Author: National Board of Review of Motion Pictures (U.S.)Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 8
Book Description
Objections to State Censorship of Motion Pictures
Author: National Board of Review of Motion Pictures (U.S.)Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 8
Book Description
State Censorship of Motion Pictures
Author: James Richard RutlandPublisher:
ISBN:
Category : Censorship
Languages : en
Pages : 190
Book Description
Film Censorship in America
Author: Jeremy GeltzerPublisher: McFarland
ISBN: 1476630127
Category : Performing Arts
Languages : en
Pages : 245
Book Description
Since the first films played in nickelodeons, controversial movies have been cut or banned across the United States. Far from Hollywood, regional productions such as Oscar Micheaux's provocative race films and Nell Shipman's wildlife adventures were censored by men like Major M.L.C. Funkhouser, the terror of Chicago's cinemas, and Myrtelle Snell, the Alabama administrator who made the slogan "Banned in Birmingham" famous. Censorship continues today, with Utah's case against Deadpool (2016) pending in federal court and Robert Rodriguez's Machete Kills (2013) versus the Texas Film Commission. This authoritative state-by-state account covers the history of film censorship and the battle for free speech in America.
Motion Picture Commission
Author: United States. Congress. House. Committee on EducationPublisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 244
Book Description
Freedom of the Screen
Author: Laura Wittern-KellerPublisher: University Press of Kentucky
ISBN: 081313840X
Category : Law
Languages : en
Pages : 384
Book Description
At the turn of the twentieth century, the proliferation of movies attracted not only the attention of audiences across America but also the apprehensive eyes of government officials and special interest groups concerned about the messages disseminated by the silver screen. Between 1907 and 1926, seven states -- New York, Pennsylvania, Ohio, Virginia, Kansas, Maryland, and Massachusetts -- and more than one hundred cities authorized censors to suppress all images and messages considered inappropriate for American audiences. Movie studios, hoping to avoid problems with state censors, worrying that censorship might be extended to the federal level, and facing increased pressure from religious groups, also jumped into the censoring business, restraining content through the adoption of the self-censoring Production Code, also known as the Hays code.But some industry outsiders, independent distributors who believed that movies deserved the free speech protections of the First Amendment, brought legal challenges to censorship at the state and local levels. Freedom of the Screen chronicles both the evolution of judicial attitudes toward film restriction and the plight of the individuals who fought for the right to deliver provocative and relevant movies to American audiences. The path to cinematic freedom was marked with both achievements and roadblocks, from the establishment of the Production Code Administration, which effectively eradicated political films after 1934, to the landmark cases over films such as The Miracle (1948), La ronde (1950), and Lady Chatterley's Lover (1955) that paved the way for increased freedom of expression. As the fight against censorship progressed case by case through state courts and the U.S. Supreme Court, legal authorities and the public responded, growing increasingly sympathetic toward artistic freedom. Because a small, unorganized group of independent film distributors and exhibitors in mid-twentieth-century America fought back against what they believed was the unconstitutional prior restraint of motion pictures, film after 1965 was able to follow a new path, maturing into an artistic medium for the communication of ideas, however controversial. Government censors would no longer control the content of America's movie screens. Laura Wittern-Keller's use of previously unexplored archival material and interviews with key figures earned her the researcher of the year award from the New York State Board of Regents and the New York State Archives Partnership Trust. Her exhaustive work is the first to discuss more than five decades of film censorship battles that rose from state and local courtrooms to become issues of national debate and significance. A compendium of judicial action in the film industry, Freedom of the Screen is a tribute to those who fought for the constitutional right of free expression and paved the way for the variety of films that appear in cinemas today.
Monitoring the Movies
Author: Jennifer FroncPublisher: University of Texas Press
ISBN: 1477313931
Category : History
Languages : en
Pages : 213
Book Description
As movies took the country by storm in the early twentieth century, Americans argued fiercely about whether municipal or state authorities should step in to control what people could watch when they went to movie theaters, which seemed to be springing up on every corner. Many who opposed the governmental regulation of film conceded that some entity—boards populated by trusted civic leaders, for example—needed to safeguard the public good. The National Board of Review of Motion Pictures (NB), a civic group founded in New York City in 1909, emerged as a national cultural chaperon well suited to protect this emerging form of expression from state incursions. Using the National Board's extensive files, Monitoring the Movies offers the first full-length study of the NB and its campaign against motion-picture censorship. Jennifer Fronc traces the NB's Progressive-era founding in New York; its evolving set of "standards" for directors, producers, municipal officers, and citizens; its "city plan," which called on citizens to report screenings of condemned movies to local officials; and the spread of the NB's influence into the urban South. Ultimately, Monitoring the Movies shows how Americans grappled with the issues that arose alongside the powerful new medium of film: the extent of the right to produce and consume images and the proper scope of government control over what citizens can see and show.
Monitoring the Movies
Author: Jennifer FroncPublisher: University of Texas Press
ISBN: 1477313958
Category : History
Languages : en
Pages : 213
Book Description
As movies took the country by storm in the early twentieth century, Americans argued fiercely about whether municipal or state authorities should step in to control what people could watch when they went to movie theaters, which seemed to be springing up on every corner. Many who opposed the governmental regulation of film conceded that some entity—boards populated by trusted civic leaders, for example—needed to safeguard the public good. The National Board of Review of Motion Pictures (NB), a civic group founded in New York City in 1909, emerged as a national cultural chaperon well suited to protect this emerging form of expression from state incursions. Using the National Board’s extensive files, Monitoring the Movies offers the first full-length study of the NB and its campaign against motion-picture censorship. Jennifer Fronc traces the NB’s Progressive-era founding in New York; its evolving set of “standards” for directors, producers, municipal officers, and citizens; its “city plan,” which called on citizens to report screenings of condemned movies to local officials; and the spread of the NB’s influence into the urban South. Ultimately, Monitoring the Movies shows how Americans grappled with the issues that arose alongside the powerful new medium of film: the extent of the right to produce and consume images and the proper scope of government control over what citizens can see and show.
The Miracle Case
Author: Laura Wittern-KellerPublisher:
ISBN:
Category : Law
Languages : en
Pages : 256
Book Description
Examines the Supreme Court's unanimous 1952 decision in favor of a film exhibitor who had been denied a license to show the controversial Italian film, Il Miracolo. The ruling was a watershed event in the history of film censorship, ushering in a new era of mature--and sophisticated--American filmmaking.
State Censorship of Motion Pictures
Author: National Board of Review of Motion Pictures (U.S.)Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 8
Book Description
Banned in Kansas
Author: Gerald R. ButtersPublisher: University of Missouri Press
ISBN: 0826266037
Category : History
Languages : en
Pages : 369
Book Description
"This first book-length study of state film censorship examines the unique political, social, and economic factors that led to its implementation in Kansas, taking a look at why censorship legislation was enacted, what the attitudes of Kansans were toward censorship, and why it lasted for half a century"--Provided by publisher.