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Author: Catharine Abell Publisher: Oxford University Press ISBN: 0199585962 Category : Philosophy Languages : en Pages : 254
Book Description
Depiction plays as important a role as language in our culture and communication, but its function is still not well understood. This volume of specially written essays by leading philosophers investigate the nature and value of depiction and its role in our understanding of the world. They set the agenda for the philosophy of depiction.
Author: Catharine Abell Publisher: Oxford University Press ISBN: 0199585962 Category : Philosophy Languages : en Pages : 254
Book Description
Depiction plays as important a role as language in our culture and communication, but its function is still not well understood. This volume of specially written essays by leading philosophers investigate the nature and value of depiction and its role in our understanding of the world. They set the agenda for the philosophy of depiction.
Author: Avigdor Arikha Publisher: ERIS ISBN: 1912475170 Category : Art Languages : en Pages : 320
Book Description
A marvellous book which teaches us how to see. There is not a word out of place. And the author’s seriousness allows us to feel his full passion, what really matters for him… This book will provide me lasting company, and I will often look in its pages for backing for my own judgements. —Jean Starobinski When a great painter also happens to be an intelligent and cultivated one, his observations on art count a hundred times more than a critic’s or a historian’s do. A man’s knowledge of his own craft is both irreplaceable and indispensable. —Simon Leys Throughout his whole development I have never ceased to admire the acuteness of his vision and his faultless insight into the art of the past. —Samuel Beckett Avigdor Arikha was one of the most important artists of the twentieth century. He was born in Romania to German-speaking Romanian Jewish parents and spent most of his life in Paris. A talented child, he started drawing early on. During the Second World War, he was deported to a concentration camp in the Ukraine, where he drew the horrors he witnessed. These drawings saved his life. During the 1950s, he established himself in Paris and was enjoying a successful career as an abstract painter. In 1965, a Caravaggio exhibition prompted him to convert to drawing from life. He stopped using colour until 1973, when he started again to paint. He worked with a religious, almost war-like, intensity until his death. Arikha was also an erudite and passionate scholar, endowed with a deep understanding of the history of art and its techniques, well-versed in world history and fascinated by science. He wrote many essays and curated important exhibitions of masters such as Poussin, Velázquez and Ingres. In this collection of essays that he wrote between 1965 and 1994, Arikha expounds on art and artists (Mantegna, Velázquez, Poussin, David, Ingres, Degas, Matisse, and more), technique, seeing, and the state of culture in his day which, one could argue, is no more hopeful today, almost thirty years later.
Author: Elina Gertsman Publisher: Penn State Press ISBN: 0271089016 Category : Art Languages : en Pages : 599
Book Description
Winner of the 2022 Charles Rufus Morey Award from the College Art Association Guided by Aristotelian theories, medieval philosophers believed that nature abhors a vacuum. Medieval art, according to modern scholars, abhors the same. The notion of horror vacui—the fear of empty space—is thus often construed as a definitive feature of Gothic material culture. In The Absent Image, Elina Gertsman argues that Gothic art, in its attempts to grapple with the unrepresentability of the invisible, actively engages emptiness, voids, gaps, holes, and erasures. Exploring complex conversations among medieval philosophy, physics, mathematics, piety, and image-making, Gertsman considers the concept of nothingness in concert with the imaginary, revealing profoundly inventive approaches to emptiness in late medieval visual culture, from ingenious images of the world’s creation ex nihilo to figurations of absence as a replacement for the invisible forces of conception and death. Innovative and challenging, this book will find its primary audience with students and scholars of art, religion, physics, philosophy, and mathematics. It will be particularly welcomed by those interested in phenomenological and cross-disciplinary approaches to the visual culture of the later Middle Ages.
Author: Nancy Perloff Publisher: Getty Publications ISBN: 1606065084 Category : Art Languages : en Pages : 210
Book Description
The artists’ books made in Russia between 1910 and 1915 are like no others. Unique in their fusion of the verbal, visual, and sonic, these books are meant to be read, looked at, and listened to. Painters and poets—including Natalia Goncharova, Velimir Khlebnikov, Mikhail Larionov, Kazimir Malevich, and Vladimir Mayakovsky— collaborated to fabricate hand-lithographed books, for which they invented a new language called zaum (a neologism meaning “beyond the mind”), which was distinctive in its emphasis on “sound as such” and its rejection of definite logical meaning. At the heart of this volume are close analyses of two of the most significant and experimental futurist books: Mirskontsa (Worldbackwards) and Vzorval’ (Explodity). In addition, Nancy Perloff examines the profound differences between the Russian avant-garde and Western art movements, including futurism, and she uncovers a wide-ranging legacy in the midcentury global movement of sound and concrete poetry (the Brazilian Noigandres group, Ian Hamilton Finlay, and Henri Chopin), contemporary Western conceptual art, and the artist’s book. Sound recordings of zaum poems featured in the book are available at www.getty.edu.
Author: Evinc Dogan Publisher: Transnational Press London ISBN: 1910781266 Category : Political Science Languages : en Pages : 444
Book Description
Istanbul “took the stage” as one of the three European Capital of Culture (ECoC) cities in 2010. In this spectacle, the urban spaces were projected as the theatre décor while residents and visitors became the spectators. The images of Istanbul pile up in videos and posters to show the city in every aspect in which everything becomes mishmash and the message gets lost in the chaos. While Istanbul is depicted as a mystified city through Orientalist representations, this image of Istanbul moves between the opposite ends of the contrasting pairs, and in contestation. “Culture, defined as making sense of the world (Hall, 1997: 2), is an integral part of branding a place, which involves cultural exchange (Anholt, 2005: 140). Mega-events may be used as forms of advertising for city marketing and branding, where the signification is not only about production of meaning but also staging of the meaning. The cities hosting mega-events can be turned into the protagonists of the spectacle by showcasing their cultural products as well as cultural being. Thus, what staged there are the city, its image as well as the events. The mega-events are helpful to spread the word about the city, but the meaning is created also through imaging the city and positioning this image in the minds of the people.” CONTENT IntroductionChapter 1: Understanding and dissecting the city imageChapter 2. Marketing the city and the city imageChapter 3. Istanbul: European Capital of Culture 2010Chapter 4. Posters of Istanbul 2010Chapter 5. Istanbul in betweenConclusion
Author: Mark Guscin Publisher: Cambridge Scholars Publishing ISBN: 1527587312 Category : Art Languages : en Pages : 333
Book Description
This volume presents the latest historical, theological and site-specific developments in the study of the Image of Edessa, shedding new light onto various different aspects of the icon. Experts from Russia, Spain, Australia, Georgia, Italy and the United Kingdom bring their latest findings together in order to reach a deeper understanding of this fascinating object.
Author: Michael Podro Publisher: Yale University Press ISBN: 9780300069143 Category : Art Languages : en Pages : 206
Book Description
This text is both a philosophical inquiry into the nature of depiction and a critical study of particular artists - Donatello, Rembrandt, Chardin and Hogarth. Michael Podro examines how the materials and procedure of the painter or sculptor are absorbed into imagining the subject. This interplay between medium and subject is crucial for the work's expressiveness and to the viewer's involvement. Abstract art in the early 20th century, Podro argues, has a closely related structure. The notion of the surface plane is explored by examining Donatello's relief sculpture and the viewer's orientation by reference to Rembrandt. He explains that Rembrandt's way of disallowing a dominant plane provides multiple orientations - different paths of access - to the subject, including different ways in which the viewer interacts with depicted figures. He then shows how, in the case of portrayal, the role of sitter, artist and viewer interconnect and, in the case of the self-portrait, converge.
Author: Michael Camille Publisher: Reaktion Books ISBN: 1780232500 Category : Art Languages : en Pages : 178
Book Description
What do they all mean – the lascivious ape, autophagic dragons, pot-bellied heads, harp-playing asses, arse-kissing priests and somersaulting jongleurs to be found protruding from the edges of medieval buildings and in the margins of illuminated manuscripts? Michael Camille explores that riotous realm of marginal art, so often explained away as mere decoration or zany doodles, where resistance to social constraints flourished. Medieval image-makers focused attention on the underside of society, the excluded and the ejected. Peasants, servants, prostitutes and beggars all found their place, along with knights and clerics, engaged in impudent antics in the margins of prayer-books or, as gargoyles, on the outsides of churches. Camille brings us to an understanding of how marginality functioned in medieval culture and shows us just how scandalous, subversive, and amazing the art of the time could be.
Author: Catharine Abell
Author: Catharine Abell
Author: Avigdor Arikha
Author: Elina Gertsman
Author: Nancy Perloff 
Author: Evinc Dogan
Author: Mark Guscin
Author: Dr. M. Seetha
Author: Michael Podro
Author: David Latham
Author: Michael Camille