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Author: Dorottya Fabian Publisher: OUP Oxford ISBN: 0191634565 Category : Psychology Languages : en Pages : 604
Book Description
What does it mean to be expressive in music performance across diverse historical and cultural domains? What are the means at the disposal of a performer in various time periods and musical practice conventions? What are the conceptualisations of expression and the roles of performers that shape expressive performance? This book brings together research from a range of disciplines that use diverse methodologies to provide new perspectives and formulate answers to these questions about the meaning, means, and contextualisation of expressive performance in music. The contributors to this book explore expressiveness in music performance in four interlinked parts. Starting with the philosophical and historical underpinnings crucially relevant for Western classical musical performance it then reaches out to cross-cultural issues and finally focuses the attention on various specific problems, including the teaching of expressive music performance skills. The overviews provide a focussed and comprehensive account of the current state of research as well as new developments and a prospective of future directions. This is a valuable new book for those in the fields of music, music psychology, and music education.
Author: Dorottya Fabian Publisher: OUP Oxford ISBN: 0191634565 Category : Psychology Languages : en Pages : 604
Book Description
What does it mean to be expressive in music performance across diverse historical and cultural domains? What are the means at the disposal of a performer in various time periods and musical practice conventions? What are the conceptualisations of expression and the roles of performers that shape expressive performance? This book brings together research from a range of disciplines that use diverse methodologies to provide new perspectives and formulate answers to these questions about the meaning, means, and contextualisation of expressive performance in music. The contributors to this book explore expressiveness in music performance in four interlinked parts. Starting with the philosophical and historical underpinnings crucially relevant for Western classical musical performance it then reaches out to cross-cultural issues and finally focuses the attention on various specific problems, including the teaching of expressive music performance skills. The overviews provide a focussed and comprehensive account of the current state of research as well as new developments and a prospective of future directions. This is a valuable new book for those in the fields of music, music psychology, and music education.
Author: Shahab Sarmadee Publisher: ISBN: Category : Authors, Indic Languages : en Pages : 738
Book Description
Bio-bibliographical survey of all accessible important writings on music, dance and theater. Volume 1 covers the social and cultural evolution up to 1399 A.D. Volume 2 covers the era from 1399 A.D.
Author: Asoke Kumar Datta Publisher: Springer ISBN: 9811039593 Category : Technology & Engineering Languages : en Pages : 259
Book Description
This book presents a comprehensive overview of the basics of Hindustani music and the associated signal analysis and technological developments. It begins with an in-depth introduction to musical signal analysis and its current applications, and then moves on to a detailed discussion of the features involved in understanding the musical meaning of the signal in the context of Hindustani music. The components consist of tones, shruti, scales, pitch duration and stability, raga, gharana and musical instruments. The book covers the various technological developments in this field, supplemented with a number of case studies and their analysis. The book offers new music researchers essential insights into the use the automatic concept for finding and testing the musical features for their applications. Intended primarily for postgraduate and PhD students working in the area of scientific research on Hindustani music, as well as other genres where the concepts are applicable, it is also a valuable resource for professionals and researchers in musical signal processing.
Author: Peter Manuel Publisher: University of Illinois Press ISBN: 0252096770 Category : Music Languages : en Pages : 289
Book Description
Today's popular tassa drumming emerged from the fragments of transplanted Indian music traditions half-forgotten and creatively recombined, rearticulated, and elaborated into a dynamic musical genre. A uniquely Indo-Trinidadian form, tassa drumming invites exploration of how the distinctive nature of the Indian diaspora and its relationship to its ancestral homeland influenced Indo-Caribbean music culture. Music scholar Peter Manuel traces the roots of neotraditional music genres like tassa drumming to North India and reveals the ways these genres represent survivals, departures, or innovative elaborations of transplanted music forms. Drawing on ethnographic work and a rich archive of field recordings, he contemplates the music carried to Trinidad by Bhojpuri-speaking and other immigrants, including forms that died out in India but continued to thrive in the Caribbean. His reassessment of ideas of creolization, retention, and cultural survival defies suggestions that the diaspora experience inevitably leads to the loss of the original culture, while also providing avenues to broader applications for work being done in other ethnic contexts.
Author: Dr. Ratnakar D. Hosamani Publisher: Lulu.com ISBN: 0359779972 Category : Education Languages : en Pages : 342
Book Description
Bidar is a district located in the northeastern corner of the state, with Andhra Pradesh to the east and Maharashtra to the north and west, Gulbarga district lies to the south. It was the meeting place of several shades of culture from the very beginning.The History of Bidar goes back to third century B.C.E since the great Mauryas. After the Mauryas, Satavahanas, Chalukyas of Badami and later Rashtrakutas (with Mayurkhandi or Morkhandi their as capital in present Bidar) district reigned over the territory. Basavakalyan was the capital of Chalukyas of Kalyana and Kalachuris. For a short period after Chalukyas of Kalyana, the area of Bidar was under the sevunas of Devgiri and Kakatiyas of Warangal.
Author: All India Radio (AIR),New Delhi Publisher: All India Radio (AIR),New Delhi ISBN: Category : Antiques & Collectibles Languages : en Pages : 44
Book Description
The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service,Bombay ,started on 22 December, 1935 and was the successor to the Indian Radio Times in english, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it was published by All India Radio,New Delhi.From July 3 ,1949,it was turned into a weekly journal. Later,The Indian listener became "Akashvani" in January 5, 1958. It was made a fortnightly again on July 1,1983. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes,who writes them,take part in them and produce them along with photographs of performing artists. It also contains the information of major changes in the policy and service of the organisation. NAME OF THE JOURNAL: The Indian Listener LANGUAGE OF THE JOURNAL: English DATE,MONTH & YEAR OF PUBLICATION: 02-12-1951 PERIODICITY OF THE JOURNAL: Weekly NUMBER OF PAGES: 44 VOLUME NUMBER: Vol. XVI. No. 48 BROADCAST PROGRAMME SCHEDULE PUBLISHED(PAGE NOS): 12-39 ARTICLE: 1. Shortwave Transmissions: Listening Conditions In December 2. The Making of a Journalist AUTHOR: 1. R.B.L. Srivastava 2. G. A. Johnson KEYWORDS: 1. absorption, Eastern stations, Burma 2. British journalists, diploma Document ID: INL-1951 (J-D) Vol-II (23)
Author: Dorottya Fabian
Author: Dorottya Fabian
Author: Shahab Sarmadee
Author: Asoke Kumar Datta
Author: Peter Manuel
Author: Bente Meyer
Author: Indian Musicological Society
Author: Dr. Ratnakar D. Hosamani
Author: All India Radio (AIR),New Delhi 
Author: 
Author: