Author: Thomas Carter
Publisher:
ISBN:
Category : Songs with piano, Arranged
Languages : en
Pages : 6
Book Description
Oh Nanny, a favorite song
Author: Thomas Carter
Publisher:
ISBN:
Category : Songs with piano, Arranged
Languages : en
Pages : 6
Book Description
Publisher:
ISBN:
Category : Songs with piano, Arranged
Languages : en
Pages : 6
Book Description
The Book of Modern and Popular Songs
The book of popular songs, ed. by J.E. Carpenter
Author: Joseph Edwards Carpenter
Publisher:
ISBN:
Category :
Languages : en
Pages : 304
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 304
Book Description
Diprose's National Song Book; Containing the Most Popular Song of the Day
The Pocket Songster, Or Caledonian Warbler. A Collection of Popular Scotch Songs, Etc
The Quicksands of Fashion: a Novel
Clark's Orphean Warbler; containing a choice collection of nearly two thousand favourite songs, etc
Celebrated Songs of Scotland
Author: John Dawson Ross
Publisher:
ISBN:
Category : Ballads, Scots
Languages : en
Pages : 426
Book Description
Publisher:
ISBN:
Category : Ballads, Scots
Languages : en
Pages : 426
Book Description
The Posie; an Elegant Selection of the Most Popular Songs
Music Entries at Stationers' Hall, 1710–1818
Author: Michael Kassler
Publisher: Routledge
ISBN: 131709204X
Category : Music
Languages : en
Pages : 812
Book Description
The British Copyright Act of 1709 protected proprietors of books and music printed after 10 April 1710 who gave copies to the Company of Stationers in London. Upon receipt of a copy, usually within days of its first publication, the Stationers' Hall warehouse keeper entered details into a register. They included the date of registration, the name of the work's proprietor (its author or, if copyright had been transferred, its publisher), and the work's full title, which normally named the composer and the writer of any text and often named the work's performers and dedicatee. Although some publishers put the words 'Entered at Stationers' Hall' on title-pages without actually depositing copies, the information in the registers about the many works that were registered has significant bibliographic value. Because the music entries have not previously been printed and access to them has been difficult, they generally have been ignored by cataloguers and scholars, with the consequence that numerous musical works of this period have been misdated in libraries and reference books. This book makes available, for the first time, the full text of the music entries at Stationers' Hall from 1710 to 1810 and abbreviated details of works entered from 1811 to 1818. Its value is enhanced by the inclusion of locations of copies of most works, together with indexes of composers, authors, performers and dedicatees, and an explanatory introduction by the compiler.
Publisher: Routledge
ISBN: 131709204X
Category : Music
Languages : en
Pages : 812
Book Description
The British Copyright Act of 1709 protected proprietors of books and music printed after 10 April 1710 who gave copies to the Company of Stationers in London. Upon receipt of a copy, usually within days of its first publication, the Stationers' Hall warehouse keeper entered details into a register. They included the date of registration, the name of the work's proprietor (its author or, if copyright had been transferred, its publisher), and the work's full title, which normally named the composer and the writer of any text and often named the work's performers and dedicatee. Although some publishers put the words 'Entered at Stationers' Hall' on title-pages without actually depositing copies, the information in the registers about the many works that were registered has significant bibliographic value. Because the music entries have not previously been printed and access to them has been difficult, they generally have been ignored by cataloguers and scholars, with the consequence that numerous musical works of this period have been misdated in libraries and reference books. This book makes available, for the first time, the full text of the music entries at Stationers' Hall from 1710 to 1810 and abbreviated details of works entered from 1811 to 1818. Its value is enhanced by the inclusion of locations of copies of most works, together with indexes of composers, authors, performers and dedicatees, and an explanatory introduction by the compiler.