Nuevo método de guitarra, op. 6 PDF Download

Author: Dionisio Aguado y García
Publisher:
ISBN:
Category : Guitar
Languages : en
Pages : 64

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Author: Christopher Berg
Publisher: Oxford University Press
ISBN: 0190051132
Category : Music
Languages : en
Pages : 247

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Book Description
The Classical Guitar Companion is an anthology of guitar exercises, etudes, and pieces organized according to technique or musical texture. Expert author Christopher Berg, a veteran guitar instructor, bring together perspectives as an active performing artist and as a teacher who has trained hundreds of guitarists to encourages students to work based on their own strengths and weaknesses. The book opens with "Learning the Fingerboard", a large section devoted to establishing a thorough knowledge of the guitar fingerboard through a systematic and rigorous study of scales and fingerboard harmony, which will lead to ease and fluency in sight-reading and will reduce the time needed to learn a repertoire piece. The following sections "Scales and Scale Studies", "Repeated Notes", "Slurs", "Harmony", "Arpeggios", "Melody with Accompaniment", "Counterpoint" and "Florid or Virtuoso Studies" each contain text and examples that connect material to fingering practices of composers and practice strategies to open a path to interpretive freedom in performance. The Classical Guitar Companion will serve as a helpful companion for many years of guitar study.

Author: Dionisio Aguado y García
Publisher:
ISBN:
Category : Guitar
Languages : en
Pages : 172

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Book Description

Author: Dionisio Aguado y García
Publisher:
ISBN:
Category : Guitar
Languages : en
Pages : 220

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Book Description

Author: Dionisio Aguado y García
Publisher:
ISBN:
Category : Guitar
Languages : es
Pages : 168

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Book Description

Author: Christopher Page
Publisher: Boydell & Brewer
ISBN: 1837650330
Category : Music
Languages : en
Pages : 337

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Book Description
The first book devoted to the composers, instrument makers and amateur players who advanced the great guitar vouge throughout Western Europe during the early decades of the nineteenth century.Contemporary critics viewed the fashion for the guitar with sheer hostility, seeing in it a rejection of true musical value. After all, such trends advanced against the grain of mainstream musical developments of ground-breaking (often Austro-German) repertoire for standard instruments. Yet amateur musicians throughout Europe persisted; many instruments were built to meet the demand, a substantial volume of music was published for amateurs to play, and soloist-composers moved freely between European cities. This book follows these lines of travel venturing as far as Moscow, and visiting all the great musical cities of the period, from London to Vienna, Madrid to Naples. The first section of the book looks at eighteenth-century precedents, the instrument - its makers and owners, amateur and professional musicians, printing and publishing, pedagogy, as well as aspects of repertoire. The second section explores the extensive repertoire for accompanied song and chamber music. A final substantive section assembles chapters on a wide array of the most significant soloist-composers of the time. The chapters evoke the guitar milieu in the various cities where each composer-player worked and offer a discussion of some representative works. This book, bringing together an international tally of contributors and never before examined sources, will be of interest to devotees of the guitar, as well as music historians of the Romantic period.

Author: Hannu Annala
Publisher: Mel Bay Publications
ISBN: 1609743539
Category : Music
Languages : en
Pages : 173

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Book Description
In compiling this landmark sourcebook, Finnish guitarists Hannu Annala and Heiki Matlik consulted more than 70 music texts as well as dozens of composer resumes acquired from the musical information centers of several countries. During the writing process, which lasted for more than three years, they received additional information from many modern composers, including Leo Brouwer and Reginald Smith Brindle among others. In addition, several internationally renowned performing guitarists provided valuable information; these include Magnus Andersson (Sweden), Remi Boucher (Canada), Margarita Escarpa (Spain), Aleksander Frauchi (Russia) and David Tanenbaum (USA) among others.The authors' aim was to write a well-structured book with separate chapters for each instrument, such as the Renaissance and Baroque guitar, the Renaissance and Baroque lute, the vihuela, etc. This unique structure enables the reader to easily discover which composers wrote for a certain instrument during any given period.In addition to the composers one would expect to find in such a comprehensive listing, the book documents several historical and modern composers for whom little previous information has been available. the book's list of more than 400 guitar and lute concertos dating from the Baroque era to the present day is a totally unprecedented.Short introductions regarding guitar and lute-like instruments as well as their basic histories are provided at the beginning of the book. the authors hope that the Handbook of Guitar and Lute Composers will serve as a practical guide for both amateurs and professionals, encouraging further study of the history of these instruments and expanding the repertoire heard on today's concert stage.

Author: Library of Congress
Publisher:
ISBN:
Category : Catalogs, Union
Languages : en
Pages : 712

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Author:
Publisher:
ISBN:
Category : Guitar music
Languages : en
Pages : 376

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Book Description

Author: Donald T. Reese
Publisher: Philadelphia : Musicdata, Incorporated
ISBN:
Category : Guitar music
Languages : en
Pages : 376

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Book Description