Author: Tod Williams
Publisher: Yale University Press
ISBN: 0300197985
Category : Art
Languages : en
Pages : 242
Book Description
Catalogo di una mostra in cui vengono esposti oggetti d'affezione proposti ai due curatori da architetti e studi di architettura.
Wunderkammer
Author: Tod Williams
Publisher: Yale University Press
ISBN: 0300197985
Category : Art
Languages : en
Pages : 242
Book Description
Catalogo di una mostra in cui vengono esposti oggetti d'affezione proposti ai due curatori da architetti e studi di architettura.
Publisher: Yale University Press
ISBN: 0300197985
Category : Art
Languages : en
Pages : 242
Book Description
Catalogo di una mostra in cui vengono esposti oggetti d'affezione proposti ai due curatori da architetti e studi di architettura.
Things That Liberate
Author: Alison Bartlett
Publisher: Cambridge Scholars Publishing
ISBN: 1443867403
Category : History
Languages : en
Pages : 240
Book Description
This collection of essays explores objects that changed Australian women’s lives through their association with women’s liberation, the women’s movement, and feminism since 1970. The volume combines personal narrative, historical analysis, and memoir, creating a highly readable collection and a novel way of documenting, historicising, remembering and writing the Australian women’s movement, its affects, and its material culture. The contributors include high profile women and grass roots activists, academics and writers, and everyday women living the ideas of liberation and feminism from a range of locations. They are funny and serious, raw and sophisticated, analytical and emotional. Some are factual, while others delight in gossip. Each essay hinges on a particular object that is remembered for its symbolic value and practical use as an object of liberation, ranging from overalls and Gestetners, to seasponges and kombis. The editors’ introduction canvasses the current fascination with ‘things’, ‘stuff’, ‘objects’ and other material culture that comprises and shapes our lives; with ideas around memory and emotion as increasingly important components of social histories, and about the ways in which the Australian women’s movement is remembered. Combined, this volume of essays presents a fascinating collection of objects, writing, remembrance and the affects of one of the major social movements of the twentieth century. Things that Liberate is an experiment in thinking about the ways in which social movements can be documented and studied through material culture and memory.
Publisher: Cambridge Scholars Publishing
ISBN: 1443867403
Category : History
Languages : en
Pages : 240
Book Description
This collection of essays explores objects that changed Australian women’s lives through their association with women’s liberation, the women’s movement, and feminism since 1970. The volume combines personal narrative, historical analysis, and memoir, creating a highly readable collection and a novel way of documenting, historicising, remembering and writing the Australian women’s movement, its affects, and its material culture. The contributors include high profile women and grass roots activists, academics and writers, and everyday women living the ideas of liberation and feminism from a range of locations. They are funny and serious, raw and sophisticated, analytical and emotional. Some are factual, while others delight in gossip. Each essay hinges on a particular object that is remembered for its symbolic value and practical use as an object of liberation, ranging from overalls and Gestetners, to seasponges and kombis. The editors’ introduction canvasses the current fascination with ‘things’, ‘stuff’, ‘objects’ and other material culture that comprises and shapes our lives; with ideas around memory and emotion as increasingly important components of social histories, and about the ways in which the Australian women’s movement is remembered. Combined, this volume of essays presents a fascinating collection of objects, writing, remembrance and the affects of one of the major social movements of the twentieth century. Things that Liberate is an experiment in thinking about the ways in which social movements can be documented and studied through material culture and memory.
Cabinet of Curiosities
Author: Colleen Josephine Sheehy
Publisher: U of Minnesota Press
ISBN: 9781452908939
Category : Cabinets of curiosities
Languages : en
Pages : 156
Book Description
Publisher: U of Minnesota Press
ISBN: 9781452908939
Category : Cabinets of curiosities
Languages : en
Pages : 156
Book Description
All the Wild Hungers
Author: Karen Babine
Publisher: Milkweed Editions
ISBN: 1571319832
Category : Cooking
Languages : en
Pages : 110
Book Description
A “lovely” memoir of caring for a mother with cancer, reflecting on our appetites for food and for life (Minneapolis Star Tribune). When her mother is diagnosed with a rare cancer, Karen Babine—cook, collector of vintage cast iron, and fiercely devoted daughter, sister, and aunt—can’t help but wonder: feed a fever, starve a cold, but what do we do for cancer? And so she commits to preparing her mother anything she will eat, a vegetarian diving into the unfamiliar world of bone broth and pot roast. In this series of mini-essays, Babine ponders the intimate connections between food, family, and illness. As she notes that her sister’s unborn baby is the size of lemon while her mother’s tumor is the size of a cabbage, she reflects on what draws us toward food metaphors to describe disease. What is the power of language, of naming, in a medical culture where patients are too often made invisible? How do we seek meaning where none is to be found—and can we create it from scratch? And how, Babine asks as she bakes cookies with her small niece and nephew, does a family create its own food culture across generations? Generous and bittersweet, All the Wild Hungers is an affecting chronicle of one family’s experience of illness and of a writer's culinary attempt to make sense of the inexplicable. “[Babine] continues to navigate her way through extraordinary challenges with ordinary comforts, finding poetry in the everyday. Reading this quiet book should provide the sort of balm for those in similar circumstances that writing it must have for the author.”―Kirkus Reviews “Profound…Anyone who has experienced a family member’s struggle with cancer will be stabbed by recognition throughout this book…In the end, the overriding hunger referred to in this lovely book’s title is the hunger for life.”―Minneapolis Star Tribune
Publisher: Milkweed Editions
ISBN: 1571319832
Category : Cooking
Languages : en
Pages : 110
Book Description
A “lovely” memoir of caring for a mother with cancer, reflecting on our appetites for food and for life (Minneapolis Star Tribune). When her mother is diagnosed with a rare cancer, Karen Babine—cook, collector of vintage cast iron, and fiercely devoted daughter, sister, and aunt—can’t help but wonder: feed a fever, starve a cold, but what do we do for cancer? And so she commits to preparing her mother anything she will eat, a vegetarian diving into the unfamiliar world of bone broth and pot roast. In this series of mini-essays, Babine ponders the intimate connections between food, family, and illness. As she notes that her sister’s unborn baby is the size of lemon while her mother’s tumor is the size of a cabbage, she reflects on what draws us toward food metaphors to describe disease. What is the power of language, of naming, in a medical culture where patients are too often made invisible? How do we seek meaning where none is to be found—and can we create it from scratch? And how, Babine asks as she bakes cookies with her small niece and nephew, does a family create its own food culture across generations? Generous and bittersweet, All the Wild Hungers is an affecting chronicle of one family’s experience of illness and of a writer's culinary attempt to make sense of the inexplicable. “[Babine] continues to navigate her way through extraordinary challenges with ordinary comforts, finding poetry in the everyday. Reading this quiet book should provide the sort of balm for those in similar circumstances that writing it must have for the author.”―Kirkus Reviews “Profound…Anyone who has experienced a family member’s struggle with cancer will be stabbed by recognition throughout this book…In the end, the overriding hunger referred to in this lovely book’s title is the hunger for life.”―Minneapolis Star Tribune
Sculpture and the Vitrine
Author: JohnC. Welchman
Publisher: Routledge
ISBN: 1351549499
Category : Art
Languages : en
Pages : 304
Book Description
Vitrines and glass cabinets are familiar apparatuses that have in large part defined modern modes of display and visibility, both within and beyond the museum. They separate objects from their contexts, group them with other objects, both similar and dissimilar, and often serve to reinforce their intrinsic or aesthetic values. The vitrine has much in common with the picture frame, the plinth and the gallery, but it has not yet received the kind of detailed art historical and theoretical discussion that has been brought to these other modes of formal display. The twelve contributions to this volume examine some of the points of origin of the vitrine and the various relations it brokers with sculpture, first in the Wunderkammer and cabinet of curiosities and then in dialog with the development of glazed architecture beginning with Paxton's Crystal Palace (1851). The collection offers close discussions of the role of the vitrine and shop window in the rise of commodity culture and their apposition with Constructivist design in the work of Frederick Kiesler; as well as original readings of the use of vitrines in Surrealism and Fluxus, and in work by Joseph Beuys, Paul Thek, Claes Oldenburg and his collaborators, Jeff Koons, Mike Kelley, Dan Graham, Vito Acconci, Damien Hirst and Josephine Meckseper, among others. Sculpture and the Vitrine also raises key questions about the nature and implications of vitrinous space, including its fronts onto desire and the spectacle; transparency and legibility; and onto ideas and practices associated with the archive: collecting, preserving and ordering.
Publisher: Routledge
ISBN: 1351549499
Category : Art
Languages : en
Pages : 304
Book Description
Vitrines and glass cabinets are familiar apparatuses that have in large part defined modern modes of display and visibility, both within and beyond the museum. They separate objects from their contexts, group them with other objects, both similar and dissimilar, and often serve to reinforce their intrinsic or aesthetic values. The vitrine has much in common with the picture frame, the plinth and the gallery, but it has not yet received the kind of detailed art historical and theoretical discussion that has been brought to these other modes of formal display. The twelve contributions to this volume examine some of the points of origin of the vitrine and the various relations it brokers with sculpture, first in the Wunderkammer and cabinet of curiosities and then in dialog with the development of glazed architecture beginning with Paxton's Crystal Palace (1851). The collection offers close discussions of the role of the vitrine and shop window in the rise of commodity culture and their apposition with Constructivist design in the work of Frederick Kiesler; as well as original readings of the use of vitrines in Surrealism and Fluxus, and in work by Joseph Beuys, Paul Thek, Claes Oldenburg and his collaborators, Jeff Koons, Mike Kelley, Dan Graham, Vito Acconci, Damien Hirst and Josephine Meckseper, among others. Sculpture and the Vitrine also raises key questions about the nature and implications of vitrinous space, including its fronts onto desire and the spectacle; transparency and legibility; and onto ideas and practices associated with the archive: collecting, preserving and ordering.
Art and Curiosity Cabinets of the Late Renaissance
Author: Julius von Schlosser
Publisher: Getty Research Institute
ISBN: 160606679X
Category : Art
Languages : en
Pages : 246
Book Description
For the first time, the pioneering book that launched the study of art and curiosity cabinets is available in English. Julius von Schlosser’s Die Kunst- und Wunderkammern der Spätrenaissance (Art and Curiosity Cabinets of the Late Renaissance) is a seminal work in the history of art and collecting. Originally published in German in 1908, it was the first study to interpret sixteenth- and seventeenth-century cabinets of wonder as precursors to the modern museum, situating them within a history of collecting going back to Greco-Roman antiquity. In its comparative approach and broad geographical scope, Schlosser’s book introduced an interdisciplinary and global perspective to the study of art and material culture, laying the foundation for museum studies and the history of collections. Schlosser was an Austrian professor, curator, museum director, and leading figure of the Vienna School of art history whose work has not achieved the prominence of his contemporaries until now. This eloquent and informed translation is preceded by Thomas DaCosta Kaufmann’s substantial introduction. Tracing Schlosser’s biography and intellectual formation in Vienna at the turn of the twentieth century, it contextualizes his work among that of his contemporaries, offering a wealth of insights along the way.
Publisher: Getty Research Institute
ISBN: 160606679X
Category : Art
Languages : en
Pages : 246
Book Description
For the first time, the pioneering book that launched the study of art and curiosity cabinets is available in English. Julius von Schlosser’s Die Kunst- und Wunderkammern der Spätrenaissance (Art and Curiosity Cabinets of the Late Renaissance) is a seminal work in the history of art and collecting. Originally published in German in 1908, it was the first study to interpret sixteenth- and seventeenth-century cabinets of wonder as precursors to the modern museum, situating them within a history of collecting going back to Greco-Roman antiquity. In its comparative approach and broad geographical scope, Schlosser’s book introduced an interdisciplinary and global perspective to the study of art and material culture, laying the foundation for museum studies and the history of collections. Schlosser was an Austrian professor, curator, museum director, and leading figure of the Vienna School of art history whose work has not achieved the prominence of his contemporaries until now. This eloquent and informed translation is preceded by Thomas DaCosta Kaufmann’s substantial introduction. Tracing Schlosser’s biography and intellectual formation in Vienna at the turn of the twentieth century, it contextualizes his work among that of his contemporaries, offering a wealth of insights along the way.
Inside the Lost Museum
Author: Steven Lubar
Publisher: Harvard University Press
ISBN: 0674983297
Category : Art
Languages : en
Pages : 417
Book Description
Curators make many decisions when they build collections or design exhibitions, plotting a passage of discovery that also tells an essential story. Collecting captures the past in a way useful to the present and the future. Exhibits play to our senses and orchestrate our impressions, balancing presentation and preservation, information and emotion. Curators consider visitors’ interactions with objects and with one another, how our bodies move through displays, how our eyes grasp objects, how we learn and how we feel. Inside the Lost Museum documents the work museums do and suggests ways these institutions can enrich the educational and aesthetic experience of their visitors. Woven throughout Inside the Lost Museum is the story of the Jenks Museum at Brown University, a nineteenth-century display of natural history, anthropology, and curiosities that disappeared a century ago. The Jenks Museum’s past, and a recent effort by artist Mark Dion, Steven Lubar, and their students to reimagine it as art and history, serve as a framework for exploring the long record of museums’ usefulness and service. Museum lovers know that energy and mystery run through every collection and exhibition. Lubar explains work behind the scenes—collecting, preserving, displaying, and using art and artifacts in teaching, research, and community-building—through historical and contemporary examples. Inside the Lost Museum speaks to the hunt, the find, and the reveal that make curating and visiting exhibitions and using collections such a rewarding and vital pursuit.
Publisher: Harvard University Press
ISBN: 0674983297
Category : Art
Languages : en
Pages : 417
Book Description
Curators make many decisions when they build collections or design exhibitions, plotting a passage of discovery that also tells an essential story. Collecting captures the past in a way useful to the present and the future. Exhibits play to our senses and orchestrate our impressions, balancing presentation and preservation, information and emotion. Curators consider visitors’ interactions with objects and with one another, how our bodies move through displays, how our eyes grasp objects, how we learn and how we feel. Inside the Lost Museum documents the work museums do and suggests ways these institutions can enrich the educational and aesthetic experience of their visitors. Woven throughout Inside the Lost Museum is the story of the Jenks Museum at Brown University, a nineteenth-century display of natural history, anthropology, and curiosities that disappeared a century ago. The Jenks Museum’s past, and a recent effort by artist Mark Dion, Steven Lubar, and their students to reimagine it as art and history, serve as a framework for exploring the long record of museums’ usefulness and service. Museum lovers know that energy and mystery run through every collection and exhibition. Lubar explains work behind the scenes—collecting, preserving, displaying, and using art and artifacts in teaching, research, and community-building—through historical and contemporary examples. Inside the Lost Museum speaks to the hunt, the find, and the reveal that make curating and visiting exhibitions and using collections such a rewarding and vital pursuit.
Wunderkammer
Author: Thijs Demeulemeester
Publisher: Lannoo Publishers
ISBN: 9789401442725
Category : Antiques & Collectibles
Languages : en
Pages : 0
Book Description
With wonderful illustrations in a refreshing, contemporary lay-out, this book is a 'Wunderkammer', a Cabinet of Curiosity, in itself Brings the world of explorers back to life, inspiring budding collectors In the same series as Wonders are Collectible Wunderkammern are showing up everywhere these days. Design webshops, expos, interior design stores: they all try to bring back the memory of the century-old tradition of Wunderkammer, or 'the Cabinet of Curiosities'. This book is a Wunderkammer in itself, showcasing the most beautiful exotica, which explorers and adventurous merchants brought back from all over the world for rich collectors. Be amazed by beautiful seashells, stuffed animals, sculptured ostrich eggs, botanical drawings, 'dragons' preserved in formaldehyde, and bewildering Indiana Jones-like stories. A fascinating New World presented itself to them, and in this book, you'll see it through their eyes.
Publisher: Lannoo Publishers
ISBN: 9789401442725
Category : Antiques & Collectibles
Languages : en
Pages : 0
Book Description
With wonderful illustrations in a refreshing, contemporary lay-out, this book is a 'Wunderkammer', a Cabinet of Curiosity, in itself Brings the world of explorers back to life, inspiring budding collectors In the same series as Wonders are Collectible Wunderkammern are showing up everywhere these days. Design webshops, expos, interior design stores: they all try to bring back the memory of the century-old tradition of Wunderkammer, or 'the Cabinet of Curiosities'. This book is a Wunderkammer in itself, showcasing the most beautiful exotica, which explorers and adventurous merchants brought back from all over the world for rich collectors. Be amazed by beautiful seashells, stuffed animals, sculptured ostrich eggs, botanical drawings, 'dragons' preserved in formaldehyde, and bewildering Indiana Jones-like stories. A fascinating New World presented itself to them, and in this book, you'll see it through their eyes.
Interpreting Objects and Collections
Author: Susan M. Pearce
Publisher: Psychology Press
ISBN: 0415112885
Category : Antiques & Collectibles
Languages : en
Pages : 357
Book Description
Bringing together the most significant papers on the interpretation of objects and collections, this volume examines how people relate to material culture and why they collect things.
Publisher: Psychology Press
ISBN: 0415112885
Category : Antiques & Collectibles
Languages : en
Pages : 357
Book Description
Bringing together the most significant papers on the interpretation of objects and collections, this volume examines how people relate to material culture and why they collect things.
The Inbetweenness of Things
Author: Paul Basu
Publisher: Bloomsbury Publishing
ISBN: 1474264808
Category : Art
Languages : en
Pages : 297
Book Description
We habitually categorize the world in binary logics of 'animate' and 'inanimate', 'natural' and 'supernatural', 'self' and 'other', 'authentic' and 'inauthentic'. The Inbetweenness of Things rejects such Western classificatory traditions – which tend to categorize objects using bounded notions of period, place and purpose – and argues instead for a paradigm where objects are not one thing or another but a multiplicity of things at once. Adopting an 'object-centred' approach, with contributions from material culture specialists across various disciplines, the book showcases a series of objects that defy neat classification. In the process, it explores how 'things' mediate and travel between conceptual worlds in diverse cultural, geographic and temporal contexts, and how they embody this mediation and movement in their form. With an impressive range of international authors, each essay grounds explorations of cutting-edge theory in concrete case studies. An innovative, thought-provoking read for students and researchers in anthropology, archaeology, museum studies and art history which will transform the way readers think about objects.
Publisher: Bloomsbury Publishing
ISBN: 1474264808
Category : Art
Languages : en
Pages : 297
Book Description
We habitually categorize the world in binary logics of 'animate' and 'inanimate', 'natural' and 'supernatural', 'self' and 'other', 'authentic' and 'inauthentic'. The Inbetweenness of Things rejects such Western classificatory traditions – which tend to categorize objects using bounded notions of period, place and purpose – and argues instead for a paradigm where objects are not one thing or another but a multiplicity of things at once. Adopting an 'object-centred' approach, with contributions from material culture specialists across various disciplines, the book showcases a series of objects that defy neat classification. In the process, it explores how 'things' mediate and travel between conceptual worlds in diverse cultural, geographic and temporal contexts, and how they embody this mediation and movement in their form. With an impressive range of international authors, each essay grounds explorations of cutting-edge theory in concrete case studies. An innovative, thought-provoking read for students and researchers in anthropology, archaeology, museum studies and art history which will transform the way readers think about objects.