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Author: North Carolina Museum of Art Publisher: Forgotten Books ISBN: 9781527791695 Category : Art Languages : en Pages : 288
Book Description
Excerpt from North Carolina Museum of Art Bulletin, Vol. 1: Spring 1957 But there is one more proof for this dating of our painting. Three times has Tintoretto made use of the forge motive. One of the four paintings which he executed for the Salotto Dorato of the Ducal Palace, in 1578, shows. The Forge of Vulcan again. As in our painting, four figures surround the anvil, but no story is told. All emphasis is on the melodious rhythm of the action of forging. There is no interest in the descrip tion of the Cyclopes, who appear here as normal human beings. Placed in an even distribution around the anvil, the rise and fall of their hammers conveys the feeling of an incessant circulating motion, a dynamic manifestation of movement in space and time. This version of the motive is certainly a long way from the graceful, decorative arrangement of our painting. The motive appears for the third time in one of Tintoretto's most mature paintings, the Gathering of the Manna in San Giorgio Maggiore, from about 1594. In the upper left corner of this wonderfully exuberant symphony to the praise of this life on earth are three men gathered around an anvil. The almost jubilant intensity of their movements seems to rotate around the anvil in a frenzy' of action. Thus, the three versions of our motive really sum up the whole course of Tintoretto's transfor mation from a graceful representative of the dying High Renaissance to the forceful innovator of the baroque. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: North Carolina Museum of Art Publisher: Forgotten Books ISBN: 9781527791695 Category : Art Languages : en Pages : 288
Book Description
Excerpt from North Carolina Museum of Art Bulletin, Vol. 1: Spring 1957 But there is one more proof for this dating of our painting. Three times has Tintoretto made use of the forge motive. One of the four paintings which he executed for the Salotto Dorato of the Ducal Palace, in 1578, shows. The Forge of Vulcan again. As in our painting, four figures surround the anvil, but no story is told. All emphasis is on the melodious rhythm of the action of forging. There is no interest in the descrip tion of the Cyclopes, who appear here as normal human beings. Placed in an even distribution around the anvil, the rise and fall of their hammers conveys the feeling of an incessant circulating motion, a dynamic manifestation of movement in space and time. This version of the motive is certainly a long way from the graceful, decorative arrangement of our painting. The motive appears for the third time in one of Tintoretto's most mature paintings, the Gathering of the Manna in San Giorgio Maggiore, from about 1594. In the upper left corner of this wonderfully exuberant symphony to the praise of this life on earth are three men gathered around an anvil. The almost jubilant intensity of their movements seems to rotate around the anvil in a frenzy' of action. Thus, the three versions of our motive really sum up the whole course of Tintoretto's transfor mation from a graceful representative of the dying High Renaissance to the forceful innovator of the baroque. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: North Carolina Museum of Art Publisher: Forgotten Books ISBN: 9780365640318 Category : Languages : en Pages : 666
Book Description
Excerpt from North Carolina Museum Ofﾠart Bulletin, Vol. 11: Biennial Report Issue; July 1, 1969-June 30, 1971 The gallery continued to receive many gifts from private collectors and many gifts from private collectors. The gallery had. Special exhibitions on Eskimo and African art glass projects done by School Of Design students from North Carolina State University, sculp tures by John Cody and Ernest Illmau, mechanical coin banks and a curator's choice of curios from the collection rep resenting six civilizations. The gallery has received extensive publicity both in this country and a broad. Both the director and Miss Maya Reid, the assistant curator of the gallery, have spoken to a number of groups and have appeared on many television pro grams. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: JuliaK. Dabbs Publisher: Routledge ISBN: 1351560220 Category : Art Languages : en Pages : 504
Book Description
The struggles and achievements of forty-six notable women artists of the early modern period, as documented by their contemporaries, are uniquely brought together in this anthology. The life stories presented here are foundational texts for the history of art, but since most are found only in rare volumes and few have been translated into English, until now they have been generally inaccessible to many scholars. Originally published in biographical compendia such as Vasari's Lives of the Artists, the writings included here document not only the lives of relatively well known women artists such as Artemisia Gentileschi and Sofonisba Anguissola, but also those who have languished in obscurity, like Anna Waser and Li Yin. Each life story is preceded by a brief introduction to the artist as well as to her biographer, and the texts themselves are annotated to provide necessary clarification. Beyond their documentary value, these stories provide fascinating insight as to how men commonly characterized women artists as exceptions to their sex, and attempted to explain their presence in the male-dominated realm of art. The introductory chapter to the book explores this intriguing gender dynamic and elucidates some of the strategies and historical context that factored into the composition of these lives. The volume includes an appended index to women artists' life stories in biographical compendia of the period
Author: North Carolina Museum of Art
Author: North Carolina Museum of Art
Author: North Carolina Museum of Art
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Author: North Carolina Museum of Art
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Author: North Carolina Museum of Art
Author: JuliaK. Dabbs