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Author: Randal C. Noyes Publisher: FriesenPress ISBN: 1460298446 Category : Music Languages : en Pages : 94
Book Description
Transposition. What is it? How do you do it? Why and when does a musician need it? How do you get started learning it? In Noyes Notes...on Transposition, trumpeter, music educator, and technical writer Randal C. Noyes uses simple, concise language to answer the most frequently asked questions about transposition. Noyes Notes...on Transposition dispels the mystery, confusion, and anxiety that wind musicians often feel when they need to play an arrangement in a different key or read from another instrument's music. Noyes Notes...on Transposition includes 21 Quick Reference charts to help you transpose effectively and quickly when time is critical. If you don't transpose, Noyes Notes...on Transposition will show you how. If you can transpose, this book will deepen your knowledge of the process. Noyes Notes...on Transposition will teach you how to transpose any part for any instrument in any key.
Author: Randal C. Noyes Publisher: FriesenPress ISBN: 1460298446 Category : Music Languages : en Pages : 94
Book Description
Transposition. What is it? How do you do it? Why and when does a musician need it? How do you get started learning it? In Noyes Notes...on Transposition, trumpeter, music educator, and technical writer Randal C. Noyes uses simple, concise language to answer the most frequently asked questions about transposition. Noyes Notes...on Transposition dispels the mystery, confusion, and anxiety that wind musicians often feel when they need to play an arrangement in a different key or read from another instrument's music. Noyes Notes...on Transposition includes 21 Quick Reference charts to help you transpose effectively and quickly when time is critical. If you don't transpose, Noyes Notes...on Transposition will show you how. If you can transpose, this book will deepen your knowledge of the process. Noyes Notes...on Transposition will teach you how to transpose any part for any instrument in any key.
Author: Michiel Schuijer Publisher: University Rochester Press ISBN: 9781580462709 Category : Music Languages : en Pages : 334
Book Description
For the past 40 years, pitch-class set theory has served as a frame of reference for the study of atonal music, through the efforts of Allan Forte, Milton Babbitt, and others. This text combines thorough discussions of musical concepts with an historical narrative.
Author: James S. Walker Publisher: CRC Press ISBN: 0429013558 Category : Mathematics Languages : en Pages : 445
Book Description
Mathematics and Music: Composition, Perception, and Performance, Second Edition includes many new sections and more consistent expectations of a student’s experience. The new edition of this popular text is more accessible for students with limited musical backgrounds and only high school mathematics is required. The new edition includes more illustrations than the previous one and the added sections deal with the XronoMorph rhythm generator, musical composition, and analyzing personal performance. The text teaches the basics of reading music, explaining how various patterns in music can be described with mathematics, providing mathematical explanations for musical scales, harmony, and rhythm. The book gives students a deeper appreciation showing how music is informed by both its mathematical and aesthetic structures. Highlights of the Second Edition: Now updated for more consistent expectations of students’ backgrounds More accessible for students with limited musical backgrounds Full-color presentation Includes more thorough coverage of spectrograms for analyzing recorded music Provides a basic introduction to reading music Features new coverage of building and evaluating rhythms
Author: Mike Collins Publisher: CRC Press ISBN: 1135074682 Category : Music Languages : en Pages : 511
Book Description
Hone your Pro Tools music production skills and create better tracks with Pro Tools 11: Music Production, Recording, Editing, and Mixing. With Pro Tools 11, you’ll get more than descriptions of Pro Tools features and menus—this book grounds its Pro Tools instruction thoroughly in real-world music production. Learn to leverage this powerful DAW and bend it to your will, whether you’re recording and mixing a band or producing a dance track. Get tips that will save you time, even if you’re an old hand at Pro Tools. Extensive full-color screenshots visually guide you through the book, and an informal writing style keeps you engaged. Includes coverage of additional features incorporated into version 10.3.6, which can be co-installed alongside Pro Tools 11 to allow use of TDM and RTAS plug-in formats. Author Mike Collins, an independent music producer and music technology consultant who has worked with Pro Tools since 1991, gives you a frank view of the software without the hype. This book is carefully designed for users with basic music production experience or knowledge, but can serve as a quick learning guide for ambitious beginners or as a reference for the advanced or professional user. Pro Tools 11 includes coverage of the application’s new features, including: Avid Audio Engine Dynamic Host-based Plug-in Processing Low-latency Input Buffer Offline Bounce Unified Workspace Browser Advanced Metering for Pro Tools HD 11 Co-Install with Pro Tools 10.3.6 Level: Intermediate
Author: Lenard C. Bowie DMA Publisher: Xlibris Corporation ISBN: 1493155520 Category : Music Languages : en Pages : 48
Book Description
The study of transposition is of great importance to prospective composers, arrangers, conductors and performance majors studying orchestral instruments. This is due to the fact that the subject is central to the content of almost every performance-oriented course in the collegiate instrumental music curriculum. Having witnessed the level of frustration and confusion suffered by most neophyte trumpet students, and finally admitting my own ineptness with the subject, I started an in depth study of transposition over thirty years ago with the intent of resolving my own misconceptions about the subject. This study led to the development of a system of transposition that I could easily understand one that would apply to all trumpets and would answer all of my questions pertaining to transposition. My study revealed the following factors as root causes of my misconceptions about transposition. In subsequent years, I found these same factors to be the cause of frustration and misconception for the average student regarding the subject of transposition; specifically: 1. The misconception that instruments transpose. 2. The misunderstanding about the differences between written and sounding pitch. 3. Transposition is defined and approached differently by teachers who specialize in different music disciplines. 4. For most music students and professionals, transposition is regarded as a theoretical process. For the prospective and professional orchestral trumpeter, transposition is a performance skill, of which mastery is ultimately required. To confirm the level of confusion on the subject of transposition, one has only to google Trumpet Transposition to be confronted with a number of different methods and approaches used by professional musicians, and some of their confusion about the subject. The Cyclic System of Transposition for Trumpet incorporates the more salient approaches and concepts of transposition systems that can be used effectively for any pitched trumpet.
Author: Nicholas Gray Publisher: Routledge ISBN: 1351928309 Category : Music Languages : en Pages : 263
Book Description
This book is an examination of the music of the Balinese gendér wayang, the quartet of metallophones - gendér - that accompanies the Balinese shadow puppet play - wayang kulit. The book focuses on processes of musical variation, the main means of creating new music in this genre, and the implications of these processes for the social and historical study of Balinese music, musical aesthetics, concepts of creativity and compositional methods. Dr Nick Gray tackles a number of core ethnomusicological concerns in a new way, including the relationship between composition and improvisation, and also highlights issues specific to Balinese music, including the importance of flexibility in performance, an aspect that has been largely ignored by scholars. Gray thus breaks new ground both in the study of issues relating to improvisation and composition and in Balinese music studies.