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Author: Linguistic Circle of New York
Publisher:
ISBN:
Category : Language and languages
Languages : en
Pages : 156

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Author:
Publisher:
ISBN:
Category : Language and languages
Languages : en
Pages : 156

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Book Description

Author: Louis Chambaud
Publisher:
ISBN:
Category : English language
Languages : en
Pages : 632

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Book Description

Author: David Charlton
Publisher: Cambridge University Press
ISBN: 0521887607
Category : Music
Languages : en
Pages : 437

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Book Description
A wide-ranging account of opera on stage and in society in the age of Rousseau, from Rameau to Gluck.

Author: Louis Chambaud
Publisher:
ISBN:
Category : Encyclopedias and dictionaries
Languages : en
Pages : 934

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Author: Louis Chambaud
Publisher:
ISBN:
Category : English language
Languages : en
Pages :

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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 548

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Book Description

Author: Thomas Bauman
Publisher: Cambridge University Press
ISBN: 9780521034777
Category : History
Languages : en
Pages : 340

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Book Description
This collection of essays explores the wide dimensions and influence of eighteenth-century opera.

Author: David Charlton
Publisher: Taylor & Francis
ISBN: 104023190X
Category : History
Languages : en
Pages : 390

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Book Description
The majority of these collected essays date from 1992 onwards, three of them having been specially expanded for this volume. Drawing on recent archival research and new musicological theory, they investigate distinctive qualities in French opera from early opéra comique to early grand opera. ’Media’ is interpreted in terms of both narrative systems and practical theatre resources. One group of essays identifies narrative systems in ’minuet-scenes’, in the diegetic romance, and in special uses of musical motives. Another group concerns the theory and æsthetics of opera, in which uses of metaphor help us interpret audience reception. A third group focuses on orchestral and staging practices, brought together in a new theory of the 'melodrama model’ linking various genres from the 1780s with the world of the 1820s. French opera’s relation with literature and politics is a continuing theme, explored in writings on prison scenes, Ossian, and public-private dramaturgy in grand opera. David Charlton has written widely on French music and opera topics for over 25 years. The selection of his articles presented here focuses on the period 1730-1830 when Paris was a hotbed of influential ideas in music and music theatre, with many of these ideas taken up by foreign composers. This volume assesses the French contribution to the development of Classical and Romantic styles and genres which has hitherto not received the attention it deserves.

Author: Richard Wrigley
Publisher: Routledge
ISBN: 135157535X
Category : Art
Languages : en
Pages : 288

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Book Description
Art, Theatre, and Opera in Paris, 1750-1850: Exchanges and Tensions maps some of the many complex and vivid connections between art, theatre, and opera in a period of dramatic and challenging historical change, thereby deepening an understanding of familiar (and less familiar) artworks, practices, and critical strategies in the eighteenth and nineteenth centuries. Throughout this period, new types of subject matter were shared, fostering both creative connections and reflection on matters of decorum, legibility, pictorial, and dramatic structure. Correspondances were at work on several levels: conception, design, and critical judgement. In a time of vigorous social, political, and cultural contestation, the status and role of the arts and their interrelation came to be a matter of passionate public scrutiny. Scholars from art history, French theatre studies, and musicology trace some of those connections and clashes, making visible the intimately interwoven and entangled world of the arts. Protagonists include Diderot, Sedaine, Jacques-Louis David, Ignace-Eug?-Marie Degotti, Marie Malibran, Paul Delaroche, Casimir Delavigne, Marie Dorval, the 'Bleeding Nun' from Lewis's The Monk, the Com?e-Fran?se and Etienne-Jean Del?uze.