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Author: Martin Royalton-Kisch Publisher: British Museum Press ISBN: Category : Art Languages : en Pages : 200
Book Description
"Comprising almost one thousand drawings and more than four hundred prints, the Malcolm collection was considered a preeminently important addition to the British Museum's holdings of old master drawings when it was acquired in 1895. Formed by John Malcolm of Poltalloch (1805-93), it contained masterpieces by Sandro Botticelli, Andrea del Verrocchio, Leonardo da Vinci, Michelangelo, Rembrandt, Claude Lorrain and Watteau. Minor masters also found their place, provided that, in the words of Malcolm's own guidelines, they were 'exceptionally fine and well-preserved examples'." "One hundred of the finest drawings are reproduced here, reflecting the general character and strengths of this remarkable collection. In the introduction, Stephen Coppel outlines its history and the life of John Malcolm, a passionate collector and a connoisseur of the most discriminating kind." --Book Jacket.
Author: Martin Royalton-Kisch Publisher: British Museum Press ISBN: Category : Art Languages : en Pages : 200
Book Description
"Comprising almost one thousand drawings and more than four hundred prints, the Malcolm collection was considered a preeminently important addition to the British Museum's holdings of old master drawings when it was acquired in 1895. Formed by John Malcolm of Poltalloch (1805-93), it contained masterpieces by Sandro Botticelli, Andrea del Verrocchio, Leonardo da Vinci, Michelangelo, Rembrandt, Claude Lorrain and Watteau. Minor masters also found their place, provided that, in the words of Malcolm's own guidelines, they were 'exceptionally fine and well-preserved examples'." "One hundred of the finest drawings are reproduced here, reflecting the general character and strengths of this remarkable collection. In the introduction, Stephen Coppel outlines its history and the life of John Malcolm, a passionate collector and a connoisseur of the most discriminating kind." --Book Jacket.
Author: Stacey Sell Publisher: Princeton University Press ISBN: 0691166129 Category : Art Languages : en Pages : 165
Book Description
This exhibition is a once-in-a-lifetime opportunity to see around 100 exceptional drawings created using the exquisite metalpoint technique. It features works by some of the greatest artists working from the late 14th century to the present including Rogier van der Weyden, Petrus Christus, Leonardo da Vinci, Raphael, Albrecht Dürer, Hans Holbein the Elder, Lucas van Leyden, Rembrandt, Edward Burne-Jones, William Holman Hunt, Otto Dix, Jasper Johns and Bruce Nauman. Works drawn from the British Museum's superb collection of metalpoint drawings sit alongside major loans from European and American museums as well as private collections, including four sheets by Leonardo da Vinci from the Royal Collection.--British Museum website.
Author: Barbara Butts Publisher: Getty Publications ISBN: 089236579X Category : Art Languages : en Pages : 346
Book Description
The names Albrecht Dürer and Hans Holbein the Younger evoke the dazzling accomplishments of Renaissance panel painting and printmaking, but they may not summon images of stained glass. Nevertheless, Dürer, Holbein, and their southern German and Swiss contemporaries designed some of the most splendid works in the history of the medium. This lavish volume is a comprehensive survey of the contribution to stained glass made by these extraordinarily gifted draftsmen and the equally talented glass painters who rendered their compositions in glass. Included are discussions of both monumental church windows and smaller-scale stained-glass panels made for cloisters, civic buildings, residences, and private chapels. The subjects of these rarely seen drawings and panels range from religious topics to secular themes, including love, planets, hunts, and battles. Focusing on stained glass produced in Germany and Switzerland from about 1495 to 1530, Painting on Light includes drawings by Dürer, Holbein, Albrecht Altdorfer, Hans Baldung Grien, Jörg Breu the Elder, Hans Burgkmair, Urs Graf, Hans von Kulmbach, Hans Leu the Younger, Niklaus Manuel Deutsch, Hans Schäufelein, Hans Weiditz, and others. This informative book is published in conjunction with an exhibition at the Getty Museum from July 11 through September 24, 2000, and from November 7, 2000, to January 4, 2001, at the Saint Louis Art Museum.
Author: Lene Østermark-Johansen Publisher: Routledge ISBN: 0429760388 Category : Art Languages : en Pages : 348
Book Description
First published in 1998, this volume explores the reinvention of Michelangelo in the Victorian era. At the opening of the nineteenth century, Michelangelo’s reputation rested on the evidence of contemporary adulation recorded by Vasari and Condivi. Travel, photography, the shift of his drawings into public collections, and, in particular, the publication of his poems in their original form, transformed this situation. The complexity of his work commanded new attention and several biographies were published. As public curiosity and knowledge of the artist increased, so various groups began to ally themselves to aspects of Michelangelo’s persona. His Renaissance reputation as a towering genius, a man of great spiritual courage, who had journeyed through and for his art to the depths of despair, was important to the Pre-Raphaelites and other artists. His love for his own ‘Dark Lady’, Vittoria Colonna, aroused excited speculation among High Church advocates, who celebrated his friendship with the deeply religious woman-poet; and the emerging awareness that some half of his love poetry was dedicated to a younger man, Tommaso de’ Cavalieri, was of intense interest to the aestheticists, among them Oscar Wilde, Walter Pater and J.A. Symonds, who sought heroic figures from societies where masculinity was less rigorously defined. In this original and beautifully illustrated study, Lene Østermark-Johansen shows how the critical discussion of the artist’s genius and work became irretrievably bound up in contemporary debates about art, religion and gender and how the Romantic view of art and criticism as self-expression turned the focus from the work of art to the artist himself such that the two could never again be viewed in isolation.
Author: Martin Royalton-Kisch
Author: Martin Royalton-Kisch
Author: sir John Charles Robinson
Author: Christie, Manson & Woods
Author: John Charles Robinson
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Author: Stacey Sell
Author: Nicholas Turner
Author: Barbara Butts
Author: Lene Østermark-Johansen
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