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Author: Syrulwa Somah Publisher: Author House ISBN: 140333367X Category : Education Languages : en Pages : 285
Book Description
I write to you through Bassa, of the Niger-Congo family, western Sudanic subgroup and the Kwa branch of Africa. The Bassa are an African people. The central theme of this book is that the Bassa have a form of government, which shows Bassa people can govern themselves, and that they have done so from time immemorial until the interjection of alien leadership philosophy. Non-Africans should be dissuaded from their concept of African inability to govern themselves. Bassa history and leadership shows one aspect of African leadership as well as contributions to human leadership. Presenting the Bassa leadership to the world is a clarion call for all Africans to look to their traditional route to design a form of government that fits their culture.
Author: Syrulwa Somah Publisher: Author House ISBN: 140333367X Category : Education Languages : en Pages : 285
Book Description
I write to you through Bassa, of the Niger-Congo family, western Sudanic subgroup and the Kwa branch of Africa. The Bassa are an African people. The central theme of this book is that the Bassa have a form of government, which shows Bassa people can govern themselves, and that they have done so from time immemorial until the interjection of alien leadership philosophy. Non-Africans should be dissuaded from their concept of African inability to govern themselves. Bassa history and leadership shows one aspect of African leadership as well as contributions to human leadership. Presenting the Bassa leadership to the world is a clarion call for all Africans to look to their traditional route to design a form of government that fits their culture.
Author: Syrulwa Somah Publisher: Xlibris Corporation ISBN: 1477145079 Category : Education Languages : en Pages : 179
Book Description
Djogbachiachuwa is an attempt by the Liberian Literature Project 2012 set forth by the Liberian History, Education & Development, Inc. (LIHEDE) to close this literary gap. It is also an attempt to have the rest of the world to read more of Liberian literature through the eyes of Liberians other than themselves. It is believed that people who do not know their own history, culture or language have nothing of worth and beauty to pass on to successive generations, and is thus doomed and condemned to perpetual warfare and poverty. The Liberian Literature Anthology Project 2012 is an endeavor to depart from this self-defeating historical trend to produce an Anthology of Liberian literature that draws on the tradition of each ethnic subgroup in Liberia.
Author: D.Elwood Dunn Publisher: Walter de Gruyter ISBN: 359844169X Category : History Languages : en Pages : 1927
Book Description
Every year since 1848 Liberian presidents have delivered a state of the nation address to the Liberian National Legislature reflecting the various facets of the political, social, economic and ethno-cultural situation of the country. Liberia, the first and – for more than a century – the only independent state in Sub-Saharan Africa, was founded in 1822 by an assortment of American non-governmental organizations as an asylum for black Americans. Similar to a comprehensive longitudinal study, this collection of speeches describes the social and economic development of an African country over a time span of more than a century and a half, from 1848 until 2010. As such, it represents the first major research contribution to the history of the political system of one of the first countries of the continent to attain independence. The speeches illuminate the area of conflict between the autochthonous and the black emigrant populations and also documents the relations with the U.S. as "founding nation" and constitutional role model, especially in the 19th century. The presidents' speeches are a rich source of information for gaining a better understanding of Liberia's past and the country's current challenges and future prospects. With The Annual Messages of the Presidents of Liberia 1848–2010, the speeches scattered in various Liberian and American archives and libraries have now for the first time been collected and reconstructed in one single edition. Biographies of the presidents and a scholarly introduction by the editor supplement the 146 speeches. The edition is a valuable source of information on the history and political situation of Africa during the past 163 years. The editor and publisher D. Elwood Dunn teaches political science at Sewanee: The University of the South. From 1974 until 1980 he served in the government of Liberia, becoming a member of the cabinet in 1979. He was editor of the Liberian Studies Journal from 1985 until 1995.
Author: Adam Silver Publisher: ISBN: 9780983664765 Category : Languages : en Pages : 85
Book Description
Retrospective of artwork and ideas by mixed media artist Alyssa Hinton exploring her Tuscarora (Eastern North Carolina) and Osage (Missouri/Kansas) heritage. Her hybrid works reflecting her multiracial background include assemblage, patchwork quilting, fiber appliqué, painting, drawing, block prints, photo-to-collage, and digital composite combining hand-rendered art and digital tools. The subject matter includes themes of totems, cosmology, preservation of the natural environment, geometric design, medicine wheels, abstract landscape, and native american spiritual journeying. The retrospective exhibition is at C.X. Silver Gallery March to June 2017 accompanied by the book launch.
Author: Dawn E. Reno Publisher: House of Collectibles ISBN: Category : Antiques & Collectibles Languages : en Pages : 534
Book Description
Native American art has become an enormous paradise for collectors. THE OFFICIAL PRICE GUIDE TO NATIVE AMERICAN ARTwill discuss the history and analyse the Native American arts, examine over a thousand artists throughout the North American continentwho have produced quality work throughout the centuries, and list the prices for their works produced in the many different genres ofNative American arts.Each chapter will discuss a different genre, including fine art (painting, drawing, photography, prints, graphics, and illustrations), baskets(splintwork), beadwork, wood carvings, dolls, featherwork (headdresses), jewelry, leather (clothing, shields), pottery, quiltwork,sandpainting, sculpture, silversmithing, and textiles (blankets, rugs). In addition, there will be over 300 photographs, a complete listing of museums that have Native American arts, a complete Internetresource for research, and a listing of the artists by tribe so that the reader can easily locate a tribe or clan and research the artists ofinfluence.
Author: Birgit Däwes Publisher: Routledge ISBN: 1317507339 Category : Social Science Languages : en Pages : 300
Book Description
In recent years, the interdisciplinary fields of Native North American and Indigenous Studies have reflected, at times even foreshadowed and initiated, many of the influential theoretical discussions in the humanities after the "transnational turn." Global trends of identity politics, performativity, cultural performance and ethics, comparative and revisionist historiography, ecological responsibility and education, as well as issues of social justice have shaped and been shaped by discussions in Native American and Indigenous Studies. This volume brings together distinguished perspectives on these topics by the Native scholars and writers Gerald Vizenor (Anishinaabe), Diane Glancy (Cherokee), and Tomson Highway (Cree), as well as non-Native authorities, such as Chadwick Allen, Hartmut Lutz, and Helmbrecht Breinig. Contributions look at various moments in the cultural history of Native North America—from earthmounds via the Catholic appropriation of a Mohawk saint to the debates about Makah whaling rights—as well as at a diverse spectrum of literary, performative, and visual works of art by John Ross, John Ridge, Elias Boudinot, Emily Pauline Johnson, Leslie Marmon Silko, Emma Lee Warrior, Louise Erdrich, N. Scott Momaday, Stephen Graham Jones, and Gerald Vizenor, among others. In doing so, the selected contributions identify new and recurrent methodological challenges, outline future paths for scholarly inquiry, and explore the intersections between Indigenous Studies and contemporary Literary and Cultural Studies at large.