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Author: Laura E. Smith Publisher: ISBN: 9780549869498 Category : Indian photographers Languages : en Pages : 287
Book Description
This study provides a much needed in-depth reassessment of Kiowa photographer Horace Poolaw's (1906-1984) contribution to a critical turning point in Native American history and art history. It further extends the scholarship that is critically engaged with problematizing modernity as it relates to Indian identity and art. Many art critics and historians have perpetuated a dichotomy between Indians and the modern throughout the twentieth century including several recent reviewers of Poolaw's work. They have relied on a longstanding interpretative framework based on the Indian's inevitable extinction. On an evolutionary spectrum, most nineteenth-century liberal white reformers believed that indigenous individuals and artists demonstrated their modernity and/or progress by killing their Indianness and adopting European or white American styles, beliefs, and modes of living. This study replaces singular and linear notions of modernity with the recognition of multiple, simultaneously existing modernities. It also draws from scholarship that has argued for more fluid and fluctuating understandings of the modern and the traditional/Indian. By problematizing the perpetuation of entrenched distinctions between modernity and Indians, this project contributes to the de-centering of American art histories that have until recently been construed as the exclusive domain of white European and Anglo-American men. Horace Poolaw was one of the first Native American professional photographers in the early twentieth century. He was witness to many social and political changes instituted by the indigenous peoples of Oklahoma, after a century of dispossession, war, disease, and oppression. My research delineates the significance of the first twenty years of Poolaw's career 1925 and 1945, the height of the period of indigenous artistic and political resurgence in Oklahoma. It was also during this period that Poolaw developed and refined his mode of engagement with Native identity and modernity.
Author: Laura E. Smith Publisher: ISBN: 9780549869498 Category : Indian photographers Languages : en Pages : 287
Book Description
This study provides a much needed in-depth reassessment of Kiowa photographer Horace Poolaw's (1906-1984) contribution to a critical turning point in Native American history and art history. It further extends the scholarship that is critically engaged with problematizing modernity as it relates to Indian identity and art. Many art critics and historians have perpetuated a dichotomy between Indians and the modern throughout the twentieth century including several recent reviewers of Poolaw's work. They have relied on a longstanding interpretative framework based on the Indian's inevitable extinction. On an evolutionary spectrum, most nineteenth-century liberal white reformers believed that indigenous individuals and artists demonstrated their modernity and/or progress by killing their Indianness and adopting European or white American styles, beliefs, and modes of living. This study replaces singular and linear notions of modernity with the recognition of multiple, simultaneously existing modernities. It also draws from scholarship that has argued for more fluid and fluctuating understandings of the modern and the traditional/Indian. By problematizing the perpetuation of entrenched distinctions between modernity and Indians, this project contributes to the de-centering of American art histories that have until recently been construed as the exclusive domain of white European and Anglo-American men. Horace Poolaw was one of the first Native American professional photographers in the early twentieth century. He was witness to many social and political changes instituted by the indigenous peoples of Oklahoma, after a century of dispossession, war, disease, and oppression. My research delineates the significance of the first twenty years of Poolaw's career 1925 and 1945, the height of the period of indigenous artistic and political resurgence in Oklahoma. It was also during this period that Poolaw developed and refined his mode of engagement with Native identity and modernity.
Author: Jenny Tone-Pah-Hote Publisher: UNC Press Books ISBN: 1469643677 Category : History Languages : en Pages : 163
Book Description
In this in-depth interdisciplinary study, Jenny Tone-Pah-Hote reveals how Kiowa people drew on the tribe's rich history of expressive culture to assert its identity at a time of profound challenge. Examining traditional forms such as beadwork, metalwork, painting, and dance, Tone-Pah-Hote argues that their creation and exchange were as significant to the expression of Indigenous identity and sovereignty as formal political engagement and policymaking. These cultural forms, she argues, were sites of contestation as well as affirmation, as Kiowa people used them to confront external pressures, express national identity, and wrestle with changing gender roles and representations. Combatting a tendency to view Indigenous cultural production primarily in terms of resistance to settler-colonialism, Tone-Pah-Hote expands existing work on Kiowa culture by focusing on acts of creation and material objects that mattered as much for the nation's internal and familial relationships as for relations with those outside the tribe. In the end, she finds that during a time of political struggle and cultural dislocation at the turn of the twentieth century, the community's performative and expressive acts had much to do with the persistence, survival, and adaptation of the Kiowa nation.
Author: Nicole Strathman Publisher: University of Oklahoma Press ISBN: 0806167068 Category : Photography Languages : en Pages : 241
Book Description
What is American Indian photography? At the turn of the twentieth century, Edward Curtis began creating romantic images of American Indians, and his works—along with pictures by other non-Native photographers—came to define the field. Yet beginning in the second half of the nineteenth century, American Indians themselves started using cameras to record their daily activities and to memorialize tribal members. Through a Native Lens offers a refreshing, new perspective by highlighting the active contributions of North American Indians, both as patrons who commissioned portraits and as photographers who created collections. In this richly illustrated volume, Nicole Dawn Strathman explores how indigenous peoples throughout the United States and Canada appropriated the art of photography and integrated it into their lifeways. The photographs she analyzes date to the first one hundred years of the medium, between 1840 and 1940. To account for Native activity both in front of and behind the camera, the author divides her survey into two parts. Part I focuses on Native participants, including such public figures as Sarah Winnemucca and Red Cloud, who fashioned themselves in deliberate ways for their portraits. Part II examines Native professional, semiprofessional, and amateur photographers. Drawing from tribal and state archives, libraries, museums, and individual collections, Through a Native Lens features photographs—including some never before published—that range from formal portraits to casual snapshots. The images represent multiple tribal communities across Native North America, including the Inland Tlingit, Northern Paiute, and Kiowa. Moving beyond studies of Native Americans as photographic subjects, this groundbreaking book demonstrates how indigenous peoples took control of their own images and distinguished themselves as pioneers of photography.
Author: Cynthia Fowler Publisher: Routledge ISBN: 135155980X Category : Art Languages : en Pages : 450
Book Description
How does museum location shape the interpretation of an art object by critics, curators, art historians, and others? To what extent is the value of a work of art determined by its location? Providing a close examination of individual works of American art in relation to gallery and museum location, this anthology presents case studies of paintings, sculpture, photographs, and other media that explore these questions about the relationship between location and the prescribed meaning of art. It takes an alternate perspective in that it provides in-depth analysis of works of art that are less well known than the usual American art suspects, and in locations outside of art museums in major urban cultural centers. By doing so, the contributors to this volume reveal that such a shift in focus yields an expanded and more complex understanding of American art. Close examinations are given to works located in small and mid-sized art museums throughout the United States, museums that generally do not benefit from the resources afforded by more powerful cultural establishments such as the Museum of Modern Art and the Metropolitan Museum of Art in New York. Works of art located at institutions other than art museums are also examined. Although the book primarily focuses on paintings, other media created from the Colonial Period to the present are considered, including material culture and craft. The volume takes an inclusive approach to American art by featuring works created by a diverse group of artists from canonical to lesser-known ones, and provides new insights by highlighting the regional and the local.
Author: Bruce J. W. Evans Publisher: Elsevier Health Sciences ISBN: 0323733182 Category : Medical Languages : en Pages : 418
Book Description
Now in a fully up-to-date 6th Edition, Pickwell's Binocular Vision Anomalies provides a practical introduction to binocular vision, offering comprehensive theory, how-to clinical guidance, and a summary of current research in a single, consolidated volume. Ideally suited for both students and clinicians, this bestselling text serves as an accessible, evidence-based reference when faced with binocular vision or pediatric challenges. Covers routine examinations and testing protocols, including CISS questionnaire, cover test, foveal suppression, fixation disparity, four prism diopter base out test, Lindblom’s method, and double Maddox rod test. Includes numerous video clips of key testing procedures, including new clips on Mallett fixation disparity test and fusional reserve testing, as well as an interactive video quiz to help you test your knowledge. Features sweeping content updates such as the latest information on 3-D displays, therapeutic uses of computer games and virtual reality for vision therapy, computerized testing methodologies, binocular and accommodative mechanisms associated with myopia, updated prescribing criteria, therapeutic use of contact lenses, detection of pathology associated with strabismus, drugs causing diplopia, and the evidence-based treatment of convergence insufficiency syndrome and amblyopia. Contains helpful study features throughout, including Clinical Key Points boxes, step-by-step test routines, typical features of extraocular muscle palsies and syndromes, and Case Study boxes that cover important clinical and legal scenarios, and new boxes that summarize testing procedures for each of the main binocular vision tests.
Author: Mary Crossley Publisher: Cambridge University Press ISBN: 1108901468 Category : Law Languages : en Pages : 259
Book Description
Black people and people with disabilities in the United States are distinctively disadvantaged in their encounters with the health care system. These groups also share harsh histories of medical experimentation, eugenic sterilizations, and health care discrimination. Yet the similarities in inequities experienced by Black people and disabled people and the harms endured by people who are both Black and disabled have been largely unexplored. To fill this gap, Embodied Injustice uses an interdisciplinary approach, weaving health research with social science, critical approaches, and personal stories to portray the devastating effects of health injustice in America. Author Mary Crossley takes stock of the sometimes-vexed relationship between racial justice and disability rights advocates and interrogates how higher disability prevalence among Black Americans reflects unjust social structures. By suggesting reforms to advance health equity for disabled people, Black people, and disabled Black people, this book lays a crucial foundation for intersectional, cross-movement advocacy to advance health justice in America.
Author: Emily Laxer Publisher: McGill-Queen's Press - MQUP ISBN: 0773558047 Category : Political Science Languages : en Pages :
Book Description
Over the last few decades, politicians in Europe and North America have fiercely debated the effects of a growing Muslim minority on their respective national identities. Some of these countries have prohibited Islamic religious coverings in public spaces and institutions, while in others, legal restriction remains subject to intense political conflict. Seeking to understand these different outcomes, social scientists have focused on the role of countries' historically rooted models of nationhood and their attendant discourses of secularism. Emily Laxer's Unveiling the Nation problematizes this approach. Using France and Quebec as illustrative cases, she traces how the struggle of political parties for power and legitimacy shapes states' responses to Islamic signs. Drawing on historical evidence and behind-the-scenes interviews with politicians and activists, Laxer uncovers unseen links between structures of partisan conflict and the strategies that political actors employ when articulating the secular boundaries of the nation. In France's historically class-based political system, she demonstrates, parties on the left and the right have converged around a restrictive secular agenda in order to limit the siphoning of votes by the ultra-right. In Quebec, by contrast, the longstanding electoral salience of the “national question” has encouraged political actors to project highly conflicting images of the province's secular past, present, and future. At a moment of heightened debate in the global politics of religious diversity, Laxer's Unveiling the Nation sheds critical light on the way party politics and its related instabilities shape the secular boundaries of nationhood in diverse societies.
Author: Laura E. Smith
Author: Laura E. Smith
Author: Jenny Tone-Pah-Hote
Author: Nicole Strathman
Author: Cynthia Fowler
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Author: 
Author: Bruce J. W. Evans
Author: Jennifer L. Roberts
Author: Mary Crossley
Author: Emily Laxer