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Author: Sherry B. Ortner Publisher: Duke University Press ISBN: 0822354268 Category : Social Science Languages : en Pages : 349
Book Description
The pioneering anthropologist Sherry B. Ortner combines her trademark ethnographic expertise with critical film interpretation to explore the independent film scene in New York and Los Angeles since the late 1980s. Not Hollywood is both a study of the lived experience of that scene and a critical examination of America as seen through the lenses of independent filmmakers. Based on interviews with scores of directors and producers, Ortner reveals the culture and practices of indie filmmaking, including the conviction of those involved that their films, unlike Hollywood movies, are "telling the truth" about American life. These films often illuminate the dark side of American society through narratives about the family, the economy, and politics in today's neoliberal era. Offering insightful interpretations of many of these films, Ortner argues that during the past three decades independent American cinema has functioned as a vital form of cultural critique.
Author: Sherry B. Ortner Publisher: Duke University Press ISBN: 0822354268 Category : Social Science Languages : en Pages : 349
Book Description
The pioneering anthropologist Sherry B. Ortner combines her trademark ethnographic expertise with critical film interpretation to explore the independent film scene in New York and Los Angeles since the late 1980s. Not Hollywood is both a study of the lived experience of that scene and a critical examination of America as seen through the lenses of independent filmmakers. Based on interviews with scores of directors and producers, Ortner reveals the culture and practices of indie filmmaking, including the conviction of those involved that their films, unlike Hollywood movies, are "telling the truth" about American life. These films often illuminate the dark side of American society through narratives about the family, the economy, and politics in today's neoliberal era. Offering insightful interpretations of many of these films, Ortner argues that during the past three decades independent American cinema has functioned as a vital form of cultural critique.
Author: Robert E. Relyea Publisher: iUniverse ISBN: 059591473X Category : Biography & Autobiography Languages : en Pages : 346
Book Description
"An extraordinarily entertaining look inside the film industry "-Pierce Brosnan, award-winning actor and producer A veteran of over fifty years in the film industry, Robert E. Relyea gives a behind-the-scenes, first-person look into Hollywood's moviemaking landscape during the pre- and post-Kennedy years in America. Not So Quiet on the Set is Elvis Presley wishing for a normal life during a break in recording the soundtrack for Jailhouse Rock. It's dealing with street gangs and studio politics while making West Side Story. It's trying to stay alive while working side by side with John Wayne on The Alamo. It's crashing an authentic Nazi warplane against a hillside in Germany during The Great Escape. It's getting fired by the studio while filming Bullitt in San Francisco and it's battling runaway budgets and Steve McQueen's demons in France while making Le Mans. Not So Quiet on the Set presents rare insights into the mechanics and politics of filmmaking and helps define a dynamic period in Hollywood history. A unique collaboration between father and son, it is a real-life adventure that not only illustrates how the movie industry really works but provides a revealing portrait of Hollywood's loss of innocence.
Author: Bernie Brillstein Publisher: Phoenix Books ISBN: 1614670781 Category : Biography & Autobiography Languages : en Pages : 458
Book Description
Beginning in the William Morris mail room in 1955, Bernie Brillstein wanted only three things: “to walk into a restaurant and have people know who I am…to be the guy who gets the phone calls and doesn’t have to make them…to represent the one performer people must have.” Throughout his long career at the top of the entertainment industry––as TV and movie producer, agent and brilliant personal manager––Brillstein has accomplished it all. Where Did I Go Right? is Brillstein’s street-smart, funny, and thoroughly human story of a life in show business. With his trademark wit and candor, he speaks out for the first time about his feud with Mike Ovitz, and how it felt to pass the leadership of his company to his partner, Brad Grey, and “no longer be the king.” He describes his close relationship with John Belushi and what it was like being alone with Belushi’s body as it lay “stretched out across two cramped seats in a tiny jet, wrapped up in a body bag” on the way to his funeral. He shares stories about Jim Hensen and Gilda Radner, about Lorne Michaels and the early days of Saturday Night Live. He takes us behind the scenes at such hits as The Blues Brothers, Ghostbusters, and The Muppet Show. Brillstein also reveals his secrets about how to survive and prosper in Hollywood, the real meaning of “the art of the deal,” the difference between “hot” and “good,” and why instinct is so crucial to the future of the entertainment industry. “Becoming successful is the most fun of all. I’m not talking about being successful or staying successful. I mean the getting there, the instant you arrive, and for the first time you think, ‘Where did I go right?’” After eight years, Phoenix Books is re-releasing this bestseller, with an updated epilogue from Bernie Brillstein entitled, “Still going right.”
Author: David Cross Publisher: Grand Central Publishing ISBN: 1455526312 Category : Performing Arts Languages : en Pages : 288
Book Description
Bob Odenkirk and David Cross, creators of HBO's classic sketch comedy show Mr. Show, present to you this collection of never-before-seen scripts and ideas that Hollywood couldn't find the gumption to green-light. Simply put... HOLLYWOOD SAID NO! Since Mr. Show closed up shop, Bob and David have kept busy with many projects--acting in fun, successful, movies and TV shows, directing things, and complaining about stuff that didn't turn out well to anyone who would listen, and even alone, in silence, inside their own heads. HOLLYWOOD SAID NO! reveals the full-length, never-before-seen scripts for Bob and David Make a Movie (fleshed out with brand-new storyboards by acclaimed artist Mike Mitchell) and Hooray For America!: a satirical power-house indictment of all that you hold dear. This tome also includes a bonus section of orphaned sketch ideas from the Mr. Show days and beyond, suitable for performance by church groups that aren't all koo-koo about religion. What you are looking at online, and are about to buy, is chock-full of comic twists, turns, and maybe a few hard truths. We said "maybe," but what we mean was "probably not." Now, for the first time, take a peek at the scripts that didn't get the go-ahead and ponder a world we can only dream about...and beyond!
Author: Peter J. Dekom Publisher: New Millennium Press ISBN: Category : Business & Economics Languages : en Pages : 296
Book Description
Twenty-first century technology, computer wizardry, digital effects, and easy Internet accessibility bring exciting new options to the Hollywood entertainment establishment--and these same dazzling techno miracles threaten to ruin Hollywood and its control over the media product that the public spends billions on every year. In Peter Dekom's exciting new Hollywood technology expose, he details the catastrophe that 21st century Hollywood faces--In a broadband-Internet, easy-access world, any teenager can download and pass around as much free music, film and media as he can handle. Peter Dekom's new clarion call to Hollywood describes this dark challenge that all owners of media now face, and explains in simple layman's terms how Hollywood can react effectively, meet the entertainment needs of a dissatisfied public tired of being fed the same old product, and still hold on to profits and market shares.
Author: Amor Towles Publisher: Hachette UK ISBN: 1444753541 Category : Fiction Languages : en Pages : 120
Book Description
Six interlinked short stories that follow Evelyn Ross - the character from Amor Towles's bestselling novel Rules of Civility - to Hollywood in 1938. 'Impossibly glamorous' The Times 'Achingly stylish' Guardian Near the end of RULES OF CIVILITY, the fiercely independent Evelyn Ross boards a train from New York to Chicago to visit her parents, but never disembarks. Six months later, she appears in a photograph in a gossip magazine exiting the Tropicana Club on Sunset Boulevard on the arm of Olivia de Havilland. In this chain of six richly detailed and atmospheric stories, each told from a different perspective, Towles unfolds the events that take Eve to the heart of old Hollywood. Beginning in the dining car of the Golden State Limited in September 1938, we follow Eve to the elegant rooms of the Beverly Hills Hotel, the fabled tables of Antonio's, the amusement parks on the Santa Monica piers, the afro-Cuban dance clubs off Central Avenue, and ultimately the set of Gone with the Wind. With the glamour and grit of the studio system's golden age as a backdrop, Towles introduces in each story a memorable new character whose fate may well be altered by their encounter with Eve. But in following the thread of these varied encounters, we also watch as Eve forges a new and unexpected life for herself in late 1930s Los Angeles.
Author: Lynda Obst Publisher: Simon and Schuster ISBN: 1476727767 Category : Business & Economics Languages : en Pages : 320
Book Description
The veteran producer and author of the bestseller Hello, He Lied takes a witty and critical look at the new Hollywood. Over the past decade, producer Lynda Obst gradually realized she was working in a Hollywood that was undergoing a drastic transformation. The industry where everything had once been familiar to her was suddenly disturbingly strange. Combining her own industry experience and interviews with the brightest minds in the business, Obst explains what has stalled the vast moviemaking machine. The calamitous DVD collapse helped usher in what she calls the New Abnormal (because Hollywood was never normal to begin with), where studios are now heavily dependent on foreign markets for profit, a situation which directly impacts the kind of entertainment we get to see. Can comedy survive if they don’t get our jokes in Seoul or allow them in China? Why are studios making fewer movies than ever—and why are they bigger, more expensive and nearly always sequels or recycled ideas? Obst writes with affection, regret, humor and hope, and her behind-the-scenes vantage point allows her to explore what has changed in Hollywood like no one else has. This candid, insightful account explains what has happened to the movie business and explores whether it’ll ever return to making the movies we love—the classics that make us laugh or cry, or that we just can’t stop talking about.
Author: Oliver Boyd Barrett Publisher: Routledge ISBN: 113680675X Category : Social Science Languages : en Pages : 255
Book Description
This book investigates representations of the Central Intelligence Agency (CIA) in Hollywood films, and the synergies between Hollywood product, U.S. military/defense interests and U.S. foreign policy. As probably the best known of the many different intelligence agencies of the US, the CIA is an exceptionally well known national and international icon or even "brand," one that exercises a powerful influence on the imagination of people throughout the world as well as on the creative minds of filmmakers. The book examines films sampled from five decades - the 1960s, 1970s, 1980s, 1990s and 2000s - and explores four main issues: the relative prominence of the CIA; the extent to which these films appeared to be overtly political; the degree to which they were favorable or unfavorable to the CIA; and their relative attitude to the "business" of intelligence. A final chapter considers the question: do these Hollywood texts appear to function ideologically to "normalize" the CIA? If so, might this suggest the further hypothesis that many CIA movies assist audiences with reconciling two sometimes fundamental opposites: often gruesome covert CIA activity for questionable goals and at enormous expense, on the one hand, and the values and procedures of democratic society, on the other. This interdisciplinary book will be of much interest to students of the CIA/Intelligence Studies, media and film studies, US politics and IR/Security Studies in general.
Author: Sherry B. Ortner
Author: Sherry B. Ortner
Author: Robert E. Relyea
Author: Bernie Brillstein
Author: David Cross
Author: Peter J. Dekom
Author: Amor Towles
Author: Lynda Obst
Author: Oliver Boyd Barrett
Author: 
Author: Alan Kimble Fahey