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Author: Langston Hughes Publisher: University of Missouri Press ISBN: 0826263798 Category : African Americans Languages : en Pages : 448
Book Description
For the first time in many years, Langston Hughes's published collections of stories are now available in a single book. Included in this volume are: Ways of White Folks, originally published in 1934; Laughing to Keep from Crying, originally published in 1952; and additional stories from Something in Common and Other Stories, originally published in 1963; as well as previously uncollected stories. These fictions, carefully crafted in the language Hughes loved, manifest the many themes for which he is best known. We meet and come to know many characters--black and white, young and old, men and women & mdash;all as believable as our own families, friends, and acquaintances. Hughes's stories portray people as they actually are: a mixture of good, bad, and much in-between. In these short stories, as in the Simple stories, the reader enjoys Hughes's humor and irony. The stories show us his inclination to mock himself and his beloved people, as much as he ridicules the flaws of those who belittle his race. His genuine characters interact and realistically bring to life this era of America's past. By maintaining the form and format of the original story collections, this volume presents Hughes's stories as he wanted them to be read. This volume will be an invaluable addition to the library of anyone interested in African American literature generally and the fiction of Langston Hughes specifically.
Author: Langston Hughes Publisher: University of Missouri Press ISBN: 0826263798 Category : African Americans Languages : en Pages : 448
Book Description
For the first time in many years, Langston Hughes's published collections of stories are now available in a single book. Included in this volume are: Ways of White Folks, originally published in 1934; Laughing to Keep from Crying, originally published in 1952; and additional stories from Something in Common and Other Stories, originally published in 1963; as well as previously uncollected stories. These fictions, carefully crafted in the language Hughes loved, manifest the many themes for which he is best known. We meet and come to know many characters--black and white, young and old, men and women & mdash;all as believable as our own families, friends, and acquaintances. Hughes's stories portray people as they actually are: a mixture of good, bad, and much in-between. In these short stories, as in the Simple stories, the reader enjoys Hughes's humor and irony. The stories show us his inclination to mock himself and his beloved people, as much as he ridicules the flaws of those who belittle his race. His genuine characters interact and realistically bring to life this era of America's past. By maintaining the form and format of the original story collections, this volume presents Hughes's stories as he wanted them to be read. This volume will be an invaluable addition to the library of anyone interested in African American literature generally and the fiction of Langston Hughes specifically.
Author: Paul McCann Publisher: Associated University Presse ISBN: 9780838641408 Category : Literary Criticism Languages : en Pages : 198
Book Description
Race, Music, and National Identity is the first book-length study to examine closely the portrayal of jazz in American fiction during the most critical and dynamic years of the music's development. The principal argument suggests that the discourse on jazz was informed largely by a broad range of anxieties endemic to the turbulent decades of the mid-twentieth century. As the United States faced a new crisis in either foreign or domestic policy, writers and intellectuals often used jazz as a forum to change both the public's understanding of the musical tradition as well as the nation's understanding of itself. In many ways, the rise of jazz from low to high art was a product of this discourse. The study relies on a close reading of several notable authors including F. Scott Fitzgerald, Langston Hughes, Eudora Welty, Ralph Ellison, and Jack Kerouac but also responds to a broad range of popular writers from the decade whose contribution to the discourse on jazz has been largely forgotten. This book provides an insightful glimpse into how the United States negotiates and ultimately understands its own cultural artifacts. Paul McCann is an English Professor at Del Mar College.
Author: Paul Allen Anderson Publisher: Duke University Press ISBN: 0822383047 Category : Music Languages : en Pages : 347
Book Description
“The American Negro,” Arthur Schomburg wrote in 1925, “must remake his past in order to make his future.” Many Harlem Renaissance figures agreed that reframing the black folk inheritance could play a major role in imagining a new future of racial equality and artistic freedom. In Deep River Paul Allen Anderson focuses on the role of African American folk music in the Renaissance aesthetic and in political debates about racial performance, social memory, and national identity. Deep River elucidates how spirituals, African American concert music, the blues, and jazz became symbolic sites of social memory and anticipation during the Harlem Renaissance. Anderson traces the roots of this period’s debates about music to the American and European tours of the Fisk Jubilee Singers in the 1870s and to W. E. B. Du Bois’s influential writings at the turn of the century about folk culture and its bearing on racial progress and national identity. He details how musical idioms spoke to contrasting visions of New Negro art, folk authenticity, and modernist cosmopolitanism in the works of Du Bois, Alain Locke, Zora Neale Hurston, Langston Hughes, Jean Toomer, Sterling Brown, Roland Hayes, Paul Robeson, Carl Van Vechten, and others. In addition to revisiting the place of music in the culture wars of the 1920s, Deep River provides fresh perspectives on the aesthetics of race and the politics of music in Popular Front and Swing Era music criticism, African American critical theory, and contemporary musicology. Deep River offers a sophisticated historical account of American racial ideologies and their function in music criticism and modernist thought. It will interest general readers as well as students of African American studies, American studies, intellectual history, musicology, and literature.
Author: Wesley Stace Publisher: Everyman's Library ISBN: 1101908416 Category : Fiction Languages : en Pages : 465
Book Description
A beautiful hardcover anthology of short stories about music by a remarkable array of literary greats, selected by someone who is both a musician and a writer Music may be a universal language that transcends words, but that hasn't stopped our most accomplished writers from trying to capture its essence on the page, paying homage to one art form through another. The dazzling examples collected here range from Virginia Woolf's "The String Quartet" to Langston Hughes's "The Blues I'm Playing" and Donald Barthelme's "The King of Jazz," and from Ivan Turgenev's "The Song of Triumphant Love" to Katherine Mansfield's "The Singing Lesson" and Ian McEwan's "A Duet." Here are melodious scenes from E. M. Forster's Howards End and Vikram Seth's An Equal Music, and stories by James Joyce, Gustave Flaubert, and Marcel Proust in harmony with pieces by Vladimir Nabokov, Maya Angelou, Kazuo Ishiguro, and Philip K. Dick. Together these twenty-four musical tales make up a gorgeous symphony of literary delights. Everyman's Library pursues the highest production standards, printing on acid-free cream-colored paper, with full-cloth cases with two-color foil stamping, decorative endpapers, silk ribbon markers, European-style half-round spines, and a full-color illustrated jacket.
Author: David Levering Lewis Publisher: Penguin ISBN: 0140170367 Category : Fiction Languages : en Pages : 818
Book Description
Gathering a representative sampling of the New Negro Movement's most important figures, and providing substantial introductory essays, headnotes, and brief biographical notes, Lewis' volume—organized chronologically—includes the poetry and prose of Sterling Brown, Countee Cullen, W. E. B. Du Bois, Zora Neale Hurston, James Weldon Johnson, and others.
Author: Venetria K. Patton Publisher: Rutgers University Press ISBN: 9780813529301 Category : History Languages : en Pages : 678
Book Description
In this important new anthology. Venetria K. Patton and Maureen Honey bring together a comprehensive scicction of texts from the Harlem Renalssance a key period in the literary and cultural history of the cultural life of the United States. The collection revolutionizes our way of viewing this era, as it redresses the ongoing emphasis on the male writers of this time. Double.Take offers a unique, balanced collection of writers - men and women, gay and straight, familiar and obscure. The editors have also included works from a wide variety of genres poetry, short stories, drama, essays, music, and art - allowing readers to understand the true interdisciplinary quality of this cultural movement. Biographical sketches of the authors are provided and most of the places are included in their entirely. Double.Take also includes artwork and illustrations, many of which are from periodicals and have never before been reprinted. Significantly, Double-Take is the first book to include music lyrics to illustrate the interrelation of various art forms. Arranged by author, rather than by genre, this anthology includes works from major Harlem Renaissance figures as well as often-overlooked essay
Author: Langston Hughes
Author: Langston Hughes
Author: Paul McCann
Author: Paul Allen Anderson
Author: United States National Museum
Author: Robert Asa Cushman
Author: Wesley Stace
Author: David Levering Lewis
Author: Sascha Feinstein
Author: James Clark Parshall
Author: Venetria K. Patton