Author: Publisher:
ISBN:
Category :
Languages : de
Pages :
Book Description
Not For Nothing: Anne Imhof's "Faust"
Author: Faust - Anne Imhof
Author: Anne ImhofPublisher:
ISBN: 9783960981701
Category : Art, German
Languages : en
Pages : 128
Book Description
Anne Imhof confronts the brutality of our time with a hard realism. Her scenarios visualize the constitution of the body in the demarcation of material and discursive, of technological, socioeconomic, and pharmaceutical boundaries. Imhof thus reveals the space between body and reality, the space where our personality comes into being.00Exhibition: German Pavillon, Venice Biennale, Italy (13.05.-26.11.2017).
Found Photos in Detroit
Author: Arianna ArcaraPublisher:
ISBN: 9788890632839
Category : Photography
Languages : en
Pages : 72
Book Description
We found these pictures and documents abandoned on the streets of Detroit. We did not take the pictures or write the words. We do not know who did. Certain names, addresses and phone numbers have been redacted in an attempt to protect people's identities. If you have information about the pictures, please contact us
Cy Twombly
Author: Heiner BastianPublisher:
ISBN: 9783888144639
Category :
Languages : en
Pages : 310
Book Description
100 New York Mysteries
Author: Aaron KrachPublisher: Lulu.com
ISBN: 141169581X
Category : Antiques & Collectibles
Languages : en
Pages : 206
Book Description
If it was possible to make a silent movie and turn it into a book, this would be it. "100 New York Mysteries" is a wordless book, a tone poem, and an essay on the sublime beauty found in the streets of New York City. This book is also part of an exhibition, "100 New York Mysteries" at DCKT Contemporary Art in NYC (June-August, 2006). For more information visit www.aaronkrach.com or www.dcktcontemporary.com.
Aesthetic Temporalities Today
Author: Gabriele GengePublisher: transcript Verlag
ISBN: 383945462X
Category : Art
Languages : en
Pages : 279
Book Description
This volume is dedicated to the interrelation between temporality and representation. It presumes that time cannot be conceived of as an abstract chronometric order, but that it is referring to materiality, being measured, represented, expressed, recognized, experienced and evaluated, and therefore is always closely related to cultural contexts of perception and evaluation. The contributions from various disciplines are dedicated to the present and its plural conditions and meanings. They provide insights into the state of research with special emphasis on the global present as well as on art and aesthetics from the 18th century until today. The anthology includes contributions by Mieke Bal, Stefan Binder, Maximilian Bergengruen, Iris Därmann, Gabriele Genge, Boris Roman Gibhardt, Boris Groys, Maria Muhle, Johannes F. Lehmann, Nkiru Nzegwu, Francesca Raimondi, Christine Ross, Ludger Schwarte, Angela Stercken, Samuel Strehle, Timm Trausch, Patrick Stoffel, and Christina Wessely.
Cybernetic-Existentialism
Author: Steve DixonPublisher: Routledge
ISBN: 042963238X
Category : Art
Languages : en
Pages : 326
Book Description
Cybernetic-Existentialism: Freedom, Systems, and Being-for-Others in Contemporary Arts and Performance offers a unique discourse and an original aesthetic theory. It argues that fusing perspectives from the philosophy of Existentialism with insights from the ‘universal science’ of cybernetics provides a new analytical lens and deconstructive methodology to critique art. In this study, Steve Dixon examines how a range of artists’ works reveal the ideas of Existentialist philosophers including Kierkegaard, Camus, de Beauvoir, and Sartre on freedom, being and nothingness, eternal recurrence, the absurd, and being-for-others. Simultaneously, these artworks are shown to engage in complex explorations of concepts proposed by cyberneticians including Wiener, Shannon, and Bateson on information theory and ‘noise’, feedback loops, circularity, adaptive ecosystems, autopoiesis, and emergence. Dixon’s groundbreaking book demonstrates how fusing insights and knowledge from these two fields can throw new light on pressing issues within contemporary arts and culture, including authenticity, angst and alienation, homeostasis, radical politics, and the human as system.
Don't Follow the Wind
Author: Nikolaus HirschPublisher: National Geographic Books
ISBN: 3956795687
Category : Art
Languages : en
Pages : 0
Book Description
Documenting an invisible, inaccessible exhibition within the radioactive Fukushima exclusion zone. The twelfth volume of the Critical Spatial Practices series focuses on “Don’t Follow the Wind,” the acclaimed collaborative project situated in Fukushima’s radioactive exclusion zone. The book explores the long-term environmental crisis in the coastal Japanese region through this ongoing, inaccessible exhibition, which maintains traces of human presence amid the fallout of the March 2011 nuclear reactor meltdown that displaced entire towns. What can art do in a continuing catastrophe when destruction and contamination have made living impossible? The exhibition is located inside the exclusion zone, an evacuated radioactive area established after the nuclear disaster that forcibly separated residents from their homes, land, and community. In cooperation with former residents, participating artists installed newly commissioned works at sites in the exclusion zone. Although the exhibition opened in March 2015, the zone is still inaccessible to the public—the exhibition, like the radiation, is virtually invisible. The exhibition can only be viewed when restrictions are lifted and people are permitted to return. This might take several years or decades—a period that could extend beyond our lifetime. While nuclear contamination has displaced and ruptured communities, new temporary and translocal formations have emerged among the residents who have lent their sites, other former residents collaborating on the project, and the artists, curators, and cultural workers. This book includes new texts by feminist theorist Silvia Federici, art historians Noi Sawaragi and Sven Lütticken, and political philosopher Jodi Dean. The project was codeveloped and curated by the collective Don’t Follow the Wind, whose members include Chim↑Pom, Kenji Kubota, Eva & Franco Mattes, and Jason Waite. The participating artists include Ai Weiwei, Chim↑Pom, Nikolaus Hirsch & Jorge Otero-Pailos, Meiro Koizumi, Eva & Franco Mattes, Grand Guignol Mirai, Aiko Miyanaga, Ahmet Öğüt, Trevor Paglen, Taryn Simon, Nobuaki Takekawa, and Kota Takeuchi.
Richard Prince
Author: Richard PrincePublisher: Prestel Publishing
ISBN: 9783791359687
Category : Appropriation (Art)
Languages : en
Pages : 0
Book Description
A visually stunning compilation of Richard Prince's 40-year-long project of examining the cowboy as an American symbol. In the mid-1970s, Richard Prince was an aspiring painter working in Time Inc.'s tear sheet department clipping texts for magazine writers. After he removed the articles, he was left with advertisements: glossy pictures of commodities, models, and other objects of desire. He began to re-photograph the advertisements, cropping and enlarging them, and selling the artworks as his own. Prince paid particular attention to the motif of the cowboy, often depicted in advertisements for Marlboro cigarettes. He had an explosive effect on the art world, provoking lawsuits and setting auction records for contemporary photography. More recently, he has revisited copies of TIME from the 1980s and 90s using contemporary technology to produce a new series of work, extending his preoccupation with the cowboy in the era of Instagram to demonstrate that the stakes around originality, appropriation, and truth in advertising are as high as ever. This book showcases how Prince has mined the mythological American West within the artwork he produced during the last four decades. Each chapter contains a brief introduction, followed by artwork by Prince, and concludes with a section of related ephemera, relics, and fragments that aid in contextualizing Prince's work. Once again challenging the conventional limits of photography, Prince is reigniting the debate he sparked forty years ago through the lens of cowboys and the West.
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