Author: Richard Offner
Publisher:
ISBN:
Category : Art and religion
Languages : en
Pages : 526
Book Description
A Critical and Historical Corpus of Florentine Painting
Author: Richard Offner
Publisher:
ISBN:
Category : Art and religion
Languages : en
Pages : 526
Book Description
Publisher:
ISBN:
Category : Art and religion
Languages : en
Pages : 526
Book Description
The Fourteenth Century
Author: Klara Steinweg
Publisher:
ISBN:
Category : Painting, Italian
Languages : en
Pages : 470
Book Description
Publisher:
ISBN:
Category : Painting, Italian
Languages : en
Pages : 470
Book Description
The Fourteenth Century
Author: Miklós Boskovits
Publisher:
ISBN:
Category : Miniature painters
Languages : en
Pages : 638
Book Description
Publisher:
ISBN:
Category : Miniature painters
Languages : en
Pages : 638
Book Description
Philostratus
Author: Philostratus (the Athenian)
Publisher:
ISBN:
Category :
Languages : en
Pages : 280
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 280
Book Description
Analecta: Or, Materials For a History of Remarkable Providences; Mostly Relating to Scotch Ministers and Christians
Author: Robert Wodrow
Publisher: BoD – Books on Demand
ISBN: 3385129664
Category : Fiction
Languages : en
Pages : 410
Book Description
Reprint of the original, first published in 1842.
Publisher: BoD – Books on Demand
ISBN: 3385129664
Category : Fiction
Languages : en
Pages : 410
Book Description
Reprint of the original, first published in 1842.
Raphael
Author: Catherine Whistler
Publisher: Ashmolean Museum Oxford
ISBN: 9781910807156
Category : Art, High Renaissance
Languages : en
Pages : 0
Book Description
The selection of drawings demonstrates how Raphael created a specific mode of visual invention and persuasive communication through drawing. He used drawing both as conceptual art (including brainstorming sheets) and as a practice based on attentive observation (such as drawing from the posed model). Yet Raphael's drawings also reveal how the process of drawing in itself, with its gestural rhythms and spontaneity, can be a form of thought, generating new ideas. The Oxford exhibition will present drawings that span Raphael's entire career, encompassing many of his major projects and exploring his visual language from inventive ideas to full compositions. The extraordinary range of drawings by Raphael in the Ashmolean and the Albertina, enhanced by appropriate loans, will enable this exhibition to cast new light on this familiar artist, transforming our understanding of Raphael's art.
Publisher: Ashmolean Museum Oxford
ISBN: 9781910807156
Category : Art, High Renaissance
Languages : en
Pages : 0
Book Description
The selection of drawings demonstrates how Raphael created a specific mode of visual invention and persuasive communication through drawing. He used drawing both as conceptual art (including brainstorming sheets) and as a practice based on attentive observation (such as drawing from the posed model). Yet Raphael's drawings also reveal how the process of drawing in itself, with its gestural rhythms and spontaneity, can be a form of thought, generating new ideas. The Oxford exhibition will present drawings that span Raphael's entire career, encompassing many of his major projects and exploring his visual language from inventive ideas to full compositions. The extraordinary range of drawings by Raphael in the Ashmolean and the Albertina, enhanced by appropriate loans, will enable this exhibition to cast new light on this familiar artist, transforming our understanding of Raphael's art.