Nuevo método teórico-práctico para guitarra PDF Download

Author: Gaspar de Luz
Publisher:
ISBN: 9788440030863
Category :
Languages : es
Pages : 87

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Author: Dionisio Aguado y García
Publisher:
ISBN:
Category : Guitar
Languages : en
Pages : 220

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Author: Dionisio Aguado
Publisher:
ISBN:
Category :
Languages : es
Pages : 87

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Book Description

Author: Dionisio Aguado y García
Publisher:
ISBN:
Category : Guitar
Languages : en
Pages : 172

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Book Description

Author: Dionisio Aguado y García
Publisher:
ISBN:
Category : Guitar
Languages : en
Pages : 64

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Author: Dionisio Aguado
Publisher:
ISBN:
Category :
Languages : es
Pages : 16

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Book Description

Author: Christopher Berg
Publisher: Oxford University Press
ISBN: 0190051124
Category : Music
Languages : en
Pages : 272

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Book Description
The Classical Guitar Companion is an anthology of guitar exercises, etudes, and pieces organized according to technique or musical texture. Expert author Christopher Berg, a veteran guitar instructor, bring together perspectives as an active performing artist and as a teacher who has trained hundreds of guitarists to encourages students to work based on their own strengths and weaknesses. The book opens with "Learning the Fingerboard", a large section devoted to establishing a thorough knowledge of the guitar fingerboard through a systematic and rigorous study of scales and fingerboard harmony, which will lead to ease and fluency in sight-reading and will reduce the time needed to learn a repertoire piece. The following sections "Scales and Scale Studies", "Repeated Notes", "Slurs", "Harmony", "Arpeggios", "Melody with Accompaniment", "Counterpoint" and "Florid or Virtuoso Studies" each contain text and examples that connect material to fingering practices of composers and practice strategies to open a path to interpretive freedom in performance. The Classical Guitar Companion will serve as a helpful companion for many years of guitar study.

Author: María Luisa Sepúlveda
Publisher:
ISBN:
Category :
Languages : es
Pages : 63

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Author: Christopher Page
Publisher: Boydell & Brewer
ISBN: 1837650330
Category : Music
Languages : en
Pages : 337

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The first book devoted to the composers, instrument makers and amateur players who advanced the great guitar vouge throughout Western Europe during the early decades of the nineteenth century.Contemporary critics viewed the fashion for the guitar with sheer hostility, seeing in it a rejection of true musical value. After all, such trends advanced against the grain of mainstream musical developments of ground-breaking (often Austro-German) repertoire for standard instruments. Yet amateur musicians throughout Europe persisted; many instruments were built to meet the demand, a substantial volume of music was published for amateurs to play, and soloist-composers moved freely between European cities. This book follows these lines of travel venturing as far as Moscow, and visiting all the great musical cities of the period, from London to Vienna, Madrid to Naples. The first section of the book looks at eighteenth-century precedents, the instrument - its makers and owners, amateur and professional musicians, printing and publishing, pedagogy, as well as aspects of repertoire. The second section explores the extensive repertoire for accompanied song and chamber music. A final substantive section assembles chapters on a wide array of the most significant soloist-composers of the time. The chapters evoke the guitar milieu in the various cities where each composer-player worked and offer a discussion of some representative works. This book, bringing together an international tally of contributors and never before examined sources, will be of interest to devotees of the guitar, as well as music historians of the Romantic period.

Author: Néstor Ausqui
Publisher: Mel Bay Publications
ISBN: 1513459759
Category : Music
Languages : en
Pages : 20

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Book Description
One might think that it would be impossible to arrange the music of Georges Bizet’s opera, Carmen, for solo classic guitar, but Néstor Ausqui has done it! While the guitar is an intimate and sweet-sounding instrument, it does not have a broad dynamic range; yet, as Dionisio Aguado proclaimed in his Nuevo Método para Guitarra of 1843, the classic guitar’s expansive palette of tone color gives it the ability to emulate “a miniature orchestra”. These characteristics make the guitar the ideal instrument to reflect both the character and sensuality of the dances that occur throughout Bizet’s Carmen—Aragonaise, Habanera, Seguidillas, and Danse Bohéme—as well as Carmen’s sober “Chant de la Mort”. Recommended for the advanced guitarist, Carmen Suite is written in standard notation with extensive digitation and occasional drop-D tuning. In Néstor Ausqui’s Carmen Suite, “…the guitar both sings like a human voice and accompanies itself, giving the work an irrefutable guitar identity. The characteristic feeling manifested in Spanish dance is now expressed through the guitar with a full and defined instrumental singularity.” — Guillermo René Alvarez Musicologist, Professor at the Instituto Superior de Música, Universidad Nacional del Litoral-Argentina