Author: Wilfred Joseph Cripps Publisher: Sagwan Press ISBN: 9781340417352 Category : Languages : en Pages : 130
Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Wilfred Joseph Cripps Publisher: Rarebooksclub.com ISBN: 9781230037264 Category : Languages : en Pages : 26
Book Description
This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1898 edition. Excerpt: ... interest, amongst them one that shows how carefully the ability and knowledge of aspirants for the honourable position of mastership in the craft was inquired into by the wardens. They were charged to examine such aspirants not only in the sub-divisions of the marc weight and the prices and alloys of gold and silver wares, but in the manner of alloying base and fine metal so as to render it of the quality required by the various ordinances. The wardens were also to inform themselves as to the manners and moral conduct of such candidates. Another good regulation is that which requires the goldsmith to sell the metal of their works separately, as it were, from the fashion, distinguishing in the bills rendered to customers the amount paid for material and for workmanship respectively. It may here be remarked in passing, that from 1749 foreign plate imported into France was to be marked with a punch representing the letters E T, or else the single letter E. Let us now take the last step in our historical sketch. To complete it, there remains but the reign of Louis XVI. and its well-known classical style. The same oval pointed vases, the same hanging wreaths of flowers or folds of drapery, tied up with knots of riband and carried over medallions, which in England are perpetuated in the designs of the artist Flaxman, form the principal features in French art; but the goldsmiths of Paris were distinguished from those of all other countries by the skill which they lavished upon small objects, such as snuff-boxes, bonbonnieres, etuis, and the like. Two members of the family of Ducrollay, P. J. Antoine, J. George, C. B. Sageret, and A. J. M. Vachette, are amongst the best known of this school, which Lasteyrie, in his Histoire de I'Orfevrerie, ...
Author: Wilfred Joseph Cripps Publisher: Legare Street Press ISBN: 9781021700896 Category : Antiques & Collectibles Languages : en Pages : 0
Book Description
This classic guide to French silver plate is essential reading for anyone interested in the history and artistry of this fascinating subject. Cripps provides detailed information on the various marks used by Parisian silversmiths, as well as illustrations of some of the most beautiful and intriguing pieces of silverware from the collections of the time. With his expert knowledge and engaging style, Cripps has produced a book that is both informative and highly readable. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.