Of Suffocated Hearts and Tortured Souls PDF Download

Author: Valérie Orlando
Publisher: Lexington Books
ISBN: 9780739105634
Category : Literary Criticism
Languages : en
Pages : 220

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Book Description
A striking number of hysterical or insane female characters populate Francophone women's writing. To discover why, Orlando reads novels from a variety of cultures, teasing out key elements of Francophone identity struggles.

Author: Valérie Orlando
Publisher:
ISBN: 9780742521551
Category : African literature (French)
Languages : en
Pages : 197

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Book Description

Author: Caroline A. Brown
Publisher: Springer
ISBN: 3319581279
Category : Social Science
Languages : en
Pages : 330

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Book Description
This collection chronicles the strategic uses of madness in works by black women fiction writers from Africa, the Caribbean, Canada, Europe, and the United States. Moving from an over-reliance on the “madwoman” as a romanticized figure constructed in opposition to the status quo, contributors to this volume examine how black women authors use madness, trauma, mental illness, and psychopathology as a refraction of cultural contradictions, psychosocial fissures, and political tensions of the larger social systems in which their diverse literary works are set through a cultural studies approach. The volume is constructed in three sections: Revisiting the Archive, Reinscribing Its Texts: Slavery and Madness as Historical Contestation, The Contradictions of Witnessing in Conflict Zones: Trauma and Testimony, and Novel Form, Mythic Space: Syncretic Rituals as Healing Balm. The novels under review re-envision the initial trauma of slavery and imperialism, both acknowledging the impact of these events on diasporic populations and expanding the discourse beyond that framework. Through madness and healing as sites of psychic return, these novels become contemporary parables of cultural resistance.

Author: Reiland Rabaka
Publisher: Lexington Books
ISBN: 0739164821
Category : Music
Languages : en
Pages : 267

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Book Description
Hip Hop's Inheritance arguably offers the first book-length treatment of what hip hop culture has, literally, 'inherited' from the Harlem Renaissance, the Black Arts movement, the Feminist Art movement, and 1980s and 1990s postmodern aesthetics. By comparing and contrasting the major motifs of the aforementioned cultural aesthetic traditions with those of hip hop culture, all the while critically exploring the origins and evolution of black popular culture from antebellum America through to 'Obama's America,' Hip Hop's Inheritance demonstrates that the Hip Hop generation is not the first generation of young black folk preoccupied with spirituality and sexuality, race and religion, entertainment and athletics, or ghetto culture and bourgeois culture.

Author: Gladys M. Francis
Publisher: Lexington Books
ISBN: 1498543510
Category : Literary Criticism
Languages : en
Pages : 181

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Book Description
Odious Caribbean Women and the Palpable Aesthetics of Transgression examines the methods through which the works of French Caribbean women resist hedonistic conceptions of pleasure, “art for art’s sake” aestheticism, and commodification through representations of “uglified” spaces, transgressive “deglamorified” women’s bodies in pain and explicit corporeal and sexual behaviors. Gladys M. Francis offers an original approach through her reading together of the literary, visual, and performing arts (as well as traditional Caribbean dance, music, and oral practices) to arrive at a transregional (trans-Caribbean and transatlantic), trans-genre (with regard to forms of text), and transdisciplinary conversation in Francophone studies, postcolonial studies, and cultural studies. This interweaving is illustrated through the artistic engagements of artists such as Ina Césaire, Maryse Condé, Sylvaine Dampierre, Fabienne Kanor, Lénablou, Béatrice Mélina, Gisèle Pineau, Simone Schwarz-Bart, and Miriam Warner-Vieyra. How can we investigate, theoretically or critically, the aesthetically unpleasing found in depictions of odious female protagonists or female performers? What is the aesthetic value of transgressional women’s bodies? This book presents novel tools to understand how these women artists mark and re-instate embodied trauma, survival, and resistance into history. It posits that cultural performances can disrupt a culture-as-text ethnocentrism, for, these works provide the means to expose the tangible aesthetics through which the body becomes an archive that bears the psychological, physical and structural suffering. This project also demonstrates the ways through which the corporeal realm offered by these transgressive works (through explicit female perspectives on sex, love, and gender) challenges our moral sensibilities, works to sabotage the voyeuristic gaze, and stimulates a new methodology for reading the women’s body. It focuses on the complex layers of identity formation and bodily representations with respect to issues of sex, consumerism, commodification, violence, gender and women studies, and ethics and moral issues.

Author: Véronique Bragard
Publisher: Peter Lang
ISBN: 9789052014180
Category : Foreign Language Study
Languages : en
Pages : 286

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Book Description
This work offers a close reading of literary works in French and in English by women writers whose ancestors originally came to the Caribbean or across the Indian Ocean as indentured labourers.

Author: Raphael Chijioke Njoku
Publisher: Bloomsbury Publishing USA
ISBN: 0313038430
Category : Social Science
Languages : en
Pages : 177

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Book Description
Moroccan culture today is a blend of Berber, African, Arab, Jewish, and European influences in an Islamic state. Morocco's strategic position at the tip of North Africa just below Spain has brought these cultures together through the centuries. The parallels with African and Middle Eastern countries and other Muslim cultures are drawn as the major topics are discussed, yet the uniqueness of Moroccan traditions, particularly those of the indigenous Berbers, stand out. The narrative emphasizes the evolving nature of the storied subcultures. With more exposure to Western-style education and pop culture, the younger generations are gradually turning away from the strict religious observances of their elders. General readers finally have a substantive resource for information on a country most known in the United States for the Humphrey Bogart classic Casablanca, images of the souks (markets), hashish, and Berber rugs. The strong introduction surveys the people, land, government, economy, educational system, and history. Most weight is given to modern history, with French colonial rule ending in 1956 and a succession of monarchs since then. The discussion of religion and worldview illuminates the Islamic base and Jewish communities but is also notable for the discussion of Berber beliefs in spirits. In the Literature and Media chapter, the oral culture of the Berbers and the new preference for Western-style education and use of French and even English are highlights. The Moroccans are renowned as skilled artisans, and their products are enumerated in the Art and Architecture/Housing chapter, along with the intriguing descriptions of casbahs and old quarters in the major cities. Moroccans are hospitable and family oriented, which is reflected in descriptions of their cuisine and social customs. Moroccan women seem to be somewhat freer than others in Muslim countries but the chapter on Gender Roles, Marriage, and Family shows that much progress is still needed. Ceremonies and celebrations are important cultural markers that bring communities together, and a wealth of religious, national, and family rites of passage, with accompanying music and dance, round out the cultural coverage.

Author: Debra Popkin
Publisher: Cambridge Scholars Publishing
ISBN: 144380942X
Category : Social Science
Languages : en
Pages : 120

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Book Description
This book began as a panel of University professors on the theme of Francophone Women, Coming of Age, Memoirs of Childhood and Adolescence, presented at the Northeast Modern Language Association Convention in Philadelphia, 2006. The essays center on the plight of growing up female in male-dominated Francophone cultures. Issues of culture, tradition, religion (Catholic and Muslim), parental conflicts and sibling rivalry are addressed in the works of authors from France, Quebec, Africa and the Caribbean. Authors whose memoirs and fiction are analyzed in this study span three continents––europe, North America (Quebec and the Caribbean) and Africa––but they share a common search for identity and self-definition.Dr. Beth Gale (Clark University) analyzes role-play and the use of language in the works of Annie Ernaux (France) and Assia Djebar (North Africa). Post-colonial angst and cross-cultural misunderstanding are the focus of the study of Aminata Sow Fall's Douceurs du bercail (Senegal, West Africa) by Dr. Natalie Edwards (Wagner College). Two chapters focus on Caribbean authors, from Guadeloupe: Dr. Debra Popkin (Baruch College CUNY) analyzes Giséle Pineau's special relationship with grandmother who gave her a sense of cultural identity; Dr. Leah Tolbert Lyons (Middle Tennessee State University) discusses the negative impact of the bad mothering in Myriam Warner-Vieyra's first novel, As the Sorcerer Said ... Three chapters are devoted to writers from French-speaking Canada: Dr. Myrna Delson-Karan (St. John's University) traces the portraits of children and adolescents in the works of Gabrielle Roy; Dr. Pascale Vergereau-Dewey (Kutztown University, Pennsylvania) explores the tormented childhood of Marie-Claire Blais's Pauline Archange; Dr. Edith B. Vandervoort (Defense Language Institute in Monterey) examines the search for identity and tortured father-daughter relationships in the novels of Gabrielle Gourdeau, Monique Proulx, and Marie Laberge (contemporary writers from Quebec), The seven chapters in this book explore the challenges faced by women from late 19th century through the 20th and into the 21st century as they gradually gained a voice to express their changing roles in society. Themes to be examined include sexual awakening, teenage pregnancy, and the rituals of coming of age. Conflicts occur between daughter and parents who inculcate traditional values and try to restrict their child's freedom. The importance of writing as a source of liberation and self-definition will be explored in light of the young girl's quest for freedom. Why write memoirs? Why write in French? These issues are discussed especially in cases where French is the language of the colonizer (Assia Djebar and Giséle Pineau) or where French is essential to the preservation of one's cultural identity, as it is for Quebec writers. This book will be a fine resource for college and university professors and students in programs of French, Women's Studies, and French/Francophone Literature as well as African, Caribbean, and Quebec Studies.

Author: Jacqueline Couti
Publisher: Liverpool University Press
ISBN: 1800857268
Category : Literary Criticism
Languages : en
Pages : 400

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Book Description
Sex, Sea, and Self reassesses the place of the French Antilles and French Caribbean literature within current postcolonial thought and visions of the Black Atlantic. Using a feminist lens, this study examines neglected twentieth-century French texts by Black writers from Martinique and Guadeloupe, making the analysis of some of these texts available to readers of English for the first time. This interdisciplinary study of female and male authors reconsiders their political strategies and the critical role of French creoles in the creation of their own history. This approach recalibrates overly simplistic understandings of the victimization and alienation of French Caribbean people. In the systems of cultural production under consideration, sexuality constitutes an instrument of political and cultural consciousness in the chaotic period between 1924 and 1948. Studying sexual imagery constructed around female bodies demonstrates the significance of agency and the legacy of the past in cultural resistance and political awareness. Sex, Sea, and Self particularly highlights Antillean women intellectuals’ theoretical contributions to Caribbean critical theory. Therefore, this analysis illuminates debates on the multifaceted and conflicted relationships between France and its overseas departments and expands ideas of nationhood in the Black Atlantic and the Americas.

Author: Myriam Warner-Vieyra
Publisher: Waveland Press
ISBN: 1478622660
Category : Fiction
Languages : en
Pages : 109

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Book Description
In this powerful and moving novel, Myriam Warner-Vieyra sensitively portrays the complexities of cross-cultural relationships and, in particular, the female predicament. When Helene, a self-reliant career woman, is packing her belongings for a move and imminent marriage for which she is reluctant, she unearths a faded old book. It is the diary of young Juletane, a confused, sheltered West Indian woman struggling to find herself. Written over three weeks, it records her short life: childhood in France, marriage to an African student, and an eager return with him to Africa, the land of her ancestors. It is Juletane’s diary that brings her and Helene together. Juletane does not fit into her husband’s traditional African family, especially the Muslim cultural demands of polygamy. Full of gentle ironies, Juletane is a story about alienation, madness, shattered dreams: the disillusioned West Indian outsider’s disenchantment with Africa. Myriam Warner-Vieyra looks at women’s lives, at the paths they have taken, at the possibilities open to women in the Caribbean, in Africa, in life. She forces readers, through the double narrative of Juletane and Helene, to reexamine easy assumptions, to look again at safe generalizations. Includes valuable Introduction 2014 by the translator.