Nomination Hearing for Phyllis K. Fong, Walter Lukken, Sharon Brown-Hruska, and Douglas L. Flory PDF Download

Author: United States. Congress. Senate. Committee on Agriculture, Nutrition, and Forestry
Publisher:
ISBN:
Category : Political Science
Languages : en
Pages : 132

View

Book Description

Author:
Publisher:
ISBN:
Category : Government publications
Languages : en
Pages : 882

View

Book Description

Author: United States. Congress
Publisher:
ISBN:
Category : Law
Languages : en
Pages : 1424

View

Book Description

Author: Ed Bowker Staff
Publisher: R. R. Bowker
ISBN: 9780835246422
Category : Reference
Languages : en
Pages : 3274

View

Book Description

Author: Shyon Baumann
Publisher: Princeton University Press
ISBN: 0691187282
Category : Performing Arts
Languages : en
Pages : 242

View

Book Description
Today's moviegoers and critics generally consider some Hollywood products--even some blockbusters--to be legitimate works of art. But during the first half century of motion pictures very few Americans would have thought to call an American movie "art." Up through the 1950s, American movies were regarded as a form of popular, even lower-class, entertainment. By the 1960s and 1970s, however, viewers were regularly judging Hollywood films by artistic criteria previously applied only to high art forms. In Hollywood Highbrow, Shyon Baumann for the first time tells how social and cultural forces radically changed the public's perceptions of American movies just as those forces were radically changing the movies themselves. The development in the United States of an appreciation of film as an art was, Baumann shows, the product of large changes in Hollywood and American society as a whole. With the postwar rise of television, American movie audiences shrank dramatically and Hollywood responded by appealing to richer and more educated viewers. Around the same time, European ideas about the director as artist, an easing of censorship, and the development of art-house cinemas, film festivals, and the academic field of film studies encouraged the idea that some American movies--and not just European ones--deserved to be considered art.

Author: Charles Bruce Brownson
Publisher:
ISBN:
Category :
Languages : en
Pages : 596

View

Book Description

Author: Victor Bulmer-Thomas
Publisher:
ISBN: 9780521857161
Category :
Languages : en
Pages :

View

Book Description

Author: Lari A. Bishop
Publisher:
ISBN:
Category : Corporations
Languages : en
Pages : 50

View

Book Description

Author: Samuel Klinefelter Hoshour
Publisher:
ISBN:
Category :
Languages : en
Pages : 260

View

Book Description

Author: Samuel Merwin
Publisher: BoD – Books on Demand
ISBN: 9360469637
Category : Fiction
Languages : en
Pages : 166

View

Book Description
"Calumet K" is a collaborative novel written by means of Samuel Merwin and Henry Kitchell Webster. Set towards the backdrop of the American Midwest throughout the early 20th century, the story unfolds in the fictional city of Calumet, in which the K in the identify stands for "Kickapoo," a Native American tribe. The novel explores the complex dynamics of small-city existence, encompassing themes of industrialization, social alternate, and private relationships. At its center, "Calumet K" delves into the demanding situations confronted by using a community grappling with the intrusion of industrialization and the conflict between traditional values and modernity. The narrative weaves collectively the lives of diverse characters, each representing distinct aspects of the converting times. The critical battle revolves across the warfare for manipulate over the treasured assets in the area, especially the Kickapoo oilfields. Merwin and Webster skillfully intertwine factors of drama, romance, and social remark, growing a compelling tapestry of the human enjoy in the face of development and transferring cultural landscapes. "Calumet K" stands as a snapshot of a bygone technology, capturing the tensions and changes that marked the early twentieth century within the American heartland.