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Author: Thomas S. Mullaney Publisher: MIT Press ISBN: 0262536102 Category : Technology & Engineering Languages : en Pages : 501
Book Description
How Chinese characters triumphed over the QWERTY keyboard and laid the foundation for China's information technology successes today. Chinese writing is character based, the one major world script that is neither alphabetic nor syllabic. Through the years, the Chinese written language encountered presumed alphabetic universalism in the form of Morse Code, Braille, stenography, Linotype, punch cards, word processing, and other systems developed with the Latin alphabet in mind. This book is about those encounters—in particular thousands of Chinese characters versus the typewriter and its QWERTY keyboard. Thomas Mullaney describes a fascinating series of experiments, prototypes, failures, and successes in the century-long quest for a workable Chinese typewriter. The earliest Chinese typewriters, Mullaney tells us, were figments of popular imagination, sensational accounts of twelve-foot keyboards with 5,000 keys. One of the first Chinese typewriters actually constructed was invented by a Christian missionary, who organized characters by common usage (but promoted the less-common characters for “Jesus" to the common usage level). Later came typewriters manufactured for use in Chinese offices, and typewriting schools that turned out trained “typewriter girls” and “typewriter boys.” Still later was the “Double Pigeon” typewriter produced by the Shanghai Calculator and Typewriter Factory, the typewriter of choice under Mao. Clerks and secretaries in this era experimented with alternative ways of organizing characters on their tray beds, inventing an input method that was the first instance of “predictive text.” Today, after more than a century of resistance against the alphabetic, not only have Chinese characters prevailed, they form the linguistic substrate of the vibrant world of Chinese information technology. The Chinese Typewriter, not just an “object history” but grappling with broad questions of technological change and global communication, shows how this happened. A Study of the Weatherhead East Asian Institute Columbia University
Author: Thomas S. Mullaney Publisher: MIT Press ISBN: 0262536102 Category : Technology & Engineering Languages : en Pages : 501
Book Description
How Chinese characters triumphed over the QWERTY keyboard and laid the foundation for China's information technology successes today. Chinese writing is character based, the one major world script that is neither alphabetic nor syllabic. Through the years, the Chinese written language encountered presumed alphabetic universalism in the form of Morse Code, Braille, stenography, Linotype, punch cards, word processing, and other systems developed with the Latin alphabet in mind. This book is about those encounters—in particular thousands of Chinese characters versus the typewriter and its QWERTY keyboard. Thomas Mullaney describes a fascinating series of experiments, prototypes, failures, and successes in the century-long quest for a workable Chinese typewriter. The earliest Chinese typewriters, Mullaney tells us, were figments of popular imagination, sensational accounts of twelve-foot keyboards with 5,000 keys. One of the first Chinese typewriters actually constructed was invented by a Christian missionary, who organized characters by common usage (but promoted the less-common characters for “Jesus" to the common usage level). Later came typewriters manufactured for use in Chinese offices, and typewriting schools that turned out trained “typewriter girls” and “typewriter boys.” Still later was the “Double Pigeon” typewriter produced by the Shanghai Calculator and Typewriter Factory, the typewriter of choice under Mao. Clerks and secretaries in this era experimented with alternative ways of organizing characters on their tray beds, inventing an input method that was the first instance of “predictive text.” Today, after more than a century of resistance against the alphabetic, not only have Chinese characters prevailed, they form the linguistic substrate of the vibrant world of Chinese information technology. The Chinese Typewriter, not just an “object history” but grappling with broad questions of technological change and global communication, shows how this happened. A Study of the Weatherhead East Asian Institute Columbia University
Author: Irene Eber Publisher: Walter de Gruyter ISBN: 3110268183 Category : History Languages : en Pages : 260
Book Description
The study discusses the history of the Jewish refugees within the Shanghai setting and its relationship to the two established Jewish communities, the Sephardi and Russian Jews. Attention is also focused on the cultural life of the refugees who used both German and Yiddish, and on their attempts to cope under Japanese occupation after the outbreak of the Pacific War. Differences of identity existed between Sephardi and Ashkenazi Jews, religious and secular, aside from linguistic and cultural differences. The study aims to understand the exile condition of the refugees and their amazing efforts to create a semblance of cultural life in a strange new world.
Author: Paul French Publisher: Picador USA ISBN: 1250170583 Category : Biography & Autobiography Languages : en Pages : 319
Book Description
"In the 1930s, Shanghai was a haven for outlaws from all over the world: a place where pasts could be forgotten, fascism and communism outrun, names invented, fortunes made--and lost. 'Lucky' Jack Riley was the most notorious of those outlaws. An ex-Navy boxing champion, he escaped from prison in the States, spotted a craze for gambling and rose to become the Slot King of Shanghai. 'Dapper' Joe Farren--a Jewish boy who fled Vienna's ghetto with a dream of dance halls--ruled the nightclubs. His chorus lines rivaled Ziegfeld's. In 1940 they bestrode the Shanghai Badlands like kings, while all around the Solitary Island was poverty, starvation and genocide. They thought they ruled Shanghai; but the city had other ideas. This is the story of their rise to power, their downfall, and the trail of destruction they left in their wake."--Jacket
Author: Bernard Wasserstein Publisher: Bloomsbury Publishing ISBN: 1786721368 Category : History Languages : en Pages : 273
Book Description
In this classic account, Bernard Wasserstein draws on the files of the Shanghai Police as well as the intelligence archives of the many countries involved, to provide the definitive story of Shanghai's secret war. Bernard Wasserstein introduces the British, American and Australian individuals who collaborated with the Axis powers as well as subversive warfare operatives battling the Japanese - and one another. At times both shocking and amusing, this book lifts the lid on the bizarre underworld of the 'sin city of the Orient' during its most enthralling period in history.
Author: Thomas S. Mullaney
Author: Thomas S. Mullaney
Author: Irene Eber
Author: Paul French
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Author: Bernard Wasserstein
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Author: Edward Jewitt Wheeler
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Author: United States. Congress