Author: Publisher:
ISBN: 9783863359331
Category :
Languages : en
Pages : 223
Book Description
Oceans of Love: The Uncontainable Gregory Battcock
Author: Disability Works
Author: Patrick McKelveyPublisher: NYU Press
ISBN: 1479824879
Category : Art
Languages : en
Pages : 340
Book Description
"Disability Works offers a cultural history of disability, performance, and work in the modern United States"--
Andy Warhol, Publisher
Author: Lucy MulroneyPublisher: University of Chicago Press
ISBN: 022654284X
Category : Art
Languages : en
Pages : 202
Book Description
Although we know him best as a visual artist and filmmaker, Andy Warhol was also a publisher. Distributing his own books and magazines, as well as contributing to those of others, Warhol found publishing to be one of his greatest pleasures, largely because of its cooperative and social nature. Journeying from the 1950s, when Warhol was starting to make his way through the New York advertising world, through the height of his career in the 1960s, to the last years of his life in the 1980s, Andy Warhol, Publisher unearths fresh archival material that reveals Warhol’s publications as complex projects involving a tantalizing cast of collaborators, shifting technologies, and a wide array of fervent readers. Lucy Mulroney shows that whether Warhol was creating children’s books, his infamous “boy book” for gay readers, writing works for established houses like Grove Press and Random House, helping found Interview magazine, or compiling a compendium of photography that he worked on to his death, he readily used the elements of publishing to further and disseminate his art. Warhol not only highlighted the impressive variety in our printed culture but also demonstrated how publishing can cement an artistic legacy.
Queer Behavior
Author: David J. GetsyPublisher: University of Chicago Press
ISBN: 0226817067
Category : Art
Languages : en
Pages : 427
Book Description
The first book to chart Scott Burton’s performance art and sculpture of the 1970s. Scott Burton (1939–89) created performance art and sculpture that drew on queer experience and the sexual cultures that flourished in New York City in the 1970s. David J. Getsy argues that Burton looked to body language and queer behavior in public space—most importantly, street cruising—as foundations for rethinking the audiences and possibilities of art. This first book on the artist examines Burton’s underacknowledged contributions to performance art and how he made queer life central in them. Extending his performances about cruising, sexual signaling, and power dynamics throughout the decade, Burton also came to create functional sculptures that covertly signaled queerness by hiding in plain sight as furniture waiting to be used. With research drawing from multiple archives and numerous interviews, Getsy charts Burton’s deep engagements with postminimalism, performance, feminism, behavioral psychology, design history, and queer culture. A restless and expansive artist, Burton transformed his commitment to gay liberation into a unique practice of performance, sculpture, and public art that aspired to be antielitist, embracing of differences, and open to all. Filled with stories of Burton’s life in New York’s art communities, Queer Behavior makes a case for Burton as one of the most significant out queer artists to emerge in the wake of the Stonewall uprising and offers rich accounts of queer art and performance art in the 1970s.
A Book About Colab (and Related Activities)
Author: Max SchumannPublisher: Printed Matter, Incorporated
ISBN: 9780894390852
Category : Art
Languages : en
Pages : 0
Book Description
"Edited by Max Schumann, Director of Printed Matter, and with a foreword and afterword by art writer and Colab member Walter Robinson, the book traces the output of Collaborative Projects Inc. (aka Colab), the highly energetic gathering of young New York downtown artists active from the late 1970's through the mid 1980's."--Printed Matter website.
Alice Neel: People Come First
Author: Kelly BaumPublisher: Metropolitan Museum of Art
ISBN: 1588397254
Category : Art
Languages : en
Pages : 259
Book Description
"For me, people come first," Alice Neel (1900–1984) declared in 1950. "I have tried to assert the dignity and eternal importance of the human being." This ambitious publication surveys Neel's nearly 70-year career through the lens of her radical humanism. Remarkable portraits of victims of the Great Depression, fellow residents of Spanish Harlem, leaders of political organizations, queer artists, visibly pregnant women, and members of New York's global diaspora reveal that Neel viewed humanism as both a political and philosophical ideal. In addition to these paintings of famous and unknown sitters, the more than 100 works highlighted include Neel's emotionally charged cityscapes and still lifes as well as the artist’s erotic pastels and watercolors. Essays tackle Neel's portrayal of LGBTQ subjects; her unique aesthetic language, which merged abstraction and figuration; and her commitment to progressive politics, civil rights, feminism, and racial diversity. The authors also explore Neel's highly personal preoccupations with death, illness, and motherhood while reasserting her place in the broader cultural history of the 20th century.
Carman. Based on the Opera by Ser Serpas
Author: Fredi FischliPublisher:
ISBN: 9783960984764
Category : Artists' writings
Languages : en
Pages : 244
Book Description
Carman is based on chronological iPhone notes that Ser Serpas wrote during her undergraduate studies, from July 2013 to July 2017.The title Carman not only evokes Carmen, Georges Bizet's famous opera of love and seduction; it is also the name of Serpas's freshman-year dormitory at Columbia, where she majored in the fine arts and urban studies.Originally from Los Angeles, she is now based in New York. The poems she wrote in her final year at Columbia led to the exhibition You were created to be so young (self-harm and exercise) in the summer of 2018 at Luma Westbau.Serpas's experience in community work and the fashion industry fed into the exploitation of her own and others' detritus. As Hannah Black notes in Becoming Trash, Serpa's poetry in Carman is a 'mythic account of her development as an artist.'Accompanies the exhibition 'Ser Serpas: You were created to be so young (self-harm and exercise)', 9th Jun - 2 Sep 2018, LUMA Westbau, Zürich.Co-published with Fredi Fischli.
Sterling Ruby
Author: Sterling RubyPublisher: UCCA/Koenig Books
ISBN: 9783863356217
Category : Artists' books
Languages : en
Pages : 0
Book Description
Following the great artist book tradition of John Baldessari and Edward Ruscha, the Ullens Center for Contemporary Art has called on Matthew Monahan along with L.A. artists Kathryn Andrews, Aaron Curry, Alex Israel, Sterling Ruby, Ryan Trecartin and Kaari Upson to make individual artist books for 'The Los Angeles Project' in Bejing. Struck by the eerie similarities of the two giant megalopolises of Los Angeles and Beijing, Sterling Ruby takes the reader into his own journalistic vision - sourcing photographs of landscapes and interiors of Los Angeles and Beijing, both shot and found by the artist, each page is claustrophobically framed by collaged imagery of stalagmites and stalactites. The focal point where these two cities merge gives rise to a dystopic scene that feels like science fiction.
Performance Artists Talking in the Eighties
Author: Linda M. MontanoPublisher: Univ of California Press
ISBN: 0520919661
Category : Art
Languages : en
Pages : 588
Book Description
Performance artist Linda Montano, curious about the influence childhood experience has on adult work, invited other performance artists to consider how early events associated with sex, food, money/fame, or death/ritual resurfaced in their later work. The result is an original and compelling talking performance that documents the production of art in an important and often misunderstood community. Among the more than 100 artists Montano interviewed from 1979 to 1989 were John Cage, Suzanne Lacy, Faith Ringgold, Dick Higgins, Annie Sprinkle, Allan Kaprow, Meredith Monk, Eric Bogosian, Adrian Piper, Karen Finley, and Kim Jones. Her discussions with them focused on the relationship between art and life, history and memory, the individual and society, and the potential for individual and social change. The interviews highlight complex issues in performance art, including the role of identity in performer-audience relationships and art as an exploration of everyday conventions rather than a demonstration of virtuosity.
Performing Mourning
Author: Guy CoolsPublisher:
ISBN: 9789492095985
Category :
Languages : en
Pages : 224
Book Description
Each person?s grief is as unique as their fingerprint. But what everyone has in common is that no matter how they grieve, they share a need for their grief to be witnessed.?0David Kessler (2019)0The pandemic has once again made us more aware of the fragility of life and the importance of being able to properly mourn the dead. Dramaturg Guy Cools has been researching laments and other rituals of mourning. He is particularly interested in how the emotions of loss need to be externalized. The laments are a formal device, used in many cultures to express and contain the emotions of grief.0In a poetic, meandering, personal way Cools explores cultural habits, traditions, rituals, and artists? performances. His narrative looks into many forms of laments: literary, anthropological, philosophical, and in contemporary art practices. The latter part delves into artistic strategies to address or embody mourning: dialogical strategies that deal with personal losses; collective mourning rituals and how they invite communities to witness these losses; contemporary examples of laments that are not only used to dialogue with the dead but also to communicate with loved ones who are absent because of migration or exile; a very specific form of mourning that occurs when we grieve for the unrealized potential of a child?s unlived life, including that of an unborn child. And finally, the very recent phenomenon of lamenting not just the losses of the past, but also the loss of a future.