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Nineteenth-century Exhibition Architecture: a "myth" in Architectural History

Nineteenth-century Exhibition Architecture: a Author: Virginia W. Bradford
Publisher:
ISBN:
Category :
Languages : en
Pages : 139

Book Description


Nineteenth-century Exhibition Architecture: a "myth" in Architectural History

Nineteenth-century Exhibition Architecture: a Author: Virginia W. Bradford
Publisher:
ISBN:
Category :
Languages : en
Pages : 139

Book Description


Nineteenth-century Exhibition Architecture: a "myth" in Architectural History

Nineteenth-century Exhibition Architecture: a Author: George H. Bouwman
Publisher:
ISBN:
Category :
Languages : en
Pages : 138

Book Description


Nineteenth Century Art

Nineteenth Century Art PDF Author: Stephen Eisenman
Publisher:
ISBN: 9780500237939
Category : Art
Languages : en
Pages : 428

Book Description
"The revised and expanded edition of Nineteenth Century Art: A Critical History embraces many aspects of the so-called 'new' art history - attention to issues of class and gender, reception and spectatorship, racism and Eurocentrism - while at the same time recovering the remarkable vitality, salience and subversiveness of the era's best art. Indeed, the authors insist that there is a profound sympathy between these new perspectives and the art under examination. For it was nineteenth-century artists who first addressed the issues that preoccupy audiences and scholars today: the relation between popular and elite culture, the legacy of the Enlightenment, the question of the canon, and the representation of workers, women and non-whites."--BOOK JACKET.

"Iron, Ornament and Architecture in Victorian Britain "

Author: Paul Dobraszczyk
Publisher: Routledge
ISBN: 1351562088
Category : Art
Languages : en
Pages : 578

Book Description
Vilified by leading architectural modernists and Victorian critics alike, mass-produced architectural ornament in iron has received little sustained study since the 1960s; yet it proliferated in Britain in the half century after the building of the Crystal Palace in 1851 - a time when some architects, engineers, manufacturers, and theorists believed that the fusion of iron and ornament would reconcile art and technology and create a new, modern architectural language. Comprehensively illustrated and richly researched, Iron, Ornament and Architecture in Victorian Britain presents the most sustained study to date of the development of mechanised architectural ornament in iron in nineteenth-century architecture, its reception and theorisation by architects, critics and engineers, and the contexts in which it flourished, including industrial buildings, retail and seaside architecture, railway stations, buildings for export and exhibition, and street furniture. Appealing to architects, conservationists, historians and students of nineteenth-century visual culture and the built environment, this book offers new ways of understanding the notion of modernity in Victorian architecture by questioning and re-evaluating both Victorian and modernist understandings of the ideological split between historicism and functionalism, and ornament and structure.

Catalog of the Avery Memorial Architectural Library of Columbia University: Elc - Furq

Catalog of the Avery Memorial Architectural Library of Columbia University: Elc - Furq PDF Author: Avery Library
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 848

Book Description


Architecture, Mysticism and Myth

Architecture, Mysticism and Myth PDF Author: William Richard Lethaby
Publisher: Courier Corporation
ISBN: 0486435199
Category : Architecture
Languages : en
Pages : 290

Book Description
First published in 1892, this classic explores the symbolism of classical architecture. A milestone in relating mysticism to design, it shows the correlation between mythology and the design of St. Paul's Cathedral, the Taj Mahal, the Palace of Versailles, and other architectural masterpieces. 30 black-and-white illustrations.

Function and Fantasy: Iron Architecture in the Long Nineteenth Century

Function and Fantasy: Iron Architecture in the Long Nineteenth Century PDF Author: Paul Dobraszczyk
Publisher: Routledge
ISBN: 1317131401
Category : Architecture
Languages : en
Pages : 326

Book Description
The introduction of iron – and later steel – construction and decoration transformed architecture in the nineteenth century. While the structural employment of iron has been a frequent subject of study, this book re-directs scholarly scrutiny on its place in the aesthetics of architecture in the long nineteenth century. Together, its eleven unique and original chapters chart – for the first time – the global reach of iron’s architectural reception, from the first debates on how iron could be incorporated into architecture’s traditional aesthetics to the modernist cleaving of its structural and ornamental roles. The book is divided into three sections. Formations considers the rising tension between the desire to translate traditional architectural motifs into iron and the nascent feeling that iron buildings were themselves creating an entirely new field of aesthetic expression. Exchanges charts the commercial and cultural interactions that took place between British iron foundries and clients in far-flung locations such as Argentina, Jamaica, Nigeria and Australia. Expressing colonial control as well as local agency, iron buildings struck a balance between pre-fabricated functionalism and a desire to convey beauty, value and often exoticism through ornament. Transformations looks at the place of the aesthetics of iron architecture in the late nineteenth and early twentieth centuries, a period in which iron ornament sought to harmonize wide social ambitions while offering the tantalizing possibility that iron architecture as a whole could transform the fundamental meanings of ornament. Taken together, these chapters call for a re-evaluation of modernism’s supposedly rationalist interest in nineteenth-century iron structures, one that has potentially radical implications for the recent ornamental turn in contemporary architecture.

Catalog of the Avery Memorial Architectural Library of Columbia University

Catalog of the Avery Memorial Architectural Library of Columbia University PDF Author: Avery Library
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 844

Book Description


The Routledge Companion to Contemporary Architectural History

The Routledge Companion to Contemporary Architectural History PDF Author: Duanfang Lu
Publisher: Taylor & Francis
ISBN: 131737925X
Category : Architecture
Languages : en
Pages : 509

Book Description
The Routledge Companion to Contemporary Architectural History offers a comprehensive and up-to-date knowledge report on recent developments in architectural production and research. Divided into three parts – Practices, Interrogations, and Innovations – this book charts diversity, criticality, and creativity in architectural interventions to meet challenges and enact changes in different parts of the world through featured exemplars and fresh theoretical orientations. The collection features 29 chapters written by leading architectural scholars and highlights the reciprocity between the historical and the contemporary, research and practice, and disciplinary and professional knowledge. Providing an essential map for navigating the complex currents of contemporary architecture, the Companion will interest students, academics, and practitioners who wish to bolster their understanding of built environments.

Representing the Past in the Art of the Long Nineteenth Century

Representing the Past in the Art of the Long Nineteenth Century PDF Author: Matthew C. Potter
Publisher: Routledge
ISBN: 1351004166
Category : Art
Languages : en
Pages : 287

Book Description
This edited collection explores the intersection of historical studies and the artistic representation of the past in the long nineteenth century. The case studies provide not just an account of the pursuit of history in art within Western Europe but also examples from beyond that sphere. These cover canonical and conventional examples of history painting as well as more inclusive, ‘popular’ and vernacular visual cultural phenomena. General themes explored include the problematics internal to the theory and practice of academic history painting and historical genre painting, including compositional devices and the authenticity of artefacts depicted; relationships of power and purpose in historical art; the use of historical art for alternative Liberal and authoritarian ideals; the international cross-fertilisation of ideas about historical art; and exploration of the diverse influences of socioeconomic and geopolitical factors. This book will be of particular interest to scholars of the histories of nineteenth-century art and culture.