Nixon's Piano PDF Download

Author: Kenneth O'Reilly
Publisher:
ISBN: 9780029236857
Category : History
Languages : en
Pages : 548

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Book Description
With the exceptions of Abraham Lincoln and Lyndon Johnson, argues O'Reilly, every president has sacrificed black rights for white votes.

Author: James A. Crank
Publisher: LSU Press
ISBN: 0807180793
Category : Literary Criticism
Languages : en
Pages : 263

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Book Description
The Dirty South examines the shifting significances of the South as a constructed, fantasized region in the American psyche, particularly its frequent association with tropes of dirt that emphasize soil, garbage, trash, grit, litter, mud, swamp water, slime, and pollution. Beginning with iconic works from the 1970s such as Deliverance and The Texas Chainsaw Massacre, James A. Crank traces the image of a “dirty” South into the twenty-first century to explore the social, political, and psychological effects of the region’s hold on the imaginations of southerners and nonsoutherners alike. With a focus on media forms through which southern identity gets articulated and questioned—including horror movies, Swamp Thing comics, and popular music by artists such as Waylon Jennings and OutKast—The Dirty South probes the sustained fascination with southern dirtiness while reflecting on its causes and consequences since the end of the civil rights era. Highlighting the period from 1970 to 2020, during which the South began to represent several new possible identities for the nation as a whole and for the area itself, Crank considers the ways that southerners have used depictions of dirt to create and police boundaries and to contest those boundaries. Each chapter pairs prominent literary or cultural texts from the 1970s with more contemporary works, such as Jordan Peele’s film Get Out, which recycle similar investments or, critically, challenge the inherent whiteness of the earlier images. By historicizing fantasies of the region and connecting them to the first decades of the twenty-first century, The Dirty South reveals that notions about southern dirtiness proliferate not because they lend authenticity or relevancy to the U.S. South, but because they aid so conspicuously in the zombified work of tethering investors (real and imagined) to a graveyard of ideas.

Author: Jeffrey H. Jackson
Publisher: Univ. Press of Mississippi
ISBN: 160473521X
Category : Music
Languages : en
Pages : 288

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Book Description
This book begins with a simple question: Why haven't historians and musicologists been talking to one another? Historians frequently look to all aspects of human activity, including music, in order to better understand the past. Musicologists inquire into the social, cultural, and historical contexts of musical works and musical practices to develop theories about the meanings of compositions and the significance of musical creation. Both disciplines examine how people represent their experiences. This collection of original essays, the first of its kind, argues that the conversation between scholars in the two fields can become richer and more mutually informing. The volume features an eloquent personal essay by historian Lawrence W. Levine, whose work has inspired a whole generation of scholars working on African American music in American history. The first six essays address widely different aspects of musical culture and history ranging from women and popular song during the French Revolution to nineteenth-century music publishing in Philadelphia, Pennsylvania. Two additional essays by scholars outside of musicology and history represent a new kind of disciplinary bridging by using the methods of cultural studies to look at cross-dressing in nineteenth- and early twentieth-century opera and blues responses to lynching in the New South. The last four essays offer models for collaborative, multidisciplinary research with a special emphasis on popular music. Jeffrey H. Jackson, Memphis, Tennessee, is assistant professor of history at Rhodes College. He is the author of Making Jazz French: Music and Modern Life in Interwar Paris. Stanley C. Pelkey, Portage, Michigan, is assistant professor of music at Western Michigan University. He is a member of the College Music Society, and his work has appeared in music-related periodicals.

Author: Daniel Frick
Publisher: University Press of Kansas
ISBN: 0700635629
Category : Political Science
Languages : en
Pages : 344

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Book Description
"Nixon's the One!" proclaimed his campaign paraphernalia. "Tricky Dick!" retorted his detractors. From presidential savior for conservative America to bte noire for the political Left, the Richard Nixon persona has worn many masks and labels. In fiction and poetry and pop songs, in television and film, no other national political figure has so thoroughly saturated our public consciousness with so many contrasting images. Focusing on the process of Nixon's continuous reinvention, Daniel Frick reveals a figure who continues to expose key fault lines in the nation's self-definition. Drawing on references ranging from All in the Family to Zappa and the Mothers of Invention, he shows how Nixon has become one of America's most durable and multifaceted icons in the ongoing and fierce debates over the import and meaning of the last sixty years of national life. Examining Nixon's autobiographies and political memorabilia, Frick offers far-reaching perceptions not only of the man but of Nixon's version of himself-contrasted with those who would interpret him differently. He cites reinventions of Nixon from the late 1980s, particularly the museum at the Richard Nixon Library and Birthplace, to demonstrate the resilience of certain national mythic narratives in the face of liberal critiques. And he recounts how celebrants at Nixon's state funeral, at which Bob Dole's eulogy depicted a God-fearing American hero, attempted to bury the sources of our divisions over him, rendering in some minds the judgment of "redeemed statesman" to erase his status as "disgraced president." With dozens of illustrations-Nixon posing with Elvis (the National Archives' most requested photo), Nixonian cultural artifacts, classic editorial cartoons—no other book collects in one place such varied images of Nixon from so many diverse media. These reinforce Frick's probing analysis to help us understand why we disagree about Nixon—and why it matters how we resolve our disagreements. Whether your image of Nixon is shaped by his autobiography Six Crises, Oliver Stone's surprisingly sympathetic film Nixon, John Adams's landmark opera Nixon in China, or by the saga of Watergate, Reinventing Richard Nixon expands on all perspectives. It shows how, through these contradictory mythic stories, we continue to reinvent, much like Nixon himself, our own sense of national identity.

Author: Don Fulsom
Publisher: Macmillan
ISBN: 1429941367
Category : Biography & Autobiography
Languages : en
Pages : 258

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Book Description
A veteran White House reporter reveals our 37th president was even more sinister and haunted than we knew. Richard Nixon left the White House in 1974 as our most disgraced president, but the American people never knew the full extent of his demons, deceptions, paranoia, prejudices, hatreds, and chicanery. Calling on his work in covering Nixon, scores of interviews with members of Congress, White House staffers, and others close to our nation's thirty-seventh president, and invaluable, newly declassified documents and recordings, veteran journalist Don Fulsom sheds new light on "Tricky Dick." The author's revelations include: - That the future president sabotaged the 1968 peace talks for political gain - By the time Nixon became president in 1969, he had linked to the mob for more than two decades and, as president, had a close connection with New Orleans boss Carlos Marcello, the most powerful Mafioso in the nation - The president had a drinking problem and top aides referred to him as "Our Drunk" - Nixon had a misogynist streak and was abusive toward first lady Pat Nixon - The intimate and possibly homosexual nature of Nixon's relationship with confidante Charles "Bebe" Rebozo, a banker with mob ties - Testimony alleging that the president had ordered the killing of White House reporter Jack Anderson Fulsom's examination of these and other startling aspects of Nixon's personal and political dimensions paint an unflinching portrait of a leader who was once the most powerful man in the world. Nixon's Darkest Secrets provides a chilling final chapter in literature on our most troubled president.

Author: Craig Werner
Publisher: University of Michigan Press
ISBN: 0472129627
Category : Music
Languages : en
Pages : 489

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Book Description
". . . extraordinarily far-reaching. . . . highly accessible." —Notes "No one has written this way about music in a long, long time. Lucid, insightful, with real spiritual, political, intellectual, and emotional grasp of the whole picture. A book about why music matters, and how, and to whom." —Dave Marsh, author of Louie, Louie and Born to Run: The Bruce Springsteen Story "This book is urgently needed: a comprehensive look at the various forms of black popular music, both as music and as seen in a larger social context. No one can do this better than Craig Werner." —Henry Louis Gates, Jr., W.E.B. Du Bois Professor of the Humanities, Harvard University "[Werner has] mastered the extremely difficult art of writing about music as both an aesthetic and social force that conveys, implies, symbolizes, and represents ideas as well as emotion, but without reducing its complexities and ambiguities to merely didactic categories." —African American Review A Change Is Gonna Come is the story of more than four decades of enormously influential black music, from the hopeful, angry refrains of the Freedom movement, to the slick pop of Motown; from the disco inferno to the Million Man March; from Woodstock's "Summer of Love" to the war in Vietnam and the race riots that inspired Marvin Gaye to write "What's Going On." Originally published in 1998, A Change Is Gonna Come drew the attention of scholars and general readers alike. This new edition, featuring four new and updated chapters, will reintroduce Werner's seminal study of black music to a new generation of readers. Craig Werner is Professor of Afro-American Studies at the University of Wisconsin, and author of many books, including Playing the Changes: From Afro-Modernism to the Jazz Impulse and Up Around the Bend: An Oral History of Creedence Clearwater Revival. His most recent book is Higher Ground: Stevie Wonder, Aretha Franklin, Curtis Mayfield, and the Rise and Fall of American Soul.

Author: Kevin J. McMahon
Publisher: University of Chicago Press
ISBN: 0226561216
Category : Political Science
Languages : en
Pages : 358

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Book Description
Most analysts have deemed Richard Nixon’s challenge to the judicial liberalism of the Warren Supreme Court a failure—“a counterrevolution that wasn’t.” Nixon’s Court offers an alternative assessment. Kevin J. McMahon reveals a Nixon whose public rhetoric was more conservative than his administration’s actions and whose policy towards the Court was more subtle than previously recognized. Viewing Nixon’s judicial strategy as part political and part legal, McMahon argues that Nixon succeeded substantially on both counts. Many of the issues dear to social conservatives, such as abortion and school prayer, were not nearly as important to Nixon. Consequently, his nominations for the Supreme Court were chosen primarily to advance his “law and order” and school desegregation agendas—agendas the Court eventually endorsed. But there were also political motivations to Nixon’s approach: he wanted his judicial policy to be conservative enough to attract white southerners and northern white ethnics disgruntled with the Democratic party but not so conservative as to drive away moderates in his own party. In essence, then, he used his criticisms of the Court to speak to members of his “Silent Majority” in hopes of disrupting the long-dominant New Deal Democratic coalition. For McMahon, Nixon’s judicial strategy succeeded not only in shaping the course of constitutional law in the areas he most desired but also in laying the foundation of an electoral alliance that would dominate presidential politics for a generation.

Author: Christopher Bonastia
Publisher: Princeton University Press
ISBN: 1400827256
Category : History
Languages : en
Pages : 251

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Book Description
Knocking on the Door is the first book-length work to analyze federal involvement in residential segregation from Reconstruction to the present. Providing a particularly detailed analysis of the period 1968 to 1973, the book examines how the U.S. Department of Housing and Urban Development (HUD) attempted to forge elementary changes in segregated residential patterns by opening up the suburbs to groups historically excluded for racial or economic reasons. The door did not shut completely on this possibility until President Richard Nixon took the drastic step of freezing all federal housing funds in January 1973. Knocking on the Door assesses this near-miss in political history, exploring how HUD came surprisingly close to implementing rigorous antidiscrimination policies, and why the agency's efforts were derailed by Nixon. Christopher Bonastia shows how the Nixon years were ripe for federal action to foster residential desegregation. The period was marked by new legislative protections against housing discrimination, unprecedented federal involvement in housing construction, and frequent judicial backing for the actions of civil rights agencies. By comparing housing desegregation policies to civil rights enforcement in employment and education, Bonastia offers an unrivaled account of why civil rights policies diverge so sharply in their ambition and effectiveness.

Author: Thomas BORSTELMANN
Publisher: Harvard University Press
ISBN: 0674028546
Category : History
Languages : en
Pages : 385

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Book Description
After World War II the United States faced two preeminent challenges: how to administer its responsibilities abroad as the world's strongest power, and how to manage the rising movement at home for racial justice and civil rights. The effort to contain the growing influence of the Soviet Union resulted in the Cold War, a conflict that emphasized the American commitment to freedom. The absence of that freedom for nonwhite American citizens confronted the nation's leaders with an embarrassing contradiction. Racial discrimination after 1945 was a foreign as well as a domestic problem. World War II opened the door to both the U.S. civil rights movement and the struggle of Asians and Africans abroad for independence from colonial rule. America's closest allies against the Soviet Union, however, were colonial powers whose interests had to be balanced against those of the emerging independent Third World in a multiracial, anticommunist alliance. At the same time, U.S. racial reform was essential to preserve the domestic consensus needed to sustain the Cold War struggle. The Cold War and the Color Line is the first comprehensive examination of how the Cold War intersected with the final destruction of global white supremacy. Thomas Borstelmann pays close attention to the two Souths--Southern Africa and the American South--as the primary sites of white authority's last stand. He reveals America's efforts to contain the racial polarization that threatened to unravel the anticommunist western alliance. In so doing, he recasts the history of American race relations in its true international context, one that is meaningful and relevant for our own era of globalization. Table of Contents: Preface Prologue 1. Race and Foreign Relations before 1945 2. Jim Crow's Coming Out 3. The Last Hurrah of the Old Color Line 4. Revolutions in the American South and Southern Africa 5. The Perilous Path to Equality 6. The End of the Cold War and White Supremacy Epilogue Notes Archives and Manuscript Collections Index Reviews of this book: In rich, informing detail enlivened with telling anecdote, Cornell historian Borstelmann unites under one umbrella two commonly separated strains of the U.S. post-WWII experience: our domestic political and cultural history, where the Civil Rights movement holds center stage, and our foreign policy, where the Cold War looms largest...No history could be more timely or more cogent. This densely detailed book, wide ranging in its sources, contains lessons that could play a vital role in reshaping American foreign and domestic policy. --Publishers Weekly Reviews of this book: [Borstelmann traces] the constellation of racial challenges each administration faced (focusing particularly on African affairs abroad and African American civil rights at home), rather than highlighting the crises that made headlines...By avoiding the crutch of "turning points" for storytelling convenience, he makes a convincing case that no single event can be untied from a constantly thickening web of connections among civil rights, American foreign policy, and world affairs. --Jesse Berrett, Village Voice Reviews of this book: Borstelmann...analyzes the history of white supremacy in relation to the history of the Cold War, with particular emphasis on both African Americans and Africa. In a book that makes a good supplement to Mary Dudziak's Cold War Civil Rights, he dissects the history of U.S. domestic race relations and foreign relations over the past half-century...This book provides new insights into the dynamics of American foreign policy and international affairs and will undoubtedly be a useful and welcome addition to the literature on U.S. foreign policy and race relations. Recommended. --Edward G. McCormack, Library Journal

Author: Lewis L. Gould
Publisher: Oxford University Press, USA
ISBN: 0199943478
Category : History
Languages : en
Pages : 633

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Book Description
This highly readable narrative history of the Republican Party profiles the G.O.P. from its emergence as an antislavery party during the 1850s to its current place as champion of political conservatism.