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Author: Lynn Abbott Publisher: Univ. Press of Mississippi ISBN: 1496810058 Category : Music Languages : en Pages : 433
Book Description
Blues Book of the Year —Living Blues Association of Recorded Sound Collections Awards for Excellence Best Historical Research in Recorded Blues, Gospel, Soul, or R&B–Certificate of Merit (2018) 2023 Blues Hall of Fame Inductee - Classic of Blues Literature category With this volume, Lynn Abbott and Doug Seroff complete their groundbreaking trilogy on the development of African American popular music. Fortified by decades of research, the authors bring to life the performers, entrepreneurs, critics, venues, and institutions that were most crucial to the emergence of the blues in black southern vaudeville theaters; the shadowy prehistory and early development of the blues is illuminated, detailed, and given substance. At the end of the nineteenth century, vaudeville began to replace minstrelsy as America’s favorite form of stage entertainment. Segregation necessitated the creation of discrete African American vaudeville theaters. When these venues first gained popularity, ragtime coon songs were the standard fare. Insular black southern theaters provided a safe haven, where coon songs underwent rehabilitation and blues songs suitable for the professional stage were formulated. The process was energized by dynamic interaction between the performers and their racially-exclusive audience. The first blues star of black vaudeville was Butler “String Beans” May, a blackface comedian from Montgomery, Alabama. Before his bizarre, senseless death in 1917, String Beans was recognized as the “blues master piano player of the world.” His musical legacy, elusive and previously unacknowledged, is preserved in the repertoire of country blues singer-guitarists and pianists of the race recording era. While male blues singers remained tethered to the role of blackface comedian, female “coon shouters” acquired a more dignified aura in the emergent persona of the “blues queen.” Ma Rainey, Bessie Smith, and most of their contemporaries came through this portal; while others, such as forgotten blues heroine Ora Criswell and her protégé Trixie Smith, ingeniously reconfigured the blackface mask for their own subversive purposes. In 1921 black vaudeville activity was effectively nationalized by the Theater Owners Booking Association (T.O.B.A.). In collaboration with the emergent race record industry, T.O.B.A. theaters featured touring companies headed by blues queens with records to sell. By this time the blues had moved beyond the confines of entertainment for an exclusively black audience. Small-time black vaudeville became something it had never been before—a gateway to big-time white vaudeville circuits, burlesque wheels, and fancy metropolitan cabarets. While the 1920s was the most glamorous and remunerative period of vaudeville blues, the prior decade was arguably even more creative, having witnessed the emergence, popularization, and early development of the original blues on the African American vaudeville stage.
Author: Lynn Abbott Publisher: Univ. Press of Mississippi ISBN: 1496810058 Category : Music Languages : en Pages : 433
Book Description
Blues Book of the Year —Living Blues Association of Recorded Sound Collections Awards for Excellence Best Historical Research in Recorded Blues, Gospel, Soul, or R&B–Certificate of Merit (2018) 2023 Blues Hall of Fame Inductee - Classic of Blues Literature category With this volume, Lynn Abbott and Doug Seroff complete their groundbreaking trilogy on the development of African American popular music. Fortified by decades of research, the authors bring to life the performers, entrepreneurs, critics, venues, and institutions that were most crucial to the emergence of the blues in black southern vaudeville theaters; the shadowy prehistory and early development of the blues is illuminated, detailed, and given substance. At the end of the nineteenth century, vaudeville began to replace minstrelsy as America’s favorite form of stage entertainment. Segregation necessitated the creation of discrete African American vaudeville theaters. When these venues first gained popularity, ragtime coon songs were the standard fare. Insular black southern theaters provided a safe haven, where coon songs underwent rehabilitation and blues songs suitable for the professional stage were formulated. The process was energized by dynamic interaction between the performers and their racially-exclusive audience. The first blues star of black vaudeville was Butler “String Beans” May, a blackface comedian from Montgomery, Alabama. Before his bizarre, senseless death in 1917, String Beans was recognized as the “blues master piano player of the world.” His musical legacy, elusive and previously unacknowledged, is preserved in the repertoire of country blues singer-guitarists and pianists of the race recording era. While male blues singers remained tethered to the role of blackface comedian, female “coon shouters” acquired a more dignified aura in the emergent persona of the “blues queen.” Ma Rainey, Bessie Smith, and most of their contemporaries came through this portal; while others, such as forgotten blues heroine Ora Criswell and her protégé Trixie Smith, ingeniously reconfigured the blackface mask for their own subversive purposes. In 1921 black vaudeville activity was effectively nationalized by the Theater Owners Booking Association (T.O.B.A.). In collaboration with the emergent race record industry, T.O.B.A. theaters featured touring companies headed by blues queens with records to sell. By this time the blues had moved beyond the confines of entertainment for an exclusively black audience. Small-time black vaudeville became something it had never been before—a gateway to big-time white vaudeville circuits, burlesque wheels, and fancy metropolitan cabarets. While the 1920s was the most glamorous and remunerative period of vaudeville blues, the prior decade was arguably even more creative, having witnessed the emergence, popularization, and early development of the original blues on the African American vaudeville stage.
Author: Andreas Braddan Publisher: iUniverse ISBN: 1491725613 Category : Drama Languages : en Pages : 163
Book Description
Laser Lights! Pounding Club Music! Ecstatic Dancing! And SHAKESPEARE? Multiple versions of Shakespeares iconic Romeo and Juliet have delighted the public over the years. Its message of passionate, idealistic young love never fails to inspire. Now, half a century after the transformational West Side Story, the theater world cries out for an innovative play that addresses todays dynamic multi-cultural LGBT social setting. In lifes game, sexual persuasion, gender, creed or ethnicity should not matter. Living life matters. Love matters. Open your heart and mind and imagination to a bold new Musical Dramedy that reads like a novel and brings fresh energy and meaning to a treasured storyline. Welcome to an irreversible new reality. R&J A BOWERY TALE
Author: Publisher: McFarland ISBN: 1476673381 Category : Music Languages : en Pages : 468
Book Description
Traditional African musical forms have long been accepted as fundamental to the emergence of blues and jazz. Yet there has been little effort at compiling recorded evidence to document their development. This discography brings together hundreds of recordings that trace in detail the evolution of the African American musical experience, from early wax cylinder recordings made in West Africa to voodoo rituals from the Carribean Basin to the songs of former slaves in the American South.
Author: Alvin Schwartz Publisher: Scholastic UK ISBN: 140719979X Category : Juvenile Fiction Languages : en Pages : 352
Book Description
"A wonderful collection of tales that range from creepy to silly to haunting. ...Gammell's drawings add just the right touch..." -- John Scieszka, Entertinment Weekly "Read these if you dare." -- The New York Times The iconic anthology series of horror tales that's soon to be a highly anticipated feature film! A classic collection of chillingly scary tales, collected and retold by Alvin Schwartz and featuring the original illustrations by lauded artist Steve Gammell. Scary Stories to Tell in the Dark contains some of the most alarming tales of horror, dark revenge, and supernatural events of all time. Walking corpses, dancing bones, and narrow escapes from death - they're all here in this chilling collection of ghost stories. Make sure you read these books with the light ON!
Author: Mark Twain Publisher: Strelbytskyy Multimedia Publishing ISBN: Category : Fiction Languages : en Pages : 8476
Book Description
William Faulkner called him "the father of American literature". His novels include The Adventures of Tom Sawyer (1876) and its sequel, Adventures of Huckleberry Finn (1884), the latter of which has often been called the "Great American Novel". Mark Twain, was an American writer, humorist, entrepreneur, publisher, and lecturer. He was lauded as the "greatest humorist the United States has produced". A complete bibliography of Twain's works is nearly impossible to compile because of the vast number of pieces he wrote (often in obscure newspapers) and his use of several different pen names. Additionally, a large portion of his speeches and lectures have been lost or were not recorded; thus, the compilation of Twain's works is an ongoing process. Researchers rediscovered published material as recently as 1995 and 2015. A gifted raconteur, distinctive humorist, and irascible moralist, he transcended the apparent limitations of his origins to become a popular public figure and one of America’s best and most beloved writers. The Novels THE GILDED AGE: A TALE OF TODAY THE ADVENTURES OF TOM SAWYER THE PRINCE AND THE PAUPER ADVENTURES OF HUCKLEBERRY FINN A CONNECTICUT YANKEE IN KING ARTHUR’S COURT THE AMERICAN CLAIMANT TOM SAWYER ABROAD PUDD’NHEAD WILSON TOM SAWYER, DETECTIVE PERSONAL RECOLLECTIONS OF JOAN OF ARC A HORSE’S TALE THE MYSTERIOUS STRANGER The Short Stories MARK TWAIN’S LIBRARY OF HUMOR SKETCHES OF THE SIXTIES The Essays and Satires HOW TO TELL A STORY THE WOUNDED SOLDIER. THE GOLDEN ARM. MENTAL TELEGRAPHY AGAIN THE INVALID’S STORY A SALUTATION SPEECH FROM THE NINETEENTH CENTURY TO THE TWENTIETH THE BATTLE HYMN OF THE REPUBLIC, UPDATED TO THE PERSON SITTING IN DARKNESS PRIVATE HISTORY OF THE “JUMPING FROG” STORY FENIMORE COOPER’S LITERARY OFFENCES RUNNING FOR GOVERNOR STIRRING TIMES IN AUSTRIA CONCERNING THE JEWS COMMENTS ON THE MORO MASSACRE CARL SCHURZ, PILOT TAMING THE BICYCLE TO MY MISSIONARY CRITICS KING LEOPOLD’S SOLILOQUY THE UNITED STATES GOVERNMENT AND THE CONGO STATE. IN DEFENSE OF HARRIET SHELLEY ESSAYS ON PAUL BOURGET A LITTLE NOTE TO M. PAUL BOURGET WHAT IS MAN? THE DEATH OF JEAN THE TURNING-POINT OF MY LIFE HOW TO MAKE HISTORY DATES STICK THE MEMORABLE ASSASSINATION A SCRAP OF CURIOUS HISTORY SWITZERLAND, THE CRADLE OF LIBERTY AT THE SHRINE OF ST. WAGNER WILLIAM DEAN HOWELLS ENGLISH AS SHE IS TAUGHT ON GIRLS A SIMPLIFIED ALPHABET AS CONCERNS INTERPRETING THE DEITY CONCERNING TOBACCO THE BEE IS SHAKESPEARE DEAD? THE UNITED STATES OF LYNCHERDOM LETTERS FROM THE EARTH ADVICE TO YOUTH The Travel Writing THE INNOCENTS ABROAD ROUGHING IT A TRAMP ABROAD FOLLOWING THE EQUATOR SOME RAMBLING NOTES OF AN IDLE EXCURSION The Non-Fiction OLD TIMES ON THE MISSISSIPPI LIFE ON THE MISSISSIPPI CHRISTIAN SCIENCE QUEEN VICTORIA’S JUBILEE MY PLATONIC SWEETHEART EDITORIAL WILD OATS The Speeches INTRODUCTION PREFACE THE STORY OF A SPEECH PLYMOUTH ROCK AND THE PILGRIMS COMPLIMENTS AND DEGREES BOOKS, AUTHORS, AND HATS DEDICATION SPEECH GERMAN FOR THE HUNGARIANS A NEW GERMAN WORD UNCONSCIOUS PLAGIARISM THE WEATHER THE BABIES OUR CHILDREN AND GREAT DISCOVERIES EDUCATING THEATRE-GOERS THE EDUCATIONAL THEATRE POETS AS POLICEMEN PUDD’NHEAD WILSON DRAMATIZED DALY THEATRE THE DRESS OF CIVILIZED WOMAN DRESS REFORM AND COPYRIGHT COLLEGE GIRLS GIRLS THE LADIES WOMAN’S PRESS CLUB VOTES FOR WOMEN WOMAN-AN OPINION ADVICE TO GIRLS TAXES AND MORALS TAMMANY AND CROKER MUNICIPAL CORRUPTION MUNICIPAL GOVERNMENT CHINA AND THE PHILIPPINES THEORETICAL MORALS LAYMAN’S SERMON UNIVERSITY SETTLEMENT SOCIETY PUBLIC EDUCATION ASSOCIATION EDUCATION AND CITIZENSHIP COURAGE THE DINNER TO MR. CHOATE ON STANLEY AND LIVINGSTONE HENRY M. STANLEY DINNER TO MR. JEROME HENRY IRVING DINNER TO HAMILTON W. MABIE INTRODUCING NYE AND RILEY DINNER TO WHITELAW REID ROGERS AND RAILROADS THE OLD-FASHIONED PRINTER SOCIETY OF AMERICAN AUTHORS READING-ROOM OPENING LITERATURE DISAPPEARANCE OF LITERATURE THE NEW YORK PRESS CLUB DINNER THE ALPHABET AND SIMPLIFIED SPELLING SPELLING AND PICTURES BOOKS AND BURGLARS AUTHORS’ CLUB BOOKSELLERS “ MARK TWAIN’S FIRST APPEARANCE” MORALS AND MEMORY QUEEN VICTORIA JOAN OF ARC ACCIDENT INSURANCE — ETC. OSTEOPATHY WATER-SUPPLY MISTAKEN IDENTITY CATS AND CANDY OBITUARY POETRY CIGARS AND TOBACCO BILLIARDS THE UNION RIGHT OR WRONG AN IDEAL FRENCH ADDRESS STATISTICS GALVESTON ORPHAN BAZAAR SAN FRANCISCO EARTHQUAKE CHARITY AND ACTORS RUSSIAN REPUBLIC RUSSIAN SUFFERERS WATTERSON AND TWAIN AS REBELS ROBERT FULTON FUND FULTON DAY, JAMESTOWN LOTOS CLUB DINNER IN HONOR OF MARK TWAIN COPYRIGHT IN AID OF THE BLIND DR. MARK TWAIN, FARMEOPATH MISSOURI UNIVERSITY SPEECH BUSINESS CARNEGIE THE BENEFACTOR ON POETRY, VERACITY, AND SUICIDE WELCOME HOME AN UNDELIVERED SPEECH SIXTY-SEVENTH BIRTHDAY TO THE WHITEFRIARS THE ASCOT GOLD CUP THE SAVAGE CLUB DINNER GENERAL MILES AND THE DOG WHEN IN DOUBT, TELL THE TRUTH THE DAY WE CELEBRATE INDEPENDENCE DAY AMERICANS AND THE ENGLISH ABOUT LONDON PRINCETON THE ST. LOUIS HARBOR-BOAT “MARK TWAIN” SEVENTIETH BIRTHDAY
Author: Lynn Abbott
Author: Lynn Abbott
Author: Andreas Braddan
Author: 
Author: 
Author: 
Author: Alvin Schwartz
Author: Mrs. John M. Clay
Author: Metta Victoria Fuller Victor
Author: Mark Twain
Author: Mark Twain