Author: Hôtel DrouotPublisher:
ISBN:
Category :
Languages : fr
Pages : 14
Book Description
Catalogue d'objets d'art et de curiosité...
Catalogue d'objets d'art et de curiosité
Author: Hôtel DrouotAntique Dealing and Creative Reuse in Cairo and Damascus 1850-1890
Author: Mercedes VolaitPublisher: BRILL
ISBN: 9004449884
Category : History
Languages : en
Pages : 303
Book Description
The commodification of Islamic antiques intensified in the late Ottoman Empire, an age of domestic reform and increased European interference following the Tanzimat (reorganisation) of 1839. Mercedes Volait examines the social life of typical objects moving from Cairo and Damascus to Paris, London, and beyond, uncovers the range of agencies and subjectivities involved in the trade of architectural salvage and historic handicraft, and traces impacts on private interiors, through creative reuse and Revival design, in Egypt, Europe and America. By devoting attention to both local and global engagements with Middle Eastern tangible heritage, the present volume invites to look anew at Orientalism in art and interior design, the canon of Islamic architecture and the translocation of historic works of art.
Catalogue d'objets d'art et de curiosité ... belles armes et tableaux anciens composant la collection de feu M. de Marpon, receveur général à Limoges
Author: Objet d'art et de curiosités armures et armes des 15° 16° 17° s. beaux retables du 15° en bois sculpté, sculptures en bois, marbre, ivoire etc. tableaux anciens et modernes
Author: The National Union Catalog, Pre-1956 Imprints
Author: Cataloghi di collezioni d'arte nelle biblioteche fiorentine (1840-1940)
Author: Giovanna De LorenziPublisher:
ISBN:
Category : Art
Languages : un
Pages : 726
Book Description
Antique Dealing and Creative Reuse in Cairo and Damascus 1850-1890
Author: Mercedes VolaitPublisher: Leiden Studies in Islam and So
ISBN: 9789004449879
Category : Art
Languages : en
Pages : 283
Book Description
Early shows and sales of Islamic antiques in Paris -- Expanding trades in late Ottoman Cairo and Damascus -- Conflicted commodification in Cairo -- Fashioning immersive displays in Egypt and beyond -- Guise and disguise before and during the Tanzimat.
Torture Garden
Author: Octave MirbeauPublisher: Library of Alexandria
ISBN: 1465606947
Category : Fiction
Languages : en
Pages : 219
Book Description
One evening some friends were gathered at the home of one of our most celebrated writers. Having dined sumptuously, they were discussing murder—apropos of what, I no longer remember probably apropos of nothing. Only men were present: moralists, poets, philosophers and doctors—thus everyone could speak freely, according to his whim, his hobby or his idiosyncrasies, without fear of suddenly seeing that expression of horror and fear which the least startling idea traces upon the horrified face of a notary. I—say notary, much as I might have said lawyer or porter, not disdainfully, of course, but in order to define the average French mind. With a calmness of spirit as perfect as though he were expressing an opinion upon the merits of the cigar he was smoking, a member of the Academy of Moral and Political Sciences said: “Really—I honestly believe that murder is the greatest human preoccupation, and that all our acts stem from it... “ We awaited the pronouncement of an involved theory, but he remained silent. “Absolutely!” said a Darwinian scientist, “and, my friend, you are voicing one of those eternal truths such as the legendary Monsieur de La Palisse discovered every day: since murder is the very bedrock of our social institutions, and consequently the most imperious necessity of civilized life. If it no longer existed, there would be no governments of any kind, by virtue of the admirable fact that crime in general and murder in particular are not only their excuse, but their only reason for being. We should then live in complete anarchy, which is inconceivable. So, instead of seeking to eliminate murder, it is imperative that it be cultivated with intelligence and perseverance. I know no better culture medium than law.” Someone protested. “Here, here!” asked the savant, “aren't we alone, and speaking frankly?” “Please!” said the host, “let us profit thoroughly by the only occasion when we are free to express our personal ideas, for both I, in my books, and you in your turn, may present only lies to the public.” The scientist settled himself once more among the cushions of his armchair, stretched his legs, which were numb from being crossed too long and, his head thrown back, his arms hanging and his stomach soothed by good digestion, puffed smoke−rings at the ceiling: “Besides,” he continued, “murder is largely self−propagating. Actually, it is not the result of this or that passion, nor is it a pathological form of degeneracy. It is a vital instinct which is in us all—which is in all organized beings and dominates them, just as the genetic instinct. And most of the time it is especially true that these two instincts fuse so well, and are so totally interchangeable, that in some way or other they form a single and identical instinct, so that we no longer may tell which of the two urges us to give life, and which to take it—which is murder, and which love. I have been the confidant of an honorable assassin who killed women, not to rob them, but to ravish them. His trick was to manage things so that his sexual climax coincided exactly with the death−spasm of the woman: 'At those moments,' he told me, 'I imagined I was a God, creating a world!”
Contes Francais
Author: Douglas Labaree BuffumPublisher: Legare Street Press
ISBN: 9781017913194
Category :
Languages : en
Pages : 0
Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.