Odilon Redon PDF Download

Author: Odilon Redon
Publisher: Parkstone International
ISBN: 1683256638
Category : Art
Languages : en
Pages : 263

View

Book Description

Author: Odilon Redon
Publisher: Courier Corporation
ISBN: 0486156451
Category : Art
Languages : en
Pages : 240

View

Book Description
A prominent Symbolist and a precursor to the Surrealists, Redon transformed common subjects into fantastic images, depicting serpents, skeletons, and monsters with a distinctive style of realism. 172 lithographs, plus 37 etchings and engravings.

Author: Jodi Hauptman
Publisher: The Museum of Modern Art
ISBN: 0870706012
Category :
Languages : en
Pages : 284

View

Book Description

Author: Linda Patricia Cleary
Publisher:
ISBN: 9781320549431
Category :
Languages : en
Pages :

View

Book Description
One girl, one painting a day...can she do it? Linda Patricia Cleary decided to challenge herself with a year long project starting on January 1, 2014. Choose an artist a day and create a piece in tribute to them. It was a fun, challenging, stressful and psychological experience. She learned about technique, art history, different materials and embracing failure. Here are all 365 pieces. Enjoy!

Author: Douglas W. Druick
Publisher:
ISBN: 9780810937697
Category :
Languages : en
Pages : 464

View

Book Description

Author:
Publisher:
ISBN: 9781520743691
Category :
Languages : en
Pages : 185

View

Book Description
The works of French symbolist painter, printmaker, draughtsman & pastellist Odilon Redon (April 20, 1840 - July 6, 1916). Composite 4 Edition.

Author: Odilon Redon
Publisher:
ISBN: 9783775718943
Category :
Languages : en
Pages : 0

View

Book Description
The French painter, draftsman and mystic, Odilon Redon, was already in his forties, an eminence grise, when a group of young colleagues asked him to the 1884 founding of the Société des Indépendants. He was in his seventies when his work appeared in the 1913 Armory show, which woke American audiences to a new aesthetic. And while he lived only a few years longer, his work carried forward, not only in collections around the world, but in his influence on major artists including Cézanne, Degas, Gaugin and Matisse. In its darkness and abstraction, Redon's work remains exceptionally relevant today: his spiders, floating heads and glowing conch shells in near-empty frames could easily be contemporary. His figures and objects from the worlds of antiquity, Christianity and nature are often veiled in iridescent clouds of intense color, to enigmatic and mystical effect. In charcoal drawings and lithographs, Redon devoted himself to the human subconscious, with its fears and nightmares, and produced an urgent and eerie Symbolist oeuvre. This substantial retrospective underlines his central importance for an emergent Modernism. Redon is credited not just with changing the course of Impressionism, but with influencing artists as disparate as Duchamp, the Surrealists and Jasper Johns.

Author: Amy Von Lintel
Publisher: American Wests, Sponsored by W
ISBN: 9781648430152
Category : Art
Languages : en
Pages : 341

View

Book Description
Offering a fresh perspective on the influence of the American southwest--and particularly West Texas--on the New York art world of the 1950s, Three Women Artists: Expanding Abstract Expressionism in the American West aims to establish the significance of itinerant teaching and western travel as a strategic choice for women artists associated with traditional centers of artistic authority and population in the eastern United States. The book is focused on three artists: Elaine de Kooning, Jeanne Reynal, and Louise Nevelson. In their travels to and work in the High Plains, they were inspired to innovate their abstract styles and introduce new critical dialogues through their work. These women traveled west for the same reason artists often travel to new places: they found paid work, markets, patrons, and friends. This Middle American context offers us a "decentered" modernism--demanding that we look beyond our received truths about Abstract Expressionism. Authors Amy Von Lintel and Bonnie Roos demonstrate that these women's New York avant-garde, abstract styles were attractive to Panhandle-area ranchers, bankers, and aspiring art students. Perhaps as importantly, they show that these artists' aesthetics evolved in light of their regional experiences. Offering their work as a supplement and corrective to the frameworks of patriarchal, East Coast ethnocentrism, Von Lintel and Roos make the case for Texas as influential in the national art scene of the latter half of the twentieth century.

Author:
Publisher:
ISBN: 9781549967856
Category :
Languages : en
Pages : 127

View

Book Description
The works of French symbolist painter, printmaker, draughtsman & pastellist Odilon Redon (20 April 1840 - 6 July 1916). Composite 2 Edition. Volume 1 (of 3).

Author: Dario Gamboni
Publisher: University of Chicago Press
ISBN: 0226280551
Category : Art
Languages : en
Pages : 426

View

Book Description
French symbolist artist Odilon Redon (1840–1916) seemed to thrive at the intersection of literature and art. Known as “the painter-writer,” he drew on the works of Poe, Baudelaire, Flaubert, and Mallarmé for his subject matter. And yet he concluded that visual art has nothing to do with literature. Examining this apparent contradiction, The Brush and the Pen transforms the way we understand Redon’s career and brings to life the interaction between writers and artists in fin-de-siècle Paris. Dario Gamboni tracks Redon’s evolution from collaboration with the writers of symbolism and decadence to a defense of the autonomy of the visual arts. He argues that Redon’s conversion was the symptom of a mounting crisis in the relationship between artists and writers, provoked at the turn of the century by the growing power of art criticism that foreshadowed the modernist separation of the arts into intractable fields. In addition to being a distinguished study of this provocative artist, The Brush and the Pen offers a critical reappraisal of the interaction of art, writing, criticism, and government institutions in late nineteenth-century France.