive linguistics, semantics, music, musicology and Chinese studies, offering readers a fresh account of Chinese ways of thinking, not least Chinese ways of viewing or appreciating music. Ultimately, this study represents trailblazing research on the relationship between language, culture and cognition.
Author: Luciana Galliano Publisher: Olschki ISBN: Category : Music Languages : en Pages : 310
Book Description
Un'indagine centrata sulla ricostruzione del significato dell'esperienza musicale in Cina sia in ambito teorico che applicativo. Abbandonato il dubbio tentativo di sistematizzare le sfaccettature di una esperienza tanto complessa all'interno di una meta-teoria musicale, si è privilegiata l'individuazione di specifici "itinerari di senso" che testimoniano la varietà delle risposte cinesi agli interrogativi sul "significato" della musica.
Author: Tsao Penyeh Publisher: Routledge ISBN: 1136652019 Category : Music Languages : en Pages : 100
Book Description
First published in 1998. As a cultural entity of over five thousand years of history, Chinese music is a multi-faced phenomenon consisting of diverse regional and transregional traditions. Two large categories of Chinese music can be distinguished: music(s) of the Han nationality and music(s) of the ethnic nationalities. The present volume brings together ten articles written largely by native scholars, with the general aim of presenting a dialogue about Chinese music from 'insider's' view-points.
Author: Zhixiang Qi Publisher: Palgrave Macmillan ISBN: 9789819987900 Category : Philosophy Languages : en Pages : 0
Book Description
This book differentiates between and analyzes the Confucian, Taoist and Buddhist spirit in traditional Chinese aesthetics, explains the core characteristics and methods of traditional Chinese aesthetics, and conveys the author’s overall thinking on the spirit of traditional Chinese aesthetics. Given its scope, the book is of great value in terms of understanding and promoting China’s unique traditional culture.
Author: Andrew F. Jones Publisher: Cornell East Asia Series ISBN: Category : Literary Collections Languages : en Pages : 216
Book Description
The first comprehensive study of Chinese popular music in a Western language. Drawing on extensive interviews with singers, songwriters and critics, as well as cultural, sociological, musical, and textual analysis, the book portrays the disparate ways in which China's state-run popular music industry and burgeoning underground rock music subculture represented by Cui Jian have been instrumental to the cultural and political struggles that culminated in the Tienanmen democracy movement of 1989. It also examines the links between popular music and contemporary debates about cultural identity and modernization, as well as the close connections between rock music, youth culture, and student protest.
Author: Jiaxiang Hu Publisher: World Scientific Publishing Company ISBN: 9789813279421 Category : Arts, Chinese Languages : en Pages : 0
Book Description
The book features an in-depth analysis of pre-modern Chinese discourses on artistic style especially the concept of Vitality-Charm (氣韻). Adopting an interdisciplinary approach, the book examines Vitality-Charm and related topics from the perspectives of aesthetics, stylistics, semiotics, cosmology, art history, and socio-cultural history. It reviews the development of, and examines the relations between, the concepts of poetic vision, spiritual resonance, spiritual expressiveness, Vitality-Charm and so on in the tradition of Chinese art (including literature, music, dancing, and drama). The book also attempts to clarify confusions caused by the overlapping and indistinct demarcations between the concepts when they are used in the discourse of, and even the training of art -- especially traditional Chinese art.
Author: Sai Yang
Author: Sai Yang
Author: Alan Robert Thrasher
Author: Adrian Tien
Author: Luciana Galliano
Author: Tsao Penyeh
Author: Alan R. Thrasher
Author: Zehou Li
Author: Zhixiang Qi
Author: Andrew F. Jones
Author: Jiaxiang Hu