Not by Design PDF Download

Author: John Reiss
Publisher: Univ of California Press
ISBN: 0520944402
Category : Science
Languages : en
Pages : 441

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Book Description
More than two centuries ago, William Paley introduced his famous metaphor of the universe as a watch made by the Creator. For Paley, the exquisite structure of the universe necessitated a designer. Today, some 150 years since Darwin's On the Origin of Species was published, the argument of design is seeing a revival. This provocative work tells how Darwin left the door open for this revival--and at the same time argues for a new conceptual framework that avoids the problematic teleology inherent in Darwin's formulation of natural selection. In a wide-ranging discussion of the historical and philosophical dimensions of evolutionary theory from the ancient Greeks to today, John Reiss argues that we should look to the principle of the conditions for existence, first formulated before On the Origin of Species by the French paleontologist Georges Cuvier, to clarify the relation of adaptation to evolution. Reiss suggests that Cuvier's principle can help resolve persistent issues in evolutionary biology, including the proper definition of natural selection, the distinction between natural selection and genetic drift, and the meaning of genetic load. Moreover, he shows how this principle can help unite diverse areas of biology, ranging from quantitative genetics and the theory of the levels of selection to evo-devo, ecology, physiology, and conservation biology.

Author: Eswaran Subrahmanian
Publisher: MIT Press
ISBN: 0262553325
Category : Design
Languages : en
Pages : 195

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Book Description
A call to reclaim and rethink the field of designing as a liberal art where diverse voices come together to shape the material world. We live in a material world of designed artifacts, both digital and analog. We think of ourselves as users; the platforms, devices, or objects provide a service that we can use. But is this really the case? We Are Not Users argues that people cannot be reduced to the entity called “user”; we are not homogenous but diverse. That buzz of dissonance that we hear reflects the difficulty of condensing our diversity into “one size fits all.” This book proposes that a new understanding of design could resolve that dissonance, and issues a call to reclaim and rethink the field of designing as a liberal art where diverse voices come together to shape the material world. The authors envision designing as a dialogue, simultaneously about the individual and the social—an act enriched by diversity of both disciplines and perspectives. The book presents the building blocks of a language that can conceive designing in all its richness, with relevance for both theory and practice. It introduces a theoretical model, terminology, examples, and a framework for bringing together the social, cultural, and political aspects of designing. It will be essential reading for design theorists and for designers in areas ranging from architecture to software design and policymaking.

Author: Victor J. Stenger
Publisher: Prometheus Books
ISBN: 1615928391
Category : Science
Languages : en
Pages : 204

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Book Description
Much of the world seems chaotic and unpredictable, but the regular movement of celestial bodies and certain demonstrable physical phenomena seem to indicate the existence of a world that is basically orderly. This orderliness is often taken as evidence for an intelligence beyond our experience - a "creator" responsible for the first moment in time and all ensuing infinite patterns of the universe. Yet the science of the origin of the universe is still highly speculative and incomplete. How did the universe begin? According to Professor Victor J. Stenger, the simplest hypothesis so far is that it began by accident. Stenger insists that the existence of order does not necessarily imply that it is the result of design. Nothing currently known about the universe, he writes, requires that its structure was somehow imposed upon it from the outside. The universe is complex, but the laws of nature are simple; in fact, the universe may have originated because of a series of spontaneous random events. The book begins with a discussion of the meaning of order and examples of orderly patterns generated by chance. (Play enough poker hands, Stenger writes, and one day you will be dealt four aces.) Subsequent chapters introduce readers to the unique perspective of the universe provided by physics, with historical and philosophical material intertwined with a systematic but nontechnical presentation of basic physics. This leads to a description of the basic structure of the universe and the way in which symmetries of space, time, and inner dimensions account for the "laws" obeyed by particles. The origin of the universe is then described as a chance event, with space, time, matter, and the laws of nature the result of a spontaneous process of symmetry-breaking. Focusing on the question of planned versus unplanned origin, Stenger shows that the issue is not philosophical but scientific and that order can and does happen every day - by chance.

Author: Simon Garfield
Publisher: Profile Books
ISBN: 1847652921
Category : Reference
Languages : en
Pages : 352

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Book Description
Just My Type is not just a font book, but a book of stories. About how Helvetica and Comic Sans took over the world. About why Barack Obama opted for Gotham, while Amy Winehouse found her soul in 30s Art Deco. About the great originators of type, from Baskerville to Zapf, or people like Neville Brody who threw out the rulebook, or Margaret Calvert, who invented the motorway signs that are used from Watford Gap to Abu Dhabi. About the pivotal moment when fonts left the world of Letraset and were loaded onto computers ... and typefaces became something we realised we all have an opinion about. As the Sunday Times review put it, the book is 'a kind of Eats, Shoots and Leaves for letters, revealing the extent to which fonts are not only shaped by but also define the world in which we live.' This edition is available with both black and silver covers.

Author: Murray Moss
Publisher: Rizzoli Publications
ISBN: 0847861570
Category : Biography & Autobiography
Languages : en
Pages : 330

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Book Description
A witty and revealing memoir of the mid-1990s, when high design became art and there was no more exclusive club for high design than MOSS. For almost twenty years the SoHo design gallery MOSS was the place where design, art, money, and glamour mixed. Murray Moss, the impresario behind the shop, and his partner, Franklin Getchell, were the leading arbiters of good taste and the new—launching the careers of now-established designers such as Studio Job and Maarten Baas while bringing back into fashion eighteenth-century porcelain and Tupperware. By mixing high and low MOSS shifted the design conversation from the galleries of MoMA to a storefront in SoHo. Please Do Not Touch is their witty insider confessions of that exciting time. Natural storytellers, Moss and Getchell effortlessly weave entertaining and revealing tales that take the reader behind the scenes of MOSS’s famous opening night parties and spectacular projects and partnerships with never-before-seen photographs from their personal archives. A memoir by two legends of modern design, Please Do Not Touch is sure to become a “bible” for cognoscenti and students alike—transporting lovers of modern design back to the time when high design first broke all barriers.

Author: Michael Bierut
Publisher: MIT Press
ISBN: 0262039109
Category : Design
Languages : en
Pages : 241

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Book Description
A collection of writing about design from the influential, eclectic, and adventurous Design Observer. Founded in 2003, Design Observer inscribes its mission on its homepage: Writings about Design and Culture. Since its inception, the site has consistently embraced a broader, more interdisciplinary, and circumspect view of design's value in the world—one not limited by materialism, trends, or the slipperiness of style. Dedicated to the pursuit of originality, imagination, and close cultural analysis, Design Observer quickly became a lively forum for readers in the international design community. Fifteen years, 6,700 articles, 900 authors, and nearly 30,000 comments later, this book is a combination primer, celebration, survey, and salute to a certain moment in online culture. This collection includes reassessments that sharpen the lens or dislocate it; investigations into the power of design idioms; off-topic gems; discussions of design ethics; and experimental writing, new voices, hybrid observations, and other idiosyncratic texts. Since its founding, Design Observer has hosted conferences, launched a publishing imprint, hosted three podcasts, and attracted more than a million followers on social media. All of these enterprises are rooted in the original mission to engage a broader community by sharing ideas on ways that design shapes—and is shaped by—our lives. Contributors include Sean Adams, Allison Arieff, Ashleigh Axios, Eric Baker, Rachel Berger, Andrew Blauvelt, Liz Brown, John Cantwell, Mark Dery, Michael Erard, Stephen Eskilson, Bryan Finoki, Kenneth FitzGerald, John Foster, Steven Heller, Karrie Jacobs, Meena Kadri, Mark Lamster, Alexandra Lange, Francisco Laranjo, Adam Harrison Levy, Mimi Lipson, KT Meaney, Thomas de Monchaux, Randy Nakamura, Phil Patton, Maria Popova, Rick Poynor, Louise Sandhaus, Dmitri Siegel, Martha Scotford, Adrian Shaughnessy, Andrew Shea, John Thackara, Dori Tunstall, Alice Twemlow, Tom Vanderbilt, Véronique Vienne, Alissa Walker, Rob Walker, Lorraine Wild, Timothy Young

Author: Grant P. Wiggins
Publisher: ASCD
ISBN: 1416600353
Category : Education
Languages : en
Pages : 383

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Book Description
What is understanding and how does it differ from knowledge? How can we determine the big ideas worth understanding? Why is understanding an important teaching goal, and how do we know when students have attained it? How can we create a rigorous and engaging curriculum that focuses on understanding and leads to improved student performance in today's high-stakes, standards-based environment? Authors Grant Wiggins and Jay McTighe answer these and many other questions in this second edition of Understanding by Design. Drawing on feedback from thousands of educators around the world who have used the UbD framework since its introduction in 1998, the authors have greatly revised and expanded their original work to guide educators across the K-16 spectrum in the design of curriculum, assessment, and instruction. With an improved UbD Template at its core, the book explains the rationale of backward design and explores in greater depth the meaning of such key ideas as essential questions and transfer tasks. Readers will learn why the familiar coverage- and activity-based approaches to curriculum design fall short, and how a focus on the six facets of understanding can enrich student learning. With an expanded array of practical strategies, tools, and examples from all subject areas, the book demonstrates how the research-based principles of Understanding by Design apply to district frameworks as well as to individual units of curriculum. Combining provocative ideas, thoughtful analysis, and tested approaches, this new edition of Understanding by Design offers teacher-designers a clear path to the creation of curriculum that ensures better learning and a more stimulating experience for students and teachers alike.

Author: Barbara J. Bloemink
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 224

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Book Description
"Design [does not equal] Art presents distinctive functional designs that share the limited palette, materials, and elegant, geometric abstract forms characteristic of Minimalist and post-Minimalist art, including pine desks and porcelain tableware by Judd, stone and steel tables and chairs by Burton, lamps by Tuttle, folding screens by LeWitt, rugs by Rosemarie Trockel and Barbara Bloom, daybeds by Whiteread, and much more." "Filled with hundreds of photographs and drawing on candid conversations with many of the artists, Design [does not equal] Art is an authoritative, essential resource for designers, scholars of Minimalist and post-Minimalist art, collectors, and anyone interested in furniture and design of the late twentieth and early twenty-first centuries."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Author: Paul Dolan
Publisher: Penguin
ISBN: 0698156927
Category : Self-Help
Languages : en
Pages : 231

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Book Description
This is not just another happiness book. In Happiness by Design, happiness and behavior expert Paul Dolan combines the latest insights from economics and psychology to illustrate that in order to be happy we must behave happy Our happiness is experiences of both pleasure and purpose over time and it depends on what we actually pay attention to. Using what Dolan calls deciding, designing, and doing, we can overcome the biases that make us miserable and redesign our environments to make it easier to experience happiness, fulfilment, and even health. With uncanny wit and keen perception, Dolan reveals what we can do to find our unique optimal balance of pleasure and purpose, offering practical advice on how to organize our lives in happiness-promoting ways and fresh insights into how we feel, including why: • Having kids reduces pleasure but gives us a massive dose of purpose • Gaining weight won’t necessarily make us unhappier, but being too ambitious might • A quiet neighborhood is more important than a big house Vividly rendering intriguing research and lively anecdotal evidence, Happiness by Design offers an absorbing, thought-provoking, new paradigm for readers of Stumbling on Happiness and The How of Happiness.

Author: Victionary
Publisher:
ISBN: 9789887972778
Category : Design
Languages : en
Pages : 272

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Book Description
The world today can be an infinitely better place. With the increasing amount of issues affecting us as a whole in recent years, such as the global health crises, environmental destruction, and socioeconomic disparities, the onus is on each and every one of us to do everything we can for the generations to come. Design has been -- and will always be -- our crucial tool in this regard. Whether it be through campaigns that rally for action, posters that raise awareness, or products that actually change bad habits, designers combine creativity, craft, and compelling visuals to materialize concepts that can effectively transform the way we live. Good by Design collates the best projects and insights to inspire not only those who wish to do good, but also hope for all in a better tomorrow.