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Obras completas de Miguel de Unamuno ; edición y prólogo de Ricardo Senabre

Author: Miguel de Unamuno
Publisher:
ISBN:
Category :
Languages : es
Pages : 944

Book Description

Obras completas de Miguel de Unamuno ; edición y prólogo de Ricardo Senabre

Author: Miguel de Unamuno
Publisher:
ISBN:
Category :
Languages : es
Pages : 944

Book Description

Obras completas de Miguel de Unamuno ; edición y prólogo de Ricardo Senabre: Paisajes ; De mi país ; Por tierras de Portugal y de España ; Andanzas y visiones españolas

Author: Miguel de Unamuno
Publisher:
ISBN:
Category :
Languages : es
Pages :

Book Description

Obras completas de Miguel de Unamuno ; edición y prólogo de Ricardo Senabre: Cancionero ; Poesías sueltas ; Traducciones

Author: Miguel de Unamuno
Publisher:
ISBN:
Category :
Languages : es
Pages :

Book Description

Obras completas de Miguel de Unamuno ; edición y prólogo de Ricardo Senabre: Paisajes del alma ; Nuevo mundo ; [Diario íntimo] ; Recuerdos de niñez y de mocedad ; Sansaciones de Bilbao ; Cómo se hace una novela

Author: Miguel de Unamuno
Publisher:
ISBN:
Category :
Languages : es
Pages :

Book Description

Obras completas de Miguel de Unamuno

Author: Miguel de Unamuno y Jugo
Publisher:
ISBN: 9788489794696
Category : Authors, Spanish
Languages : es
Pages :

Book Description

Obras completas

Author: Miguel de Unamuno
Publisher:
ISBN:
Category :
Languages : es
Pages : 1140

Book Description

Unamuno's Theory of the Novel

Author: C. A. Longhurst
Publisher: Routledge
ISBN: 1351538217
Category : Foreign Language Study
Languages : en
Pages : 240

Book Description
Miguel de Unamuno (1864-1936) is widely regarded as Spain's greatest and most controversial writer of the first half of the twentieth century. Professor of Greek, and later Rector, at the University of Salamanca, and a figure with a noted public profile in his day, he wrote a large number of philosophical, political and philological essays, as well as poems, plays and short stories, but it is his highly idiosyncratic novels, for which he coined the word nivola, that have attracted the greatest critical attention. Niebla (Mist, 1914) has become one of the most studied works of Spanish literature, such is the enduring fascination which it has provoked. In this study, C. A. Longhurst, a distinguished Unamuno scholar, sets out to show that behind Unamuno's fictional experiments there lies a coherent and quasi-philosophical concept of the novelesque genre and indeed of writing itself. Ideas about freedom, identity, finality, mutuality and community are closely intertwined with ideas on writing and reading and give rise to a new and highly personal way of conceiving fiction.