Author: Sydney Joseph Freedberg
Publisher: Yale University Press
ISBN: 9780300055870
Category : Art
Languages : en
Pages : 768
Book Description
'Art', declared Vasari in Lives of the Artists, has been reborn and reached perfection in our time'. Indeed the roster of great names in painting of the Cinquecento, which only begins with those of Leonardo, Michelangelo, and Raphael, appears to justify this grand claim. Professor Freedberg here discusses the individual painters and analyses the hallmarks of their work. He traces the classical style of the High Renaissance, the Mannerism that succeeded it, and the events, in North Italy especially, that resist stylistic categories. He has given order to this diversity, but at the same time has preserved the intense individuality of the works of art.
Painting in Italy, 1500-1600
Author: Sydney Joseph Freedberg
Publisher: Yale University Press
ISBN: 9780300055870
Category : Art
Languages : en
Pages : 768
Book Description
'Art', declared Vasari in Lives of the Artists, has been reborn and reached perfection in our time'. Indeed the roster of great names in painting of the Cinquecento, which only begins with those of Leonardo, Michelangelo, and Raphael, appears to justify this grand claim. Professor Freedberg here discusses the individual painters and analyses the hallmarks of their work. He traces the classical style of the High Renaissance, the Mannerism that succeeded it, and the events, in North Italy especially, that resist stylistic categories. He has given order to this diversity, but at the same time has preserved the intense individuality of the works of art.
Publisher: Yale University Press
ISBN: 9780300055870
Category : Art
Languages : en
Pages : 768
Book Description
'Art', declared Vasari in Lives of the Artists, has been reborn and reached perfection in our time'. Indeed the roster of great names in painting of the Cinquecento, which only begins with those of Leonardo, Michelangelo, and Raphael, appears to justify this grand claim. Professor Freedberg here discusses the individual painters and analyses the hallmarks of their work. He traces the classical style of the High Renaissance, the Mannerism that succeeded it, and the events, in North Italy especially, that resist stylistic categories. He has given order to this diversity, but at the same time has preserved the intense individuality of the works of art.
The Book of the Courtier
Author: conte Baldassarre Castiglione
Publisher:
ISBN:
Category : Courtesy
Languages : en
Pages : 526
Book Description
Publisher:
ISBN:
Category : Courtesy
Languages : en
Pages : 526
Book Description
History of Italian Renaissance Art
Author: Frederick Hartt
Publisher: Pearson College Division
ISBN: 9780130620118
Category : Art
Languages : en
Pages : 768
Book Description
This volume covers over four centuries of Italian painting, sculpture, and architecture. Revising author David G. Wilkins blends new scholarly discoveries with original author Hartt's emphasis on stylistic developments between the 12th and 16th centuries. offer a dynamic insight into the way Renaissance men and women experienced their art. Since the release of the fourth edition, many more works have been restored, including Michelangelo's Last Judgment in the Sistine Chapel and Raphael's Stanze frescoes in the Vatican. Fresh views of renowned works are included with art commissioned or produced by women. Extended captions identify Renaissance patrons and provide details about historical context, emphasizing how art was created and why, while in-depth visual analysis clarifies the aesthetic developments that emerged in key artistic centers such as Florence, Rome, Venice, and Siena. New iconographic diagrams and computerized reconstructions add dimension to the meanings behind classical, secular, and sacred motifs.
Publisher: Pearson College Division
ISBN: 9780130620118
Category : Art
Languages : en
Pages : 768
Book Description
This volume covers over four centuries of Italian painting, sculpture, and architecture. Revising author David G. Wilkins blends new scholarly discoveries with original author Hartt's emphasis on stylistic developments between the 12th and 16th centuries. offer a dynamic insight into the way Renaissance men and women experienced their art. Since the release of the fourth edition, many more works have been restored, including Michelangelo's Last Judgment in the Sistine Chapel and Raphael's Stanze frescoes in the Vatican. Fresh views of renowned works are included with art commissioned or produced by women. Extended captions identify Renaissance patrons and provide details about historical context, emphasizing how art was created and why, while in-depth visual analysis clarifies the aesthetic developments that emerged in key artistic centers such as Florence, Rome, Venice, and Siena. New iconographic diagrams and computerized reconstructions add dimension to the meanings behind classical, secular, and sacred motifs.
North Italian Painting of the Cinquecento
Painting in Italy, 1500-1600
Author: Sydney Joseph Freedberg
Publisher: Puffin Books
ISBN:
Category : Mannerism (Art)
Languages : en
Pages : 786
Book Description
Publisher: Puffin Books
ISBN:
Category : Mannerism (Art)
Languages : en
Pages : 786
Book Description
Frans Floris (1519/20–1570): Imagining a Northern Renaissance
Author: Edward H. Wouk
Publisher: BRILL
ISBN: 9004343253
Category : Art
Languages : en
Pages : 858
Book Description
Frans Floris de Vriendt radically transformed Netherlandish art. His monumental mythologies introduced a new appreciation for the heroic nude to the Low Countries and his religious art challenged standards of decorum. Born into a family of sculptors and architects, Floris refashioned his art through travel, first studying with the humanist painter Lambert Lombard in Liège and then continuing on to Italy. These experiences defined the hybridizing novelty of his art, forged by juxtaposing antique and modern, Italian and northern sources. This book maps Floris’s hybrid style onto shifting conceptions of cultural, religious, and political identity on the eve of the Dutch Revolt. It explores his collaborations and rivalries, engagement with artistic theory, hierarchical workshop, and revolutionary use of print.
Publisher: BRILL
ISBN: 9004343253
Category : Art
Languages : en
Pages : 858
Book Description
Frans Floris de Vriendt radically transformed Netherlandish art. His monumental mythologies introduced a new appreciation for the heroic nude to the Low Countries and his religious art challenged standards of decorum. Born into a family of sculptors and architects, Floris refashioned his art through travel, first studying with the humanist painter Lambert Lombard in Liège and then continuing on to Italy. These experiences defined the hybridizing novelty of his art, forged by juxtaposing antique and modern, Italian and northern sources. This book maps Floris’s hybrid style onto shifting conceptions of cultural, religious, and political identity on the eve of the Dutch Revolt. It explores his collaborations and rivalries, engagement with artistic theory, hierarchical workshop, and revolutionary use of print.
The Mapping of Power in Renaissance Italy
Author: Mark Rosen
Publisher: Cambridge University Press
ISBN: 1107067030
Category : Art
Languages : en
Pages : 297
Book Description
This well-illustrated study investigates the symbolic dimensions of painted maps as products of ambitious early modern European courts.
Publisher: Cambridge University Press
ISBN: 1107067030
Category : Art
Languages : en
Pages : 297
Book Description
This well-illustrated study investigates the symbolic dimensions of painted maps as products of ambitious early modern European courts.
Florence, Berlin and Beyond: Late Nineteenth-Century Art Markets and their Social Networks
Author:
Publisher: BRILL
ISBN: 9004431047
Category : Art
Languages : en
Pages : 596
Book Description
On the basis of extensive archival research, the essays in this volume examine the minutiae of object transaction in the late nineteenth-century art market within its social network and broader historical context.
Publisher: BRILL
ISBN: 9004431047
Category : Art
Languages : en
Pages : 596
Book Description
On the basis of extensive archival research, the essays in this volume examine the minutiae of object transaction in the late nineteenth-century art market within its social network and broader historical context.
Art in Northern Italy
Painted Palaces: The Rise of Secular Art in Early Renaissance Italy
Author:
Publisher: Penn State Press
ISBN: 9780271048307
Category : Art, Early Renaissance
Languages : en
Pages : 348
Book Description
Even many Renaissance specialists believe that little secular painting survives before the late fifteenth century, and its appearance becomes a further argument for the secularizing of art. This book asks how history changes when a longer record of secular art is explored. It is the first study in any language of the decoration of Italian palaces and homes between 1300 and the mid-Quattrocento, and it argues that early secular painting was crucial to the development of modern ideas of art. Of the cycles discussed, some have been studied and published, but most are essentially unknown. A first aim is to enrich our understanding of the early Renaissance by introducing a whole corpus of secular painting that has been too long overlooked. Yet "Painted palaces" is not a study of iconography. In examining the prehistory of painted rooms like Mantegna's Camera Picta, the larger goal is to rethink the history of early Renaissance art.
Publisher: Penn State Press
ISBN: 9780271048307
Category : Art, Early Renaissance
Languages : en
Pages : 348
Book Description
Even many Renaissance specialists believe that little secular painting survives before the late fifteenth century, and its appearance becomes a further argument for the secularizing of art. This book asks how history changes when a longer record of secular art is explored. It is the first study in any language of the decoration of Italian palaces and homes between 1300 and the mid-Quattrocento, and it argues that early secular painting was crucial to the development of modern ideas of art. Of the cycles discussed, some have been studied and published, but most are essentially unknown. A first aim is to enrich our understanding of the early Renaissance by introducing a whole corpus of secular painting that has been too long overlooked. Yet "Painted palaces" is not a study of iconography. In examining the prehistory of painted rooms like Mantegna's Camera Picta, the larger goal is to rethink the history of early Renaissance art.