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Author: Ludwig Tieck Publisher: Camden House (NY) ISBN: 9780938100904 Category : Fiction Languages : en Pages : 317
Book Description
Reprint, with modern introduction, of Carlyle's famous and long-out-of-print translation, which founded the English reputations of Tieck and Hoffmann.
Author: Ludwig Tieck Publisher: Camden House (NY) ISBN: 9780938100904 Category : Fiction Languages : en Pages : 317
Book Description
Reprint, with modern introduction, of Carlyle's famous and long-out-of-print translation, which founded the English reputations of Tieck and Hoffmann.
Author: Marc Falkenberg Publisher: Peter Lang ISBN: 9783039102846 Category : Foreign Language Study Languages : en Pages : 268
Book Description
This stimulating new book challenges Freud's definition of the uncanny, prevalent in the study of Gothic and Romantic fiction, by reviving the importance of uncertainty in the uncanny. Literary criticism views the uncanny as an expression of the return of the repressed. Falkenberg's expanded definition includes, but is not limited to, the psychoanalytic and instead redefines the uncanny as a cognitive and aesthetic phenomenon. Beyond offering a survey of what David Punter has called «The Theory of the Uncanny», this study places the uncanny in the context of the poetological and philosophical background of the Romantic period. In close readings of two stories that have stood at the center of the debate about the uncanny - E.T.A. Hoffmann's «Sandman» and Ludwig Tieck's «Blond Eckbert» - the author shows how these texts are constructed as uncanny phenomena in themselves. The study traces fairytale elements, framing techniques, and interdependencies between the fictional productions of the protagonists and their «dark fates» to expose how these texts confront the reader with paradoxical decoding instructions. This expanded and revised uncanny not only yields new readings of two classic German short stories, it also leads to a better understanding of the cultural soil that nourished the Romantic Movement.
Author: Heinrich von Kleist Publisher: ISBN: Category : Fiction Languages : en Pages : 150
Book Description
Provides a kind of handbook to this [German Romantic] movement...All the varieties are here: magical, musical, political and aesthetic...[An] excellent translation.--TLS. "These tales are hard to find in translation and this is a thoughtful grouping...one of the great strengths of these tales is their lack of inhibition: they risk gesture, idealism, passion and freely subvert the demands of naturalism. The power of the mind is compellingly dramatized."--Literary Review. "Will be of interest to students of Romanticism and philosophy in any language. General readers may also appreciate the fiction-writing skill of these 3 authors."--Academic Library Book Review. "Ably translated."--Small Press. "A nice compilation of representative German Romantic short fiction. It is eminently suitable for general readers and for undergraduate classroom use."--Choice.
Author: Birgit Röder Publisher: Boydell & Brewer ISBN: 1571132716 Category : Literary Criticism Languages : en Pages : 209
Book Description
Analysis of the novellas of the German Romantic writer and composer, focusing on the issues of art and the artist. The German Romantic writer and composer E. T. A. Hoffmann (1776-1822) -- perhaps best known to the English-speaking world through his Nutcracker and through Jacques Offenbach's opera Tales of Hoffmann -- struggled toconvince his predominantly bourgeois public of the merits of art and literature. Not surprisingly, many of his most important novellas are bound up with the dilemmas of art and the challenges faced by the Romantic artist, and itis these Künstlernovellen that are the focus of this study. Birgit Röderargues that Hoffmann's artists are not simply individuals who create works of art, but rather figures through whom the author explores the predicamentof those who reject the conventional world of bourgeois reality and seek to assert the claims of the imagination in a world dominated by prosaic rationalism. Contrary to previous scholars however, Röder demonstrates that Hoffmann's novellas clearly warn against a view of art as an autonomous aesthetic realm cut off from the world of reality. This is particularly apparent in Röder's analysis of gender relations in Hoffmann's oeuvre -- especially the relationship between (male) artist and (female) muse -- which underlines the extent to which art, literature, and the imagination are inseparably bound up with the prevailing social reality. The novellas that are given extensive consideration are Das Fräulein von Scuderi, Der Sandmann, Die Jesuiterkirche in G., Die Fermate, Der Artushof, Don Juan, Das Sanctus, and Rat Krespel. Birgit Röder teaches German language and literature at the University of Reading, UK.
Author: Dwight A. Klett Publisher: Routledge ISBN: 1000768066 Category : Poetry Languages : en Pages : 165
Book Description
When originally published in 1993, this was the first bibliography of the secondary literature on Tieck. Given as much secondary literature surrounding Tieck’s life and works has been generated outside of his native Germany as within, this bibliography focuses particularly on his life and work from an international perspective. In order to make the information surrounding Tieck accessible, the book provides a detailed table of contents, with corresponding text divisions, rather than a subject index. It therefore highlights Tieck’s achievements in their various national contexts so that not only students of German can get an accurate feel for Tieck’s versatility and range.
Author: E. S. Shaffer Publisher: Cambridge University Press ISBN: 9780521652025 Category : Drama Languages : en Pages : 344
Book Description
Comparative Criticism addresses itself to the questions of literary theory and criticism, to comparative studies in terms of theme, genre movement and influence, and to interdisciplinary perspectives. This new volume takes 'Myth and mythologies' as its central theme. Articles include: the Shadow of Ulysses beyond 2001; Genesis: a tale of a heel and a hip; Myths of 'High' and 'Low': the Lyrical Ballads 1798-1998 and Myths of the Indies: Jane Austen and the British Empire. The winning entries in the 1997/8 BCLA/BCLT translation competition are published, as well as a special bibliography on the works of H. G. Adler.
Author: Marc Falkenberg Publisher: Peter Lang Publishing ISBN: Category : Literary Criticism Languages : en Pages : 272
Book Description
This stimulating new book challenges Freud's definition of the uncanny, prevalent in the study of Gothic and Romantic fiction, by reviving the importance of uncertainty in the uncanny. Literary criticism views the uncanny as an expression of the return of the repressed. Falkenberg's expanded definition includes, but is not limited to, the psychoanalytic and instead redefines the uncanny as a cognitive and aesthetic phenomenon. Beyond offering a survey of what David Punter has called The Theory of the Uncanny, this study places the uncanny in the context of the poetological and philosophical background of the Romantic period. In close readings of two stories that have stood at the center of the debate about the uncanny - E.T.A. Hoffmann's Sandman and Ludwig Tieck's Blond Eckbert - the author shows how these texts are constructed as uncanny phenomena in themselves. The study traces fairytale elements, framing techniques, and interdependencies between the fictional productions of the protagonists and their dark fates to expose how these texts confront the reader with paradoxical decoding instructions. This expanded and revised uncanny not only yields new readings of two classic German short stories, it also leads to a better understanding of the cultural soil that nourished the Romantic Movement.
Author: John MacAuslan Publisher: Cambridge University Press ISBN: 1316558878 Category : Music Languages : en Pages : 297
Book Description
Four of Schumann's great masterpieces of the 1830s - Carnaval, Fantasiestücke, Kreisleriana and Nachtstücke - are connected to the fiction of E. T. A. Hoffmann. In this book, John MacAuslan traces Schumann's stylistic shifts during this period to offer insights into the expressive musical patterns that give shape, energy and individuality to each work. MacAuslan also relates the works to Schumann's reception of Bach, Beethoven, Novalis and Jean Paul, and focuses on primary sources in his wide-ranging discussion of the broader intellectual and aesthetic contexts. Uncovering lines of influence from Schumann's reading to his writings, and reflecting on how the aesthetic concepts involved might be used today, this book transforms the way Schumann's music and its literary connections can be understood and will be essential reading for musicologists, performers and listeners with an interest in Schumann, early nineteenth-century music and German Romantic culture.
Author: Ludwig Tieck
Author: Ludwig Tieck
Author: O. Classe
Author: Marc Falkenberg
Author: Heinrich von Kleist
Author: Birgit Röder
Author: Dwight A. Klett
Author: E. S. Shaffer
Author: Marc Falkenberg
Author: Reinhold Grimm
Author: John MacAuslan