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Author: David Lasocki Publisher: Independently Published ISBN: 9781655627361 Category : Languages : en Pages : 412
Book Description
According to myth (or received opinion), the wealth of sizes of recorder present in the Renaissance petered out in the Baroque period, until only the alto (British: treble) was left, except for a few smaller sizes in concertos and vocal music. In this book David Lasocki examines all the surviving writings between about 1600 and 1800 (treatises, tutors, inventories, advertisements, purchases and sales) as well as indications of instrumentation in the repertoire. He concludes that sizes of recorder besides the alto were far more common and far more diverse than we have imagined. Imagine!
Author: David Lasocki Publisher: Independently Published ISBN: 9781655627361 Category : Languages : en Pages : 412
Book Description
According to myth (or received opinion), the wealth of sizes of recorder present in the Renaissance petered out in the Baroque period, until only the alto (British: treble) was left, except for a few smaller sizes in concertos and vocal music. In this book David Lasocki examines all the surviving writings between about 1600 and 1800 (treatises, tutors, inventories, advertisements, purchases and sales) as well as indications of instrumentation in the repertoire. He concludes that sizes of recorder besides the alto were far more common and far more diverse than we have imagined. Imagine!
Author: Dan H. Marek Publisher: Rowman & Littlefield ISBN: 1442235896 Category : Music Languages : en Pages : 259
Book Description
Everyone is familiar with the words diva or prima donna, which have come to mean a (usually) outrageous operatic soprano, but there was a time when the star of the show was more often a contralto, or a soprano singing in today's mezzo-soprano range. This performer was referred to as an alto. In the 17th and 18th centuries, the male and female leading roles were likely to be sung by emasculated males, the alto castrati, although there were many great female altos during this period as well. The music for these fantastic artists, written by such composers as Porpora, Vinci, Hasse, and even Handel, has been largely forgotten. At the beginning of the 19th century, as the castrati died out, their roles were often assumed by female altos referred to as musici. New repertoire continued to be written for them by Rossini and others, but gradually, this musical tradition and technique was lost. Now, however, because of the talent and industry of such gifted artists as Marilyn Horne, Cecilia Bartoli, and Joyce DiDonato, and the sudden ease with which the performance of these forgotten works can be obtained, there is a resurgence of interest in the performance and preservation of this lost art. Alto: The Voice of Bel Canto examines the careers of nearly 320 great alto singers, including the great castrati, from the dawn of opera in 1597 to the present. The music of the composers who wrote for the alto voice is discussed along with musical examples and suggestions for listening. The exploration of the greatest altos’ careers and techniques offers inspiration for aspiring young singers as well as absorbing reading for the music lover who wants to know more about the fascinating world of opera.
Author: Johanna Kulbach Publisher: Oak Publications ISBN: 1783234342 Category : Music Languages : en Pages : 130
Book Description
An instruction method for descant (soprano) and treble (alto) recorder which combines progressive learning with a repertoire of folk melodies. With guitar chords.
Author: Richard Voss Publisher: Mel Bay Publications ISBN: 1609743385 Category : Music Languages : en Pages : 34
Book Description
Turlough O'Carolan was born in County Meath, Ireland in 1670. He was trained as a youth to play the harp, and throughout his life composed a large number of songs. O'Carolan developed a personal style, containing melodic elements of Irish folk music, courtly harp music and Italian baroque music. O'Carolan's music was not published during his lifetime; therefore, various versions of his melodies have been handed down through the aural tradition. It is also not known how he accompanied his melodies. This collection presents 39 favorite O'Carolan melodies in easily playable, lively arrangements for alto (treble) recorder, with guitar chords above the staves. Included are four original melodies by Richard Voss inspired by and in the style of the early master.
Author: David Lasocki
Author: David Lasocki
Author: Dan H. Marek
Author: James Franco
Author: Johanna Kulbach
Author: Bruce Pearson
Author: Richard Voss
Author: Kenneth Wollitz
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