Author: Johann Evangelist BrandlPublisher:
ISBN:
Category : String trios (Violas (2), cello)
Languages : en
Pages : 34
Book Description
Notturno Für Zwei Violen und Violoncello, Op. 19
Author: Johann Evangelist BrandlPublisher:
ISBN:
Category : String trios (Violas (2), cello)
Languages : en
Pages : 34
Book Description
Sonata in F Minor for Two Violins, Two Violas, Cello and Basso Continuo
Author: Georg Philipp TelemannPublisher:
ISBN:
Category : Sextets (Violins (2), violas (2), cello, continuo)
Languages : en
Pages : 52
Book Description
Divertimento for Clarinet and Two Violas
Author: P. JuonPublisher: Рипол Классик
ISBN: 5884707002
Category : Music
Languages : en
Pages : 17
Book Description
Drei Duos Für Zwei Klarinetten
Author: Bernhard Henrik CrusellPublisher:
ISBN:
Category : Clarinet music (Clarinets (2))
Languages : en
Pages : 46
Book Description
Quintet for two violins, viola, and two cellos A major (1889)
Author: Karl Ditters von DittersdorfPublisher:
ISBN:
Category : String quintets (Violins (2), viola, cellos (2))
Languages : en
Pages : 44
Book Description
The Harmonicon
Author: Catalog of Standard 65 Note Music Rolls
Author: Lyon & HealyPublisher:
ISBN:
Category : Player piano rolls
Languages : en
Pages : 500
Book Description
Eurythmy, Its Birth and Development
Author: Rudolf SteinerPublisher: Rudolf Steiner Press
ISBN: 1855845660
Category : Religion
Languages : en
Pages : 226
Book Description
‘This gave my mother the opportunity of mentioning to Dr Steiner an idea… Could one affect the physical body in a healing, strengthening and regulating way through certain rhythmical movements of the etheric body – which after all was the centre of all that was rhythmical – as well as of health and illness? Dr Steiner not only enthusiastically affirmed this possibility, but spontaneously declared himself ready to give the necessary directions which I could then work out with my mother’s help.’ – Lory Maier-Smits Alongside original material by Rudolf and Marie Steiner, this volume features unique first-hand accounts of the birth of the art of eurythmy by a number of its early students and practitioners. The practical and artistic stages of its development are chronicled in detail, alongside reports from the first public performance onwards. Rudolf Steiner offers inspiration to the original eurythmists to make their own discoveries – to perceive and fashion in movement their creative ‘inner voice’. The artistic principles are established for later development and elaboration, to reveal and foster human creativity in many poetic and musical contexts. Through the text, links between eurythmy and temple-dances, that accompanied ancient initiations, gradually emerge. The impulse to dance is rediscovered as inherent in the ‘lost Word’, or the primordial root language still available in ‘genetic etymology’– the sounds of speech used in all languages. Music eurythmy, we learn, did not start from dancing, but from the archetypal structure of the musical system. Consequently, we can witness directly how an eloquent performing art can properly develop when technique and inspiration meet. The text is supported by extensive supplementary material, including eurythmy forms, a chronological survey, notes and indexes.
Author: 
Author: