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Author: Johannes Schönherr Publisher: McFarland ISBN: 0786490527 Category : Performing Arts Languages : en Pages : 225
Book Description
Like many ideological dictatorships of the twentieth century, North Korea has always considered cinema an indispensible propaganda tool. No other medium penetrated the whole of the population so thoroughly, and no other medium remained so strictly and exclusively under state control. Through movies, the two successive leaders Kim Il Sung and Kim Jong Il propagandized their policies and sought to rally the masses behind them, with great success. This volume chronicles the history of North Korean cinema from its beginnings to today, examining the obstacles the film industry faced as well as the many social problems the films themselves reveal. It provides detailed analyses of major and minor films and explores important developments in the industry within the context of the concurrent social and political atmosphere. Through the lens of cinema emerges a fresh perspective on the history of North Korean politics, culture, and ideology.
Author: Johannes Schönherr Publisher: McFarland ISBN: 0786490527 Category : Performing Arts Languages : en Pages : 225
Book Description
Like many ideological dictatorships of the twentieth century, North Korea has always considered cinema an indispensible propaganda tool. No other medium penetrated the whole of the population so thoroughly, and no other medium remained so strictly and exclusively under state control. Through movies, the two successive leaders Kim Il Sung and Kim Jong Il propagandized their policies and sought to rally the masses behind them, with great success. This volume chronicles the history of North Korean cinema from its beginnings to today, examining the obstacles the film industry faced as well as the many social problems the films themselves reveal. It provides detailed analyses of major and minor films and explores important developments in the industry within the context of the concurrent social and political atmosphere. Through the lens of cinema emerges a fresh perspective on the history of North Korean politics, culture, and ideology.
Author: Johannes Schönherr Publisher: McFarland ISBN: 0786465263 Category : Performing Arts Languages : en Pages : 226
Book Description
Like many ideological dictatorships of the twentieth century, North Korea has always considered cinema an indispensible propaganda tool. No other medium penetrated the whole of the population so thoroughly, and no other medium remained so strictly and exclusively under state control. Through movies, the two successive leaders Kim Il Sung and Kim Jong Il propagandized their policies and sought to rally the masses behind them, with great success. This volume chronicles the history of North Korean cinema from its beginnings to today, examining the obstacles the film industry faced as well as the many social problems the films themselves reveal. It provides detailed analyses of major and minor films and explores important developments in the industry within the context of the concurrent social and political atmosphere. Through the lens of cinema emerges a fresh perspective on the history of North Korean politics, culture, and ideology.
Author: Paul Fischer Publisher: Macmillan + ORM ISBN: 1250054281 Category : History Languages : en Pages : 458
Book Description
Before becoming the world's most notorious dictator, Kim Jong-Il ran North Korea's Ministry for Propaganda and its film studios. Conceiving every movie made, he acted as producer and screenwriter. Despite this control, he was underwhelmed by the available talent and took drastic steps, ordering the kidnapping of Choi Eun-Hee (Madam Choi)—South Korea's most famous actress—and her ex-husband Shin Sang-Ok, the country's most famous filmmaker.Madam Choi vanished first. When Shin went to Hong Kong to investigate, he was attacked and woke up wrapped in plastic sheeting aboard a ship bound for North Korea. Madam Choi lived in isolated luxury, allowed only to attend the Dear Leader's dinner parties. Shin, meanwhile, tried to escape, was sent to prison camp, and "re-educated." After four years he cracked, pledging loyalty. Reunited with Choi at the first party he attends, it is announced that the couple will remarry and act as the Dear Leader's film advisors. Together they made seven films, in the process gaining Kim Jong-Il's trust. While pretending to research a film in Vienna, they flee to the U.S. embassy and are swept to safety.A nonfiction thriller packed with tension, passion, and politics, author Paul Fischer's A Kim Jong-Il Production offers a rare glimpse into a secretive world, illuminating a fascinating chapter of North Korea's history that helps explain how it became the hermetically sealed, intensely stage-managed country it remains today.
Author: Kim Jong Il Publisher: ISBN: 9780898756135 Category : Performing Arts Languages : en Pages : 329
Book Description
In his preface the author states: "The cinema is now one of the main objects on which efforts should be concentrated in order to conduct the revolution in art and literature. The cinema occupies an important place in the overall development of art and literature. As such it is a powerful ideological weapon for the revolution and construction. Therefore, concentrating efforts on the cinema, making breakthroughs and following up success in all areas of art and literature is the basic principle that we must adhere to in revolutionizing art and literature."Kim Jong Il (1942- ) is leader of North Korea (1994- ). Kim Jong Il succeeded his father, Kim Il Sung, who had ruled North Korea since 1948.
Author: Immanuel Kim Publisher: Rowman & Littlefield ISBN: 179360830X Category : History Languages : en Pages : 169
Book Description
This study analyzes North Korean comedy films from the late 1960s to present day. It examines the most iconic comedy films and comedians to show how North Koreans have enjoyed themselves and have established a culture of humor that challenges, subverts, and, at times, reinforces the dominant political ideology. The author argues that comedy films, popular comedians, and the viewers have an intricate interdependent relationship that shaped the film culture—the pre/post production of filmmaking, film-watching experience, and the legacies of actors—in North Korea.
Author: Hyangjin Lee Publisher: Manchester University Press ISBN: 9780719060083 Category : Performing Arts Languages : en Pages : 258
Book Description
This comprehensive book defines the significance of film-making and film viewing in Korea. Covering the introduction of motion pictures in 1903, Korean cinema during the Japanese colonial period (1910-45), and the development of North and South Korean cinema up to the 1990s, Lee introduces the works of Korea's major directors, and analyzes the Korean film industry in terms of production, distribution, and reception.
Author: Steven Chung Publisher: U of Minnesota Press ISBN: 1452941513 Category : Art Languages : en Pages : 240
Book Description
Shin Sang-ok (1926–2006) was arguably the most important Korean filmmaker of the postwar era. Over seven decades, he directed or produced nearly 200 films, including A Flower in Hell (1958) and Pulgasari (1985), and his career took him from late-colonial Korea to postwar South and North Korea to Hollywood. Notoriously crossing over to the North in 1978, Shin made a series of popular films under Kim Jong-il before seeking asylum in 1986 and resuming his career in South Korea and Hollywood. In Split Screen Korea, Steven Chung illuminates the story of postwar Korean film and popular culture through the first in-depth account in English of Shin’s remarkable career. Shin’s films were shaped by national division and Cold War politics, but Split Screen Korea finds surprising aesthetic and political continuities across not only distinct phases in modern South Korean history but also between South and North Korea. These are unveiled most dramatically in analysis of the films Shin made on opposite sides of the DMZ. Chung explains how a filmmaking sensibility rooted in the South Korean market and the global style of Hollywood could have been viable in the North. Combining close readings of a broad range of films with research on the industrial and political conditions of Korean film production, Split Screen Korea shows how cinematic styles, popular culture, and intellectual discourse bridged the divisions of postwar Korea, raising new questions about the implications of political partition.
Author: Anna Broinowski Publisher: Simon and Schuster ISBN: 1628726776 Category : History Languages : en Pages : 331
Book Description
An Authentic Glimpse of a North Korea We’ve Never Seen Before, by a Prize-Winning Filmmaker Anna Broinowski is the only Westerner ever granted full access to North Korea’s propaganda machine, its film industry. Aim High in Creation! is her funny, surreal, insightful account of her twenty-one-day apprenticeship there. At the same time it is a fresh-eyed look, beyond stereotypes, at life in that most secretive of societies. When Anna learned that fracking had invaded downtown Sydney and a coal seam gas well was planned for Sydney Park, she had a brilliant idea: she would seek guidance for a kryptonite-powerful anti-fracking movie from the world’s greatest propaganda factory, apart from Hollywood. After two years of trying, she was allowed to make her case in Pyongyang and was granted full permission to film. She worked closely with the leading lights of North Korean cinema, even playing an American in a military thriller. “Filmmakers are family,” Kim Jong-il’s favorite director told her, and a love of nature and humanity unites peoples. Interviewing loyalists and defectors alike, Anna explored the society she encountered. She offers vivid, sometimes hilarious descriptions of bizarre disconnects and warm friendships in a world without advertisements or commercial culture. Her book, like the prize-winning documentary that resulted from her visit, is a thoughtful plea for better understanding. Skyhorse Publishing, as well as our Arcade imprint, are proud to publish a broad range of books for readers interested in history--books about World War II, the Third Reich, Hitler and his henchmen, the JFK assassination, conspiracies, the American Civil War, the American Revolution, gladiators, Vikings, ancient Rome, medieval times, the old West, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.
Author: Makayla Whitley Cherry Publisher: ISBN: Category : Motion pictures in propaganda Languages : en Pages : 0
Book Description
Researchers have utilized propaganda in various ways, whether to understand the ideology of governments or to examine the society that lies beneath such displays. Studies on North Korean propaganda follow a similar pattern. Propaganda is often cited as the educational tool for the population, and a never-ending machine for state power. Investigations of such literature, art, and film rely on this line of thought accompanied with the works' relevance to the leaders of the DPRK, Kim Il Sung, Kim Jong Il, and Kim Jong Un. Of course, the state has the same narrative, often referring to the nation as 'home,' which can only be consoled by the leaders themselves. Often, researchers fall into the trap of only analyzing such works based on the national concept of 'home' rather than seeing past the regime's desired messaging. My study hopes to go in a different direction. By analyzing the history and the cinematic qualities of North Korean films from 2008 to 2016, I suggest that pictures of this period utilize compelling characters, inventive storytelling, and interactions amongst individuals to juggle the focus between this national conception of home and the sense of home found in the local community. In this construction, 'home' represents the love, comfort, and perception of belonging cultivated in groups of people. Additionally, these bonds are different from the 'national home' in which citizens work in a collective to benefit the nation instead of personal relationships directly. Films now portray how people work within these domains in their everyday life. For example, The Lieutenant of Those Days (Kŭnarŭi chungwi, dir. Pak Se-ung, 2008) features the dominant theme of camaraderie in the military unit, while Footprints of Military Service (Pongmuŭi chauk, dir. Kim Wŏn-ha, 2016) balances its focus between Chuch'e (self-reliance) led innovation and romantic subplot line. Other films like, The Story of Our Home (Uri chip iyagi, dir. Yi Yun-ho and Ha Yŏng-gi, 2016) is set in Kangsŏn, where the heroine must rely on her fellow townsfolk for support while teaching the children in her care the area's history with past production campaigns and the leadership. Though these works might center their narratives around the leaders, they provide an opportunity for viewers to witness the newest "production" of the North Korean state. This thesis will display how North Korean cinema embraces common themes seen in international pictures to show how propaganda in the DPRK is not just a simple tool of the regime and the great leaders but one of the many aspects that connect North Korea to the outside world. Thus, going against the myth that North Korean works of art are entirely centered around themes of dictatorship and the regime's professed principles. Finally, I conclude that the reproduction of 'home' may not be as straightforward as described in contemporary studies; rather than representing the nation, recent films frame 'home' as the personification of local communities.
Author: Johannes Schönherr
Author: Johannes Schönherr
Author: Johannes Schönherr
Author: Paul Fischer
Author: Kim Jong Il
Author: Immanuel Kim
Author: Hyangjin Lee
Author: Suk-Young Kim
Author: Steven Chung
Author: Anna Broinowski
Author: Makayla Whitley Cherry