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Author: Almut-Barbara Renger Publisher: University of Chicago Press ISBN: 022604811X Category : Literary Criticism Languages : en Pages : 133
Book Description
When Oedipus met the Sphinx on the road to Thebes, he did more than answer a riddle—he spawned a myth that, told and retold, would become one of Western culture’s central narratives about self-understanding. Identifying the story as a threshold myth—in which the hero crosses over into an unknown and dangerous realm where rules and limits are not known—Oedipus and the Sphinx offers a fresh account of this mythic encounter and how it deals with the concepts of liminality and otherness. Almut-Barbara Renger assesses the story’s meanings and functions in classical antiquity—from its presence in ancient vase painting to its absence in Sophocles’s tragedy—before arriving at two of its major reworkings in European modernity: the psychoanalytic theory of Sigmund Freud and the poetics of Jean Cocteau. Through her readings, she highlights the ambiguous status of the Sphinx and reveals Oedipus himself to be a liminal creature, providing key insights into Sophocles’s portrayal and establishing a theoretical framework that organizes evaluations of the myth’s reception in the twentieth century. Revealing the narrative of Oedipus and the Sphinx to be the very paradigm of a key transition experienced by all of humankind, Renger situates myth between the competing claims of science and art in an engagement that has important implications for current debates in literary studies, psychoanalytic theory, cultural history, and aesthetics.
Author: Almut-Barbara Renger Publisher: University of Chicago Press ISBN: 022604811X Category : Literary Criticism Languages : en Pages : 133
Book Description
When Oedipus met the Sphinx on the road to Thebes, he did more than answer a riddle—he spawned a myth that, told and retold, would become one of Western culture’s central narratives about self-understanding. Identifying the story as a threshold myth—in which the hero crosses over into an unknown and dangerous realm where rules and limits are not known—Oedipus and the Sphinx offers a fresh account of this mythic encounter and how it deals with the concepts of liminality and otherness. Almut-Barbara Renger assesses the story’s meanings and functions in classical antiquity—from its presence in ancient vase painting to its absence in Sophocles’s tragedy—before arriving at two of its major reworkings in European modernity: the psychoanalytic theory of Sigmund Freud and the poetics of Jean Cocteau. Through her readings, she highlights the ambiguous status of the Sphinx and reveals Oedipus himself to be a liminal creature, providing key insights into Sophocles’s portrayal and establishing a theoretical framework that organizes evaluations of the myth’s reception in the twentieth century. Revealing the narrative of Oedipus and the Sphinx to be the very paradigm of a key transition experienced by all of humankind, Renger situates myth between the competing claims of science and art in an engagement that has important implications for current debates in literary studies, psychoanalytic theory, cultural history, and aesthetics.
Author: Sophocles Publisher: Andesite Press ISBN: 9781297635458 Category : Languages : en Pages :
Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Yuan Yuan Publisher: UPA ISBN: 0761866639 Category : Art Languages : en Pages : 249
Book Description
The issue of the other has always been an urgent one, especially since 1980’s, when the political debates over race, gender, class, culture, ethnicity, and post-colonialism took the central stage. The Riddling between Oedipus and the Sphinx, Ontology, Hauntology, and Heterologies of the Grotesque probes the polemic status of the other and the dubious nature of the subject from a heterodox perspective of an emblematic grotesque figure, the Sphinx—the mystical trickster and the guardian of sacred knowledge in Egyptian culture. In Greek mythology, Oedipus, the epitome of Western logos, solved the Sphinx’s riddle with a single word, “Man.” This evocation for the phantom of a solipsistic subject discloses, in effect, Oedipus’ latent grotesque disparity. The book explores the encounter of this unlikely pair to inquire the riddling relationship between the singular subject and the grotesque other in the context of modern discourses of the subject and postmodern theories of the other.
Author: Maurice Valency Publisher: Dramatists Play Service, Inc. ISBN: 9780822202394 Category : Oedipus (Greek mythology) Languages : en Pages : 36
Book Description
THE STORY: The scene is a mountain pass in ancient Greece, on the road to Thebes. The pass is guarded by a priestess from the temple of Hera and by a sphinx who must ask a riddle of all who pass. If the traveler cannot solve the riddle he is hurled to his death, but if he can he is allowed to pass—and proceed to his doom. A young man approaches, and while the priestess pleads that he be allowed to turn back, or to pass unchallenged, the sphinx is adamant that the riddle must be posed. The priestess retires, and the sphinx accosts the young man, Oedipus, who has come from Delphi, where he has consulted the oracle. At first he denies this, but the sphinx knows his story without his telling it—and foretells what lies ahead for him as well. In keeping with the casual, offhand mood of the play, Oedipus attempts to treat these disclosures lightly, but inevitably he cannot. The riddle is asked, and solved, the sphinx vanishes forever, and Oedipus proceeds to the awful fate that the gods have ordained for him.
Author: Bob Blaisdell Publisher: Courier Corporation ISBN: 0486110303 Category : Juvenile Fiction Languages : en Pages : 100
Book Description
Adventures, calamities, and conquests abound in stirring tales about Pandora's box, King Midas and his golden touch, the dreaded Cyclops, Narcissus and Echo, and many other familiar figures.
Author: Janine Burke Publisher: Bloomsbury Publishing USA ISBN: 0802718345 Category : Biography & Autobiography Languages : en Pages : 500
Book Description
Sigmund Freud's collection of Egyptian, Greek and Roman antiquities is one of the art world's best-kept secrets. Over a forty year period he amassed an extraordinary array of nearly three thousand statues, vases, reliefs, busts, rings and prints. For Freud, psychoanalysis and his art collection developed together in a symbiotic, nourishing relationship, each informing and enriching the other. Freud used myth to illustrate controversial theories like the Oedipus complex, situating ancient symbolism in a modern context. He explored the archaeology of the mind, unearthing his patients' dreams and memories while creating a personal museum of ancient treasure. Freud compared the process to analysis, where he, "cleared away material, layer by layer", to the technique of excavating a buried city. To create a portrait of Freud the art collector, Janine Burke builds a vibrant, richly detailed and intimate image of his life and times, tracing Freud's taste for beautiful things back to his earliest years. The Sphinx on the Table is set against the glittering, decadent, backdrop of fin-de-siecle Vienna where an artistic flowering took place in painting, theater, writing and architecture.
Author: Immanuel Velikovsky Publisher: ISBN: 9781906833589 Category : History Languages : en Pages : 218
Book Description
Is it conceivable that the Oedipus saga was not a creation of human fancy but is based on historical happenings? This question is posed by Immanuel Velikovsky in the present book. The most popular pharaonic family of all - Akhnaton with his wife Nefertiti and his son Tutankhamen - are exposed as the real protagonists of the Oedipus saga.
Author: Almut-Barbara Renger
Author: Almut-Barbara Renger
Author: Sophocles
Author: Yuan Yuan
Author: Lowell Edmunds
Author: Maurice Valency
Author: Bob Blaisdell
Author: Janine Burke
Author: Sophocles
Author: Metropolitan Museum of Art (New York, N.Y.)
Author: Immanuel Velikovsky