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Author: Silvia Bigliazzi Publisher: Skenè. Texts and Studies ISBN: Category : Language Arts & Disciplines Languages : en Pages : 454
Book Description
The story of King Lear seems to fill in the blank space separating the end of Oedipus Tyrannus and the beginning of Oedipus at Colonus. In both Oedipus at Colonus and the latter part of King Lear we are presented with an old man who was once a King and, following his expulsion from his kingdom on account of a crime or of an error, is turned into a ‘no-thing’. This happens in the time of the division of the kingdom, which is also the time of the genesis of intraspecific conflict and, consequently, of the end of the dynasty. This collection of essays offers a range of perspectives on the many common concerns of these two plays, from the relation between fathers and sons/daughters to madness and wisdom, from sinning and suffering to ‘being’ and ‘non-being’ in human and divine time. It also offers an overarching critical frame that interrogates questions of ‘source’ and ‘reception’, probing into the possible exchangeability of perspectives in a game of mirrors that challenges ideas of origin.
Author: Silvia Bigliazzi Publisher: Skenè. Texts and Studies ISBN: Category : Language Arts & Disciplines Languages : en Pages : 454
Book Description
The story of King Lear seems to fill in the blank space separating the end of Oedipus Tyrannus and the beginning of Oedipus at Colonus. In both Oedipus at Colonus and the latter part of King Lear we are presented with an old man who was once a King and, following his expulsion from his kingdom on account of a crime or of an error, is turned into a ‘no-thing’. This happens in the time of the division of the kingdom, which is also the time of the genesis of intraspecific conflict and, consequently, of the end of the dynasty. This collection of essays offers a range of perspectives on the many common concerns of these two plays, from the relation between fathers and sons/daughters to madness and wisdom, from sinning and suffering to ‘being’ and ‘non-being’ in human and divine time. It also offers an overarching critical frame that interrogates questions of ‘source’ and ‘reception’, probing into the possible exchangeability of perspectives in a game of mirrors that challenges ideas of origin.
Author: Emily Sun Publisher: Fordham Univ Press ISBN: 0823232808 Category : Drama Languages : en Pages : 192
Book Description
This book investigates the question of the relations between literature and politics in democratic modernity. It makes connections between Shakespeare's tragedy, Wordsworth's poetry, and the documentary nonfiction and photography of James Agee and Walker Evans to offer new ways of thinking of the logic of literary history and the relationship between early modern, Romantic, and twentieth-century texts; and it brings literature into dialogue with contemporary philosophical re-readings of Western political thought. King Lear, Sun argues, opens up a literary succession at the heart of which is a crisis of sovereignty. Interrogating what it is to be a political subject as actor and spectator in the kingdom, the play issues an injunction to transform spectatorship in plural and nonsovereign terms. Thorough engagements with Lear, Wordsworth in the 1790s, and Agee and Evans in the 1930s assume this injunction by generating new artistic genres and modes for their times.
Author: Julia Reinhard Lupton Publisher: Cornell University Press ISBN: 9780801496875 Category : Drama Languages : en Pages : 290
Book Description
Exploring the dialogue between psychoanalytic and literary discourses, the authors examine the models of plot, character, and ways of reading which each of these discourses has developed in interpreting Shakespeare. Since Freud's writings on Oedipus and Hamlet, Shakespearean tragedy has been paradigmatic for psychoanalytic theory and criticism. In this ambitious and highly imaginative book, the authors trace the dialogue between psychoanalytic and literary discourses by examining the models of plot, character, and ways of reading which each tradition has developed through its interpretation of Shakespeare.
Author: Sophocles Publisher: Penguin UK ISBN: 0141905646 Category : Drama Languages : en Pages : 221
Book Description
King Oedipus/Oedipus at Colonus/Antigone Three towering works of Greek tragedy depicting the inexorable downfall of a doomed royal dynasty The legends surrounding the house of Thebes inspired Sophocles to create this powerful trilogy about humanity's struggle against fate. King Oedipus is the devastating portrayal of a ruler who brings pestilence to Thebes for crimes he does not realize he has committed and then inflicts a brutal punishment upon himself. Oedipus at Colonus provides a fitting conclusion to the life of the aged and blinded king, while Antigone depicts the fall of the next generation, through the conflict between a young woman ruled by her conscience and a king too confident of his own authority. Translated with an Introduction by E. F. WATLING
Author: Lee Breuer Publisher: Theatre Communications Group ISBN: 1559366788 Category : Drama Languages : en Pages : 79
Book Description
A founding member of the acclaimed New York-based company Mabou Mines, Breuer's gifts as a writer and director have have made him a mainstay of the theatrical avant-garde.
Author: John Kerrigan Publisher: Oxford University Press ISBN: 019251251X Category : Literary Criticism Languages : en Pages : 182
Book Description
How original was Shakespeare and how was Shakespeare original? This lucid, innovative book sets about answering these questions by putting them in historical context and investigating how the dramatist worked with his sources: plays, poems, chronicles and prose romances. Shakespeare's Originality unlocks its topic with rewarding precision and flair, showing through a series of case studies that range across the output—from the mature comedies to the great tragedies, from Richard III to The Tempest—what can be learned about the artistry of the plays by thinking about these sources (including newly identified ones) after several decades of neglect. Discussion is enriched by such matters as Elizabethan ruffs and feathers, actors' footwork, chronicle history, modern theatre productions, debts to classical tragedy, scepticism, magic and science, the agricultural revolution, and ecological catastrophe. This is authoritative, lively work by one of the world's leading Shakespearians, accessible to the general reader as well as indispensable for students.
Author: Myron Stagman Publisher: Cambridge Scholars Publishing ISBN: 1443824666 Category : Drama Languages : en Pages : 430
Book Description
To begin with, Shakespeare had a complete grammar school education, and Euripides, Sophocles and Aristophanes were assigned reading!! This book presents voluminous, striking, unmediated textual correspondences between the Greek and Shakespearean plays, and illuminating historical background. Not only should this prove the Shakespeare-Greek Drama connection, but that William Shakespeare became “Shakespeare” because of his mastery of the ancient Greek treasury of Drama. 3. “Pluck’d my nipple from his boneless gums” Many of us associate Lady Macbeth’s special temper with some of the most blood-curdling lines in literature: I have given suck, and know How tender ’tis to love the babe that milks me; I would, while it was smiling in my face, Have pluck’d my nipple from his boneless gums, And dash’d the brains out, had I so sworn As you have done to this. Shakespeare’s precise action image appears in Euripides’ Iphigenia in Aulis, from verses spoken by Clytemnestra. She says to Agamemnon: It was not of my own free will but by force that Thou didst take and wed me, after slaying Tantalus, My former husband, and dashing my babe on the ground alive, When thou hadst torn him from my breast with brutal violence. The derivation of Lady Macbeth’s dashing image cannot be in doubt.
Author: Mark Allen McDonald Publisher: University Press of America ISBN: 9780761824664 Category : Drama Languages : en Pages : 334
Book Description
Shakespeare's 'King Lear' with 'The Tempest' is Mark McDonald's inquiry into the political philosophy of William Shakespeare through a reading of King Lear with reference to The Tempest. McDonald follows an argument connecting King Lear to the question of natural right and to changes in the orders of the western world at the beginnings of modernity.
Author: Silvia Bigliazzi
Author: Silvia Bigliazzi
Author: Emily Sun
Author: R.R. Khare
Author: Julia Reinhard Lupton
Author: Sophocles
Author: Robert J. Milch
Author: Lee Breuer
Author: John Kerrigan
Author: Myron Stagman
Author: Mark Allen McDonald